Croma (el color de las emociones)
“CROMA”, es una propuesta artística que incorpora plásticamente las indagaciones que se realizaron sobre la psicología del color, teoría del color y la geometría sagrada en relación con las emociones humanas y la diferencia única de cada ser. Gracias al uso de los materiales durante el desarrollo pl...
- Autores:
-
Delgado Buitrago, Sofia Elianny
- Tipo de recurso:
- http://purl.org/coar/version/c_b1a7d7d4d402bcce
- Fecha de publicación:
- 2016
- Institución:
- Universidad Industrial de Santander
- Repositorio:
- Repositorio UIS
- Idioma:
- spa
- OAI Identifier:
- oai:noesis.uis.edu.co:20.500.14071/33833
- Palabra clave:
- Color
Emociones
Tensión
Forma
Escultura.
"CROMA" is an artistic proposal that incorporates investigations
carried out plastically on the psychology of color
color theory and sacred geometry in relation to human emotions and the only difference of each human being. Thanks to the use of materials for the plastic development and its apparent language
the conceptual approach of the project is forged; where emotions
color and personal perception of each individual cohere with the modular structure
because -through this structure- color
tension and shape are evident. As a result of research on color and its influence on human emotions
one can conclude that the transformation can relate the material to the internal emotional behavior of people. From the statements of psychologists as Goethe
Sloan
Itten and Plutchik
where they state that color selection can display the personality and because color perception is different in every being and intensity of emotion according to the stimulus too
it is why the colors allow this subjective interpretation of what everyone interprets as his own emotional reality. On the other hand
the installation is complemented among its visual aspects
such as color
shape and tension
giving each element its relationship with the environment of each being. Since the shape connects with nature
the voltage instability or difference between them and contended color in the structure connects with emotions inside.
- Rights
- License
- Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
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dc.title.none.fl_str_mv |
Croma (el color de las emociones) |
dc.title.english.none.fl_str_mv |
Color, Emotions, Stress, Shape, Sculpture. |
title |
Croma (el color de las emociones) |
spellingShingle |
Croma (el color de las emociones) Color Emociones Tensión Forma Escultura. "CROMA" is an artistic proposal that incorporates investigations carried out plastically on the psychology of color color theory and sacred geometry in relation to human emotions and the only difference of each human being. Thanks to the use of materials for the plastic development and its apparent language the conceptual approach of the project is forged; where emotions color and personal perception of each individual cohere with the modular structure because -through this structure- color tension and shape are evident. As a result of research on color and its influence on human emotions one can conclude that the transformation can relate the material to the internal emotional behavior of people. From the statements of psychologists as Goethe Sloan Itten and Plutchik where they state that color selection can display the personality and because color perception is different in every being and intensity of emotion according to the stimulus too it is why the colors allow this subjective interpretation of what everyone interprets as his own emotional reality. On the other hand the installation is complemented among its visual aspects such as color shape and tension giving each element its relationship with the environment of each being. Since the shape connects with nature the voltage instability or difference between them and contended color in the structure connects with emotions inside. |
title_short |
Croma (el color de las emociones) |
title_full |
Croma (el color de las emociones) |
title_fullStr |
Croma (el color de las emociones) |
title_full_unstemmed |
Croma (el color de las emociones) |
title_sort |
Croma (el color de las emociones) |
dc.creator.fl_str_mv |
Delgado Buitrago, Sofia Elianny |
dc.contributor.advisor.none.fl_str_mv |
Villamil Rodriguez, Ivonne Viviana |
dc.contributor.author.none.fl_str_mv |
Delgado Buitrago, Sofia Elianny |
dc.subject.none.fl_str_mv |
Color Emociones Tensión Forma Escultura. |
topic |
Color Emociones Tensión Forma Escultura. "CROMA" is an artistic proposal that incorporates investigations carried out plastically on the psychology of color color theory and sacred geometry in relation to human emotions and the only difference of each human being. Thanks to the use of materials for the plastic development and its apparent language the conceptual approach of the project is forged; where emotions color and personal perception of each individual cohere with the modular structure because -through this structure- color tension and shape are evident. As a result of research on color and its influence on human emotions one can conclude that the transformation can relate the material to the internal emotional behavior of people. From the statements of psychologists as Goethe Sloan Itten and Plutchik where they state that color selection can display the personality and because color perception is different in every being and intensity of emotion according to the stimulus too it is why the colors allow this subjective interpretation of what everyone interprets as his own emotional reality. On the other hand the installation is complemented among its visual aspects such as color shape and tension giving each element its relationship with the environment of each being. Since the shape connects with nature the voltage instability or difference between them and contended color in the structure connects with emotions inside. |
dc.subject.keyword.none.fl_str_mv |
"CROMA" is an artistic proposal that incorporates investigations carried out plastically on the psychology of color color theory and sacred geometry in relation to human emotions and the only difference of each human being. Thanks to the use of materials for the plastic development and its apparent language the conceptual approach of the project is forged; where emotions color and personal perception of each individual cohere with the modular structure because -through this structure- color tension and shape are evident. As a result of research on color and its influence on human emotions one can conclude that the transformation can relate the material to the internal emotional behavior of people. From the statements of psychologists as Goethe Sloan Itten and Plutchik where they state that color selection can display the personality and because color perception is different in every being and intensity of emotion according to the stimulus too it is why the colors allow this subjective interpretation of what everyone interprets as his own emotional reality. On the other hand the installation is complemented among its visual aspects such as color shape and tension giving each element its relationship with the environment of each being. Since the shape connects with nature the voltage instability or difference between them and contended color in the structure connects with emotions inside. |
description |
“CROMA”, es una propuesta artística que incorpora plásticamente las indagaciones que se realizaron sobre la psicología del color, teoría del color y la geometría sagrada en relación con las emociones humanas y la diferencia única de cada ser. Gracias al uso de los materiales durante el desarrollo plástico y su aparente lenguaje, se forja el planteamiento conceptual del proyecto, en donde se cohesionan las emociones, el color y la percepción personal de cada individuo con la estructura modular ya que por medio de ésta se evidencia el color, la tensión y la forma. Como resultado de la investigación acerca del color y sus influencias en las emociones humanas, es posible concluir que se puede relacionar la transformación del material con el comportamiento emocional interno de las personas. A partir de las afirmaciones de los psicólogos como Goethe, Sloan, Itten y Plutchik, en donde se establecen que la selección del color permite visualizar la personalidad y que debido a que la percepción del color es distinta en cada ser y la intensidad de emoción de acuerdo al estímulo también, es por esto que los colores permiten esta interpretación subjetiva de lo que cada quien interpreta como su propia realidad emocional. Por otro lado, la instalación se complementa entre sus aspectos más visuales, como lo son el color, la forma y la tensión, dando a cada elemento su relación con el entorno de cada ser. Puesto que la forma conecta el ser con la naturaleza, la tensión con su inestabilidad o diferencia entre unos y otros y el color contendido en la estructura conecta con las emociones de su interior. |
publishDate |
2016 |
dc.date.available.none.fl_str_mv |
2016 2024-03-03T22:30:54Z |
dc.date.created.none.fl_str_mv |
2016 |
dc.date.issued.none.fl_str_mv |
2016 |
dc.date.accessioned.none.fl_str_mv |
2024-03-03T22:30:54Z |
dc.type.local.none.fl_str_mv |
Tesis/Trabajo de grado - Monografía - Pregrado |
dc.type.hasversion.none.fl_str_mv |
http://purl.org/coar/resource_type/c_7a1f |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/version/c_b1a7d7d4d402bcce |
format |
http://purl.org/coar/version/c_b1a7d7d4d402bcce |
dc.identifier.uri.none.fl_str_mv |
https://noesis.uis.edu.co/handle/20.500.14071/33833 |
dc.identifier.instname.none.fl_str_mv |
Universidad Industrial de Santander |
dc.identifier.reponame.none.fl_str_mv |
Universidad Industrial de Santander |
dc.identifier.repourl.none.fl_str_mv |
https://noesis.uis.edu.co |
url |
https://noesis.uis.edu.co/handle/20.500.14071/33833 https://noesis.uis.edu.co |
identifier_str_mv |
Universidad Industrial de Santander |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.rights.none.fl_str_mv |
http://creativecommons.org/licenses/by/4.0/ |
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http://purl.org/coar/access_right/c_abf2 |
dc.rights.license.none.fl_str_mv |
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) |
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http://creativecommons.org/licenses/by-nc/4.0 |
dc.rights.creativecommons.none.fl_str_mv |
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) |
rights_invalid_str_mv |
Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by-nc/4.0 Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0) http://purl.org/coar/access_right/c_abf2 |
dc.format.mimetype.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidad Industrial de Santander |
dc.publisher.faculty.none.fl_str_mv |
Instituto de Proyección Regional y Educación a Distancia |
dc.publisher.program.none.fl_str_mv |
Bellas Artes |
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Instituto de Proyección Regional y Educación a Distancia |
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Universidad Industrial de Santander |
institution |
Universidad Industrial de Santander |
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Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)http://creativecommons.org/licenses/by/4.0/http://creativecommons.org/licenses/by-nc/4.0Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)http://purl.org/coar/access_right/c_abf2Villamil Rodriguez, Ivonne VivianaDelgado Buitrago, Sofia Elianny2024-03-03T22:30:54Z20162024-03-03T22:30:54Z20162016https://noesis.uis.edu.co/handle/20.500.14071/33833Universidad Industrial de SantanderUniversidad Industrial de Santanderhttps://noesis.uis.edu.co“CROMA”, es una propuesta artística que incorpora plásticamente las indagaciones que se realizaron sobre la psicología del color, teoría del color y la geometría sagrada en relación con las emociones humanas y la diferencia única de cada ser. Gracias al uso de los materiales durante el desarrollo plástico y su aparente lenguaje, se forja el planteamiento conceptual del proyecto, en donde se cohesionan las emociones, el color y la percepción personal de cada individuo con la estructura modular ya que por medio de ésta se evidencia el color, la tensión y la forma. Como resultado de la investigación acerca del color y sus influencias en las emociones humanas, es posible concluir que se puede relacionar la transformación del material con el comportamiento emocional interno de las personas. A partir de las afirmaciones de los psicólogos como Goethe, Sloan, Itten y Plutchik, en donde se establecen que la selección del color permite visualizar la personalidad y que debido a que la percepción del color es distinta en cada ser y la intensidad de emoción de acuerdo al estímulo también, es por esto que los colores permiten esta interpretación subjetiva de lo que cada quien interpreta como su propia realidad emocional. Por otro lado, la instalación se complementa entre sus aspectos más visuales, como lo son el color, la forma y la tensión, dando a cada elemento su relación con el entorno de cada ser. Puesto que la forma conecta el ser con la naturaleza, la tensión con su inestabilidad o diferencia entre unos y otros y el color contendido en la estructura conecta con las emociones de su interior.PregradoMaestro en Bellas ArtesCromaapplication/pdfspaUniversidad Industrial de SantanderInstituto de Proyección Regional y Educación a DistanciaBellas ArtesInstituto de Proyección Regional y Educación a DistanciaColorEmocionesTensiónFormaEscultura."CROMA" is an artistic proposal that incorporates investigationscarried out plastically on the psychology of colorcolor theory and sacred geometry in relation to human emotions and the only difference of each human being. Thanks to the use of materials for the plastic development and its apparent languagethe conceptual approach of the project is forged; where emotionscolor and personal perception of each individual cohere with the modular structurebecause -through this structure- colortension and shape are evident. As a result of research on color and its influence on human emotionsone can conclude that the transformation can relate the material to the internal emotional behavior of people. From the statements of psychologists as GoetheSloanItten and Plutchikwhere they state that color selection can display the personality and because color perception is different in every being and intensity of emotion according to the stimulus tooit is why the colors allow this subjective interpretation of what everyone interprets as his own emotional reality. On the other handthe installation is complemented among its visual aspectssuch as colorshape and tensiongiving each element its relationship with the environment of each being. Since the shape connects with naturethe voltage instability or difference between them and contended color in the structure connects with emotions inside.Croma (el color de las emociones)Color, Emotions, Stress, Shape, Sculpture.Tesis/Trabajo de grado - Monografía - Pregradohttp://purl.org/coar/resource_type/c_7a1fhttp://purl.org/coar/version/c_b1a7d7d4d402bcceORIGINALCarta de autorización.pdfapplication/pdf106779https://noesis.uis.edu.co/bitstreams/de55d3c2-df82-4751-92c3-a17acc82c6fe/downloadfc15af8a6d909970c09c77804a978822MD51Documento.pdfapplication/pdf2273776https://noesis.uis.edu.co/bitstreams/c46a5f7c-189d-45d8-9e17-f1c17b8e41ba/downloaddf7c7c57313ba856c676e89d369226afMD52Nota de proyecto.pdfapplication/pdf44093https://noesis.uis.edu.co/bitstreams/a22820e6-63bb-4e71-b00f-021e91360773/download8385f9d80267d9346bc78dea7c440b6bMD5320.500.14071/33833oai:noesis.uis.edu.co:20.500.14071/338332024-03-03 17:30:54.331http://creativecommons.org/licenses/by-nc/4.0http://creativecommons.org/licenses/by/4.0/open.accesshttps://noesis.uis.edu.coDSpace at UISnoesis@uis.edu.co |