Entre ensayos y performatividad: Los estudios del performance y la política de la práctica

Proyecto de traducción resultado de investigación de la línea de investigación en Estudios Críticos de las Corporeidades, las Sensibilidades y las Performatividades, y del Grupo de Investigación para la Creación Artística adscritos al programa de Doctorado en Estudios Artísticos de la Universidad Di...

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Autores:
Hunter, Lynette
Bolles, Dylan
Castillo Ballén, Sonia
Palau, María del Carmen
Hernández, Álvaro Iván
Castillo Ballén, Sonia
García Schlengel, María Teresa
Ramos Cuncanchún, Francisco
Tipo de recurso:
Book
Fecha de publicación:
2021
Institución:
Universidad Distrital Francisco José de Caldas
Repositorio:
RIUD: repositorio U. Distrital
Idioma:
OAI Identifier:
oai:repository.udistrital.edu.co:11349/30208
Acceso en línea:
http://hdl.handle.net/11349/30208
Palabra clave:
Estudios artísticos
Performance
Cuerpo
Teatro
Danza
Arte
Performatividad
Arte corporal - Ensayos
Artes de representación - Ensayos
Arte - Ensayos
Artes escénicas - Ensayos
Teatro y sociedad - Ensayos
Cuerpo humano en la cultura popular - Ensayos
Artistic studies
Performance
Body
Theater
Dance
Art
Performativity
Rights
License
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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oai_identifier_str oai:repository.udistrital.edu.co:11349/30208
network_acronym_str UDISTRITA2
network_name_str RIUD: repositorio U. Distrital
repository_id_str
dc.title.spa.fl_str_mv Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
dc.title.alternative.spa.fl_str_mv Los estudios del performance y la política de la práctica
title Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
spellingShingle Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
Estudios artísticos
Performance
Cuerpo
Teatro
Danza
Arte
Performatividad
Arte corporal - Ensayos
Artes de representación - Ensayos
Arte - Ensayos
Artes escénicas - Ensayos
Teatro y sociedad - Ensayos
Cuerpo humano en la cultura popular - Ensayos
Artistic studies
Performance
Body
Theater
Dance
Art
Performativity
title_short Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
title_full Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
title_fullStr Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
title_full_unstemmed Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
title_sort Entre ensayos y performatividad: Los estudios del performance y la política de la práctica
dc.creator.fl_str_mv Hunter, Lynette
Bolles, Dylan
Castillo Ballén, Sonia
Palau, María del Carmen
Hernández, Álvaro Iván
Castillo Ballén, Sonia
García Schlengel, María Teresa
Ramos Cuncanchún, Francisco
dc.contributor.author.none.fl_str_mv Hunter, Lynette
Bolles, Dylan
Castillo Ballén, Sonia
Palau, María del Carmen
Hernández, Álvaro Iván
Castillo Ballén, Sonia
García Schlengel, María Teresa
Ramos Cuncanchún, Francisco
dc.subject.spa.fl_str_mv Estudios artísticos
Performance
Cuerpo
Teatro
Danza
Arte
Performatividad
topic Estudios artísticos
Performance
Cuerpo
Teatro
Danza
Arte
Performatividad
Arte corporal - Ensayos
Artes de representación - Ensayos
Arte - Ensayos
Artes escénicas - Ensayos
Teatro y sociedad - Ensayos
Cuerpo humano en la cultura popular - Ensayos
Artistic studies
Performance
Body
Theater
Dance
Art
Performativity
dc.subject.lemb.spa.fl_str_mv Arte corporal - Ensayos
Artes de representación - Ensayos
Arte - Ensayos
Artes escénicas - Ensayos
Teatro y sociedad - Ensayos
Cuerpo humano en la cultura popular - Ensayos
dc.subject.keyword.spa.fl_str_mv Artistic studies
Performance
Body
Theater
Dance
Art
Performativity
description Proyecto de traducción resultado de investigación de la línea de investigación en Estudios Críticos de las Corporeidades, las Sensibilidades y las Performatividades, y del Grupo de Investigación para la Creación Artística adscritos al programa de Doctorado en Estudios Artísticos de la Universidad Distrital Francisco José de Caldas, Facultad de Artes ASAB. Resultado del Seminario Internacional de los Estudios Artísticos, y de la presentación de los estudios de la performance que la profesora Lynette Hunter hizo como profesora invitada en los espacios académicos del Seminario Nuclear II y Taller Laboratorio II del programa de Doctorado en Estudios Artísticos.
publishDate 2021
dc.date.created.none.fl_str_mv 2021-09
dc.date.accessioned.none.fl_str_mv 2022-09-20T21:14:08Z
dc.date.available.none.fl_str_mv 2022-09-20T21:14:08Z
dc.type.spa.fl_str_mv preprint
dc.type.driver.none.fl_str_mv info:eu-repo/semantics/book
dc.type.coar.none.fl_str_mv http://purl.org/coar/resource_type/c_2f33
format http://purl.org/coar/resource_type/c_2f33
dc.identifier.isbn.spa.fl_str_mv 978-958-787-297-2
978-958-787-296-5
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/11349/30208
dc.identifier.editorial.spa.fl_str_mv Universidad Distrital Francisco José de Caldas
identifier_str_mv 978-958-787-297-2
978-958-787-296-5
Universidad Distrital Francisco José de Caldas
url http://hdl.handle.net/11349/30208
dc.relation.references.spa.fl_str_mv Butler, Judith. 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’. Routledge.
De la Cadena, Marisol. 2010. “Indigenous Cosmopolitics in the Andes: Conceptual Reflec tions Beyond ‘Politics’”. Cultural Anthropology 25 (2) (May): 34-70.
Derrida, Jacques. 1971 (1987). Limited Inc. (Samuel Weber y Jeffrey Mehlman, trads.). Nor thwestern University Press.
Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial”. Feminist Studies 14 (3): 575-599.
Hunter, Lynette. 1987. Modern Allegory and Fantasy. Macmillan.
—. 2005. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 39 (3): 51-58
—. 2014. Disunified Aesthetics; Situated Textuality, Performativity Collaboration. Montreal: McGill Queen’s University Press
—. 2016. “Listening to Writing: Performativity in Strategies Developed by Learning from Indigenous Yukon Discourse”. Journal of Canadian Studies 50 (1): 36-69
Lao Tse. 1998. Tao Te Ching. Shambala.
Manning, Erin. 2013. Always More than One: Individuation’s Dance. Duke University Press.
Povinelli, Elisabeth. 2011. Economies of Abandonment: Social Belonging and Endurance in Late Liberalism. Duke University Press.
Star, Jonathan, trans. 2002. Tao Te Ching. Tarcher.
Wilderson, Frank III. 2020. Afropessimism. Liveright.
Zhuangzi. 1964. Basic Writings (B. Watson, trad.). Columbia University Press.
Code, Lorraine. 2006. Ecological Thinking: The Politics of Epistemic Location. Nueva York: Oxford University Press.
Csordas, Thomas. 1999. “Embodiment and Cultural Phenomenology”. En Perspectives on Embodiment, G. Weiss y H. F. Haber, 143-162. Nueva York: Routledge.
Foster, Susan, 2010. Choreographing Empathy: Kinesthesia in Performance. Nueva York: Routledge.
Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14: 3.
Hawhee, Deborah. 2005. Bodily Arts: Rhetoric and Athletics in Ancient Greece. Austin: University of Texas Press.
Hunter, Lynette. 1996. “The Puppeteer. Being Wedded to the Text”. Open Letter: Kroetsch at Niederbron, 9th Ser., Nos. 5-6.
—. 2004. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 22.
—. 2005. Critiques of Knowing: Situated Textualities. Londres: Routledge.
—. 2008. “Performatics: Making a Noun Out of an Adjective”. On Performatics: Performance Research 13: 2.
Lepecki. Andre. 2010. “The Body as Archive: Will to Re-enact and the Afterlives of Dances”. Dance Research Journal 42: 2
Levin, Ted. 2006. Where Rivers and Mountains Sing. Bloomington: Indiana University Press.
Massey, Doreen. 2005. For Space. Londres: Sage.
Minh-Ha, Trinh. 1999. Cinema Interval. Nueva York: Routledge.
Nancy, Jean-Luc. 1991. The Inoperative Community. Minneapolis: University of Minnesota Press.
Noe, Ilya. 2009. “Site particular”. En Mapping Landscapes for Performance as Research, editado por S. Riley y L. Hunter. Londres: Palgrave.
Park, Chan. 2003. Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing. Honolulú: University of Hawai Press.
Schoenberg, Arnold, 1975. Style and Idea. Nueva York: St. Martin’s Press.
Suzuki. Shunryu. 1976. Zen Mind, Beginner’s Mind. Tokio: Weatherhill.
Taylor, Diane. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.
Wade, David. 2003. Li: Dynamic form in Nature. Nueva York: Wooden Books.
Balibar, Etienne. 1997. Spinoza: From Individuality to Transindividuality. Mededelingen Vanwege het Spinozahuis. Delft: Eburon.
Barad, Karen. 2003. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter”. Signs: Journal of Women in Culture and Society 28 (3): 801-82
Brennan, Teresa. 2004. The Transmission of Affect. Ithaca: Cornell UP.
Deleuze, Gilles y Félix Guattari. 1988. A Thousand Plateaus. Londres: Athlone Press.
Derrida, Jacques. 1993. Aporias. Traducido por Thomas Dutoit. Palo Alto: Stanford UP.
Haraway, Donna. 2008. When Species Meet. Minneapolis: U of Minnesota P.
Hunter, Lynette. 1999. Critiques of Knowing: Situated Textualities in Science, Computing and the Arts. Londres: Routledge.
—. 2013. “Engaging Politics: Keith Hennessy’s Radical Devised Dance Theatre”. Performance, Politics and Activism: Scales of Production, editado por Peter Lichtenfels y John Rouse, 132-153. Londres: Palgrave Macmillan.
—. 2014. Disunified Aesthetics: Situated Textuality, Performativity, Collaboration. Montreal: McGill Queen’s UP.
Hunter, Lynette y Richard Schubert. 2013. “Winning, Losing, and Wandering Play: Zhu angzian Paradox and Daoist Practice”. Journalism, Media and Cultural Studies 5 (Summer): 1-20.
Laclau, Ernesto y Chantal Mouffe. 1984. Hegemony and Socialist Strategies: Towards a Radical Democratic Politics. Londres: Verso.
Lepecki, André. 2013. “Inside Dance Studies”. Dance Research Journal 45 (3) (December): 3-28.
Levinas, Emmanuel. 1998. Otherwise than Being: Beyond Essence. Traducido por Alphonso Lingis. Pittsburg: Duquesne UP.
Manning, Erin. 2006. Relationscapes: Movement, Art, Philosophy. Londres: MIT Press.
—. 2013. Always More than One: Individuation’s Dance. Durham: Duke UP.
Massumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke UP.
—. 2011. Semblance and Event: Activist Philosophy and the Occurrent Arts. Londres: MIT Press.
—. 2015. The Politics of Affect. Cambridge: Polity.
Morton, Timothy. 2011. “Sublime Objects”. Speculations II, editado por Michael Austin, Paul J. Ennis, Fabio Gironi y Thomas Gokey, 207-227. Nueva York: Punctum Books.
Overgaard, Søren. 2007. “The Ethical Residue of Language in Levinas and Early Wittgenstein”. Philosophy and Social Criticism 33 (2): 223-249.
Phelan, Peggy. 1993. “The Ontology of Performance: Representation without Reproduction”. Unmarked: The Politics of Performance, 146-186. Londres: Routledge.
Read, Alan. 1993. Theatre and Everyday Life: An Ethics of Performance. Londres: Routledge.
Sedgwick, Eve Kosofsky. 2003. Touching, Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP.
Wilson, Shawn. 2008. Research is Ceremony: Indigenous Research Methods. Winnipeg and Halifax: Fernwood Publishing.
Ahmed, S. 2006. Queer Phenomenology: Orientations, Objects, Others. Duke University Press.
Benhabib, S. ed. 1996. Democracy and Difference: Contesting the Boundaries of the Political. Princeton University Press.
Clayton, Michelle, Mark Franko, Nadine George-Graves, André Lepecki, Susan Manning, Janice Ross, Rebecca Schneider, Noémie Solomon y Stefanie Miller. 2013. “Inside/ Beside Dance Studies”. Dance Research Journal 45 (3): 3-28.
Code, L. 1995. Rhetorical Spaces in Gendered Locations. Routledge.
—. 2006. Ecological Thinking: The Politics of Epistemic Location. Oxford University Press.
Gatens, M. y G. Lloyd. 1999. Collective Imaginings: Spinoza, Past and Present. Routledge.
Haraway, D. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14 (3): 575-599.
—. 2007. When Species Meet. University of Minnesota Press.
Harding, S. 1986. The Science Question in Feminism. Open University Press.
—. 1991. Whose Science? Whose Knowledge? Thinking from Women’s Lives. Open University Press.
Hartman, S. 1997. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth Century America. Oxford University Press.
Hunter, L. 1999. Critiques of Knowing: Situated Textualities in Science, Computing and the Arts. Routledge.
—. 2001. “Listening to Differentiated Public Voices”. Feminist Theory. Special Issue: Gendering Ethics/The Ethics of Gender2(2): 205-218.
—. 2013. “Engaging Politics: Keith Hennessy’s Radical Devised Dance Theatre”. En Performance, Politics and Activism: Scales of Production, editado por P. Lichtenfels y J. Rouse. Palgrave Macmillan.
—. 2014. Disunified Aesthetics. McGill-Queen’s University Press.
—. 2016. “Ways of Knowing and Ways of Being Known”. En Embodied Performance, editado por L. Hunter, E. Krimmer y P. Lichtenfels. Rowman and Littlefield.
Kosofsky-Sedgwick, E. 2002. Touching Feeling: Affect, Pedagogy, Performativity. Duke University Press.
Lennon, K. y M. Whitford. eds. 1994. Knowing the Difference: Feminist Perspectives in Epistemology. Routledge.
Lovibond, S. 1983. Realism and Imagination in Ethics. Blackwell.
—. 1994. “The End of Morality”. En Knowing the Difference: Feminist Perspectives in Epistemology, editado por K. Lennon y M. Whitford. Routledge.
Povinelli, E. 2006. The Empire of Love: Toward a Theory of Intimacy, Genealogy and Carnality. Duke University Press.
Read, A. 1994. Theatre and Everyday life. Routledge.
Rose, H. 1994. Love, Power and Knowledge: Towards a Feminist Transformation of the Sciences. Polity.
Stengers, I. 2005. “Introductory Notes on an Ecology of Practices”. Cultural Studies Review 11 (1): 183-196.
Strathern, M. 2004. Partial Connections (updated edition). Rowman and Littlefield.
Taylor, D. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press.
Woodward, K. ed. 1999. Figuring Age: Women, Bodies, Generations. Indiana University Press.
Young, I. 1997. Intersecting Voices: Dilemmas of Gender, Political Philosophy, and Policy. Princeton University Press.
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spelling Hunter, Lynettewill be generated::orcid::0000-0002-8186-1472600Bolles, DylanCastillo Ballén, SoniaPalau, María del CarmenHernández, Álvaro IvánCastillo Ballén, SoniaGarcía Schlengel, María TeresaRamos Cuncanchún, Francisco2022-09-20T21:14:08Z2022-09-20T21:14:08Z2021-09978-958-787-297-2978-958-787-296-5http://hdl.handle.net/11349/30208Universidad Distrital Francisco José de CaldasProyecto de traducción resultado de investigación de la línea de investigación en Estudios Críticos de las Corporeidades, las Sensibilidades y las Performatividades, y del Grupo de Investigación para la Creación Artística adscritos al programa de Doctorado en Estudios Artísticos de la Universidad Distrital Francisco José de Caldas, Facultad de Artes ASAB. Resultado del Seminario Internacional de los Estudios Artísticos, y de la presentación de los estudios de la performance que la profesora Lynette Hunter hizo como profesora invitada en los espacios académicos del Seminario Nuclear II y Taller Laboratorio II del programa de Doctorado en Estudios Artísticos.Translation project resulting from research of the line of research in Critical Studies of Corporeities, Sensitivities and Performativities, and of the Research Group for Artistic Creation attached to the Doctorate program in Artistic Studies of the Francisco José de Caldas District University , ASAB Faculty of Arts. Result of the International Seminar on Artistic Studies, and the presentation of performance studies that Professor Lynette Hunter made as a guest professor in the academic spaces of the Nuclear Seminar II and Laboratory Workshop II of the Doctorate program in Artistic Studies.BogotápdfUniversidad Distrital Francisco José de Caldas. Facultad de Artes ASAB. Doctorado en Estudios ArtísticosAttribution-NonCommercial-NoDerivatives 4.0 Internacionalhttp://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf2Estudios artísticosPerformanceCuerpoTeatroDanzaArtePerformatividadArte corporal - EnsayosArtes de representación - EnsayosArte - EnsayosArtes escénicas - EnsayosTeatro y sociedad - EnsayosCuerpo humano en la cultura popular - EnsayosArtistic studiesPerformanceBodyTheaterDanceArtPerformativityEntre ensayos y performatividad: Los estudios del performance y la política de la prácticaLos estudios del performance y la política de la prácticapreprintinfo:eu-repo/semantics/bookhttp://purl.org/coar/resource_type/c_2f33Butler, Judith. 1993. Bodies that Matter: On the Discursive Limits of ‘Sex’. Routledge.De la Cadena, Marisol. 2010. “Indigenous Cosmopolitics in the Andes: Conceptual Reflec tions Beyond ‘Politics’”. Cultural Anthropology 25 (2) (May): 34-70.Derrida, Jacques. 1971 (1987). Limited Inc. (Samuel Weber y Jeffrey Mehlman, trads.). Nor thwestern University Press.Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial”. Feminist Studies 14 (3): 575-599.Hunter, Lynette. 1987. Modern Allegory and Fantasy. Macmillan.—. 2005. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 39 (3): 51-58—. 2014. Disunified Aesthetics; Situated Textuality, Performativity Collaboration. Montreal: McGill Queen’s University Press—. 2016. “Listening to Writing: Performativity in Strategies Developed by Learning from Indigenous Yukon Discourse”. Journal of Canadian Studies 50 (1): 36-69Lao Tse. 1998. Tao Te Ching. Shambala.Manning, Erin. 2013. Always More than One: Individuation’s Dance. Duke University Press.Povinelli, Elisabeth. 2011. Economies of Abandonment: Social Belonging and Endurance in Late Liberalism. Duke University Press.Star, Jonathan, trans. 2002. Tao Te Ching. Tarcher.Wilderson, Frank III. 2020. Afropessimism. Liveright.Zhuangzi. 1964. Basic Writings (B. Watson, trad.). Columbia University Press.Code, Lorraine. 2006. Ecological Thinking: The Politics of Epistemic Location. Nueva York: Oxford University Press.Csordas, Thomas. 1999. “Embodiment and Cultural Phenomenology”. En Perspectives on Embodiment, G. Weiss y H. F. Haber, 143-162. Nueva York: Routledge.Foster, Susan, 2010. Choreographing Empathy: Kinesthesia in Performance. Nueva York: Routledge.Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14: 3.Hawhee, Deborah. 2005. Bodily Arts: Rhetoric and Athletics in Ancient Greece. Austin: University of Texas Press.Hunter, Lynette. 1996. “The Puppeteer. Being Wedded to the Text”. Open Letter: Kroetsch at Niederbron, 9th Ser., Nos. 5-6.—. 2004. “Equality as Difference: Storytelling in/of Nunavut”. International Journal of Canadian Studies 22.—. 2005. Critiques of Knowing: Situated Textualities. Londres: Routledge.—. 2008. “Performatics: Making a Noun Out of an Adjective”. On Performatics: Performance Research 13: 2.Lepecki. Andre. 2010. “The Body as Archive: Will to Re-enact and the Afterlives of Dances”. Dance Research Journal 42: 2Levin, Ted. 2006. Where Rivers and Mountains Sing. Bloomington: Indiana University Press.Massey, Doreen. 2005. For Space. Londres: Sage.Minh-Ha, Trinh. 1999. Cinema Interval. Nueva York: Routledge.Nancy, Jean-Luc. 1991. The Inoperative Community. Minneapolis: University of Minnesota Press.Noe, Ilya. 2009. “Site particular”. En Mapping Landscapes for Performance as Research, editado por S. Riley y L. Hunter. Londres: Palgrave.Park, Chan. 2003. Voices from the Straw Mat: Toward an Ethnography of Korean Story Singing. Honolulú: University of Hawai Press.Schoenberg, Arnold, 1975. Style and Idea. Nueva York: St. Martin’s Press.Suzuki. Shunryu. 1976. Zen Mind, Beginner’s Mind. Tokio: Weatherhill.Taylor, Diane. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.Wade, David. 2003. Li: Dynamic form in Nature. Nueva York: Wooden Books.Balibar, Etienne. 1997. Spinoza: From Individuality to Transindividuality. Mededelingen Vanwege het Spinozahuis. Delft: Eburon.Barad, Karen. 2003. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter”. Signs: Journal of Women in Culture and Society 28 (3): 801-82Brennan, Teresa. 2004. The Transmission of Affect. Ithaca: Cornell UP.Deleuze, Gilles y Félix Guattari. 1988. A Thousand Plateaus. Londres: Athlone Press.Derrida, Jacques. 1993. Aporias. Traducido por Thomas Dutoit. Palo Alto: Stanford UP.Haraway, Donna. 2008. When Species Meet. Minneapolis: U of Minnesota P.Hunter, Lynette. 1999. Critiques of Knowing: Situated Textualities in Science, Computing and the Arts. Londres: Routledge.—. 2013. “Engaging Politics: Keith Hennessy’s Radical Devised Dance Theatre”. Performance, Politics and Activism: Scales of Production, editado por Peter Lichtenfels y John Rouse, 132-153. Londres: Palgrave Macmillan.—. 2014. Disunified Aesthetics: Situated Textuality, Performativity, Collaboration. Montreal: McGill Queen’s UP.Hunter, Lynette y Richard Schubert. 2013. “Winning, Losing, and Wandering Play: Zhu angzian Paradox and Daoist Practice”. Journalism, Media and Cultural Studies 5 (Summer): 1-20.Laclau, Ernesto y Chantal Mouffe. 1984. Hegemony and Socialist Strategies: Towards a Radical Democratic Politics. Londres: Verso.Lepecki, André. 2013. “Inside Dance Studies”. Dance Research Journal 45 (3) (December): 3-28.Levinas, Emmanuel. 1998. Otherwise than Being: Beyond Essence. Traducido por Alphonso Lingis. Pittsburg: Duquesne UP.Manning, Erin. 2006. Relationscapes: Movement, Art, Philosophy. Londres: MIT Press.—. 2013. Always More than One: Individuation’s Dance. Durham: Duke UP.Massumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke UP.—. 2011. Semblance and Event: Activist Philosophy and the Occurrent Arts. Londres: MIT Press.—. 2015. The Politics of Affect. Cambridge: Polity.Morton, Timothy. 2011. “Sublime Objects”. Speculations II, editado por Michael Austin, Paul J. Ennis, Fabio Gironi y Thomas Gokey, 207-227. Nueva York: Punctum Books.Overgaard, Søren. 2007. “The Ethical Residue of Language in Levinas and Early Wittgenstein”. Philosophy and Social Criticism 33 (2): 223-249.Phelan, Peggy. 1993. “The Ontology of Performance: Representation without Reproduction”. Unmarked: The Politics of Performance, 146-186. Londres: Routledge.Read, Alan. 1993. Theatre and Everyday Life: An Ethics of Performance. Londres: Routledge.Sedgwick, Eve Kosofsky. 2003. Touching, Feeling: Affect, Pedagogy, Performativity. Durham: Duke UP.Wilson, Shawn. 2008. Research is Ceremony: Indigenous Research Methods. Winnipeg and Halifax: Fernwood Publishing.Ahmed, S. 2006. Queer Phenomenology: Orientations, Objects, Others. Duke University Press.Benhabib, S. ed. 1996. Democracy and Difference: Contesting the Boundaries of the Political. Princeton University Press.Clayton, Michelle, Mark Franko, Nadine George-Graves, André Lepecki, Susan Manning, Janice Ross, Rebecca Schneider, Noémie Solomon y Stefanie Miller. 2013. “Inside/ Beside Dance Studies”. Dance Research Journal 45 (3): 3-28.Code, L. 1995. Rhetorical Spaces in Gendered Locations. Routledge.—. 2006. Ecological Thinking: The Politics of Epistemic Location. Oxford University Press.Gatens, M. y G. Lloyd. 1999. Collective Imaginings: Spinoza, Past and Present. Routledge.Haraway, D. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective”. Feminist Studies 14 (3): 575-599.—. 2007. When Species Meet. University of Minnesota Press.Harding, S. 1986. 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14:18:24.232http://creativecommons.org/licenses/by-nc-nd/4.0/Attribution-NonCommercial-NoDerivatives 4.0 Internacionalopen.accesshttps://repository.udistrital.edu.coRepositorio Universidad 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FsLCBBY3VlcmRvIDAyNiAgZGVsIDMxIGRlIGp1bGlvIGRlIDIwMTIgc29icmUgZWwgcHJvY2VkaW1pZW50byBwYXJhIGxhIHB1YmxpY2FjacOzbiBkZSB0ZXNpcyBkZSBwb3N0Z3JhZG8gZGUgbG9zIGVzdHVkaWFudGVzIGRlIGxhIFVuaXZlcnNpZGFkIERpc3RyaXRhbCBGcmFuY2lzY28gSm9zw6kgZGUgQ2FsZGFzLCAgQWN1ZXJkbyAwMzAgZGVsIDAzIGRlIGRpY2llbWJyZSBkZSAyMDEzIHBvciBtZWRpbyBkZWwgY3VhbCBzZSBjcmVhIGVsIFJlcG9zaXRvcmlvIEluc3RpdHVjaW9uYWwgZGUgbGEgVW5pdmVyc2lkYWQgRGlzdHJpdGFsIEZyYW5jaXNjbyBKb3PDqSBkZSBDYWxkYXMsIEFjdWVyZG8gMDM4IGRlIDIwMTUgMjAxNSDigJxwb3IgZWwgY3VhbCBzZSBtb2RpZmljYSBlbCBBY3VlcmRvIDAzMSBkZSAyMDE0IGRlIDIwMTQgcXVlIHJlZ2xhbWVudGEgZWwgdHJhYmFqbyBkZSBncmFkbyBwYXJhIGxvcyBlc3R1ZGlhbnRlcyBkZSBwcmVncmFkbyBkZSBsYSBVbml2ZXJzaWRhZCBEaXN0cml0YWwgRnJhbmNpc2NvIEpvc8OpIGRlIENhbGRhcyB5IHNlIGRpY3RhbiBvdHJhcyBkaXJlY3RyaWNlc+KAnSB5IGxhcyBkZW3DoXMgbm9ybWFzIGNvbmNvcmRhbnRlIHkgY29tcGxlbWVudGFyaWFzIHF1ZSByaWdlbiBhbCByZXNwZWN0bywgZXNwZWNpYWxtZW50ZSBsYSBsZXkgMjMgZGUgMTk4MiwgbGEgbGV5IDQ0IGRlIDE5OTMgeSBsYSBkZWNpc2nDs24gQW5kaW5hIDM1MSBkZSAxOTkzLiBFc3RvcyBkb2N1bWVudG9zIHBvZHLDoW4gc2VyIGNvbnN1bHRhZG9zIHkgZGVzY2FyZ2Fkb3MgZW4gZWwgcG9ydGFsIHdlYiBkZSBsYSBiaWJsaW90ZWNhIGh0dHA6Ly9zaXN0ZW1hZGViaWJsaW90ZWNhcy51ZGlzdHJpdGFsLmVkdS5jby8KCmspCUFjZXB0byhhbW9zKSBxdWUgTEEgVU5JVkVSU0lEQUQgbm8gc2UgcmVzcG9uc2FiaWxpemEgcG9yIGxhcyBpbmZyYWNjaW9uZXMgYSBsYSBwcm9waWVkYWQgaW50ZWxlY3R1YWwgbyBEZXJlY2hvcyBkZSBBdXRvciBjYXVzYWRhcyBwb3IgbG9zIHRpdHVsYXJlcyBkZSBsYSBwcmVzZW50ZSBMaWNlbmNpYSB5IGRlY2xhcmFtb3MgcXVlIG1hbnRlbmRyw6kgKGVtb3MpIGluZGVtbmUgYSBMQSBVTklWRVJTSURBRCBwb3IgbGFzIHJlY2xhbWFjaW9uZXMgbGVnYWxlcyBkZSBjdWFscXVpZXIgdGlwbyBxdWUgbGxlZ2FyZW4gYSBwcmVzZW50YXJzZSBwb3IgdmlvbGFjacOzbiBkZSBkZXJlY2hvcyBhIGxhIHByb3BpZWRhZCBpbnRlbGVjdHVhbCBvIGRlIEF1dG9yIHJlbGFjaW9uYWRvcyBjb24gbG9zIGRvY3VtZW50b3MgcmVnaXN0cmFkb3MgZW4gZWwgUklVRC4KCmwpCUVsIChsb3MpIGF1dG9yKGVzKSBtYW5pZmllc3RhKG1vcykgcXVlIGxhIG9icmEgb2JqZXRvIGRlIGxhIHByZXNlbnRlIGF1dG9yaXphY2nDs24gZXMgb3JpZ2luYWwsIGRlIGV4Y2x1c2l2YSBhdXRvcsOtYSwgeSBzZSByZWFsaXrDsyBzaW4gdmlvbGFyIG8gdXN1cnBhciBkZXJlY2hvcyBkZSBhdXRvciBkZSB0ZXJjZXJvczsgZGUgdGFsIHN1ZXJ0ZSwgZW4gY2FzbyBkZSBwcmVzZW50YXJzZSBjdWFscXVpZXIgcmVjbGFtYWNpw7NuIG8gYWNjacOzbiBwb3IgcGFydGUgZGUgdW4gdGVyY2VybyBlbiBjdWFudG8gYSBsb3MgZGVyZWNob3MgZGUgYXV0b3Igc29icmUgbGEgb2JyYSwgZWwgKGxvcykgZXN0dWRpYW50ZShzKSDigJMgYXV0b3IoZXMpIGFzdW1pcsOhKG4pIHRvZGEgbGEgcmVzcG9uc2FiaWxpZGFkIHkgc2FsZHLDoShuKSBlbiBkZWZlbnNhIGRlIGxvcyBkZXJlY2hvcyBhcXXDrSBhdXRvcml6YWRvcy4gUGFyYSB0b2RvcyBsb3MgZWZlY3RvcywgTEEgVU5JVkVSU0lEQUQgYWN0w7phIGNvbW8gdW4gdGVyY2VybyBkZSBidWVuYSBmZS4KCgptKQlFbCAobG9zKSBhdXRvcihlcykgbWFuaWZpZXN0YShtb3MpIHF1ZSBjb25vemNvKGNlbW9zKSBsYSBhdXRvbm9tw61hIHkgbG9zIGRlcmVjaG9zLCBxdWUgcG9zZWUobW9zKSBzb2JyZSBsYSBvYnJhIHksIGNvbW8gdGFsLCBlcyAoc29tb3MpIHJlc3BvbnNhYmxlKHMpIGRlbCBhbGNhbmNlIGp1csOtZGljbyB5IGxlZ2FsLCBkZSBlc2NvZ2VyIGxhIG9wY2nDs24gZGUgbGEgcHVibGljYWNpw7NuIG8gZGUgcmVzdHJpY2Npw7NuIGRlIGxhIHB1YmxpY2FjacOzbiBkZWwgZG9jdW1lbnRvIHJlZ2lzdHJhZG8gZW4gZWwgUklVRC4KCgoKCgoKU0kgRUwgRE9DVU1FTlRPIFNFIEJBU0EgRU4gVU4gVFJBQkFKTyBRVUUgSEEgU0lETyBQQVRST0NJTkFETyBPIEFQT1lBRE8gUE9SIFVOQSBBR0VOQ0lBIE8gVU5BIE9SR0FOSVpBQ0nDk04sIENPTiBFWENFUENJw5NOIERFIExBIFVOSVZFUlNJREFEIERJU1RSSVRBTCBGUkFOQ0lTQ08gSk9TRSBERSBDQUxEQVMsIExPUyBBVVRPUkVTIEdBUkFOVElaQU4gUVVFIFNFIEhBIENVTVBMSURPIENPTiBMT1MKREVSRUNIT1MgWSBPQkxJR0FDSU9ORVMgUkVRVUVSSURPUyBQT1IgRUwgUkVTUEVDVElWTyBDT05UUkFUTyBPIEFDVUVSRE8uCgoKCgoKCgoKCgoKCgoKCgoKCgoKCkVuIGNvbnN0YW5jaWEgZGUgbG8gYW50ZXJpb3IsIGZpcm1vKGFtb3MpIGVsIHByZXNlbnRlIGRvY3VtZW50bywgZW4gbGEgY2l1ZGFkIGRlIEJvZ290w6EsIEQuQy4sIGEgbG9zCgoKRklSTUEgREUgTE9TIFRJVFVMQVJFUyBERSBERVJFQ0hPUyBERSBBVVRPUgoKX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fICAgQy5DLiBOby4gX19fX19fX19fX19fX19fX19fCgpfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX18gICBDLkMuIE5vLiBfX19fX19fX19fX19fX19fX18KCl9fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXyAgIEMuQy4gTm8uIF9fX19fX19fX19fX19fX19fXwoKCgpDb3JyZW8gRWxlY3Ryw7NuaWNvIEluc3RpdHVjaW9uYWwgZGVsIChkZSBsb3MpIEF1dG9yKGVzKToKCkF1dG9yCSAgICAgIENvcnJlbyBFbGVjdHLDs25pY28KCjEKCjIKCjMKCk5vbWJyZSBkZSBEaXJlY3RvcihlcykgZGUgR3JhZG86CgoxCgoyCgozCgpOb21icmUgRmFjdWx0YWQgeSBQcm95ZWN0byBDdXJyaWN1bGFyOgoKRmFjdWx0YWQJUHJveWVjdG8gQ3VycmljdWxhcgoKCgoKCgoKCk5vdGE6IEVuIGNhc28gcXVlIG5vIGVzdMOpIGRlIGFjdWVyZG8gY29uIGxhcyBjb25kaWNpb25lcyBkZSBsYSBwcmVzZW50ZSBsaWNlbmNpYSwgeSBtYW5pZmllc3RlIGFsZ3VuYSByZXN0cmljY2nDs24gc29icmUgbGEgb2JyYSwganVzdGlmaXF1ZSBsb3MgbW90aXZvcyBwb3IgbG9zIGN1YWxlcyBlbCBkb2N1bWVudG8geSBzdXMgYW5leG9zIG5vIHB1ZWRlbiBzZXIgcHVibGljYWRvcyBlbiBlbCBSZXBvc2l0b3JpbyBJbnN0aXR1Y2lvbmFsIGRlIGxhIFVuaXZlcnNpZGFkIERpc3RyaXRhbCBGcmFuY2lzY28gSm9zw6kgZGUgQ2FsZGFzIFJJVUQuCgoKU2kgcmVxdWllcmUgbcOhcyBlc3BhY2lvLCBwdWVkZSBhbmV4YXIgdW5hIGNvcGlhIHNpbWlsYXIgYSBlc3RhIGhvamEK

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