Advertising and the Republic of Letters

ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as ent...

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Autores:
Lopera Chaves, María Teresa
Tipo de recurso:
Article of investigation
Fecha de publicación:
2023
Institución:
Universidad de Antioquia
Repositorio:
Repositorio UdeA
Idioma:
eng
OAI Identifier:
oai:bibliotecadigital.udea.edu.co:10495/43695
Acceso en línea:
https://hdl.handle.net/10495/43695
Palabra clave:
Mercadeo
marketing
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Censura
Censorship
Publicidad
Advertising
Siglo XX
Twentieth century
Modernidad
Modernity
Prensa
Press
Rights
openAccess
License
https://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.title.spa.fl_str_mv Advertising and the Republic of Letters
title Advertising and the Republic of Letters
spellingShingle Advertising and the Republic of Letters
Mercadeo
marketing
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Censura
Censorship
Publicidad
Advertising
Siglo XX
Twentieth century
Modernidad
Modernity
Prensa
Press
title_short Advertising and the Republic of Letters
title_full Advertising and the Republic of Letters
title_fullStr Advertising and the Republic of Letters
title_full_unstemmed Advertising and the Republic of Letters
title_sort Advertising and the Republic of Letters
dc.creator.fl_str_mv Lopera Chaves, María Teresa
dc.contributor.author.none.fl_str_mv Lopera Chaves, María Teresa
dc.subject.lemb.none.fl_str_mv Mercadeo
marketing
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Censura
Censorship
Publicidad
Advertising
Siglo XX
Twentieth century
Modernidad
Modernity
Prensa
Press
topic Mercadeo
marketing
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Censura
Censorship
Publicidad
Advertising
Siglo XX
Twentieth century
Modernidad
Modernity
Prensa
Press
description ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as entrepreneurs, to begin disputing political power, and for this, the use of images rather than words was decisive. This article analyzes what happened to letters and images when they functioned simultaneously in the 1920s, taking the Antioquia case as a reference. There, Humberto Chaves, a master painter who also worked as a graphic designer and advertiser, was respons ible for creating images of the modern, which the entrepreneurs sought to use to dominate both the market and the national political sphere.
publishDate 2023
dc.date.issued.none.fl_str_mv 2023
dc.date.accessioned.none.fl_str_mv 2024-11-22T17:06:42Z
dc.date.available.none.fl_str_mv 2024-11-22T17:06:42Z
dc.type.spa.fl_str_mv Artículo de investigación
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dc.identifier.citation.spa.fl_str_mv Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.6664
dc.identifier.issn.none.fl_str_mv 2155-2843
dc.identifier.uri.none.fl_str_mv https://hdl.handle.net/10495/43695
identifier_str_mv Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.6664
2155-2843
url https://hdl.handle.net/10495/43695
dc.language.iso.spa.fl_str_mv eng
language eng
dc.relation.citationendpage.spa.fl_str_mv 82
dc.relation.citationissue.spa.fl_str_mv 4
dc.relation.citationstartpage.spa.fl_str_mv 74
dc.relation.citationvolume.spa.fl_str_mv 17
dc.relation.ispartofjournal.spa.fl_str_mv Journal of Marketing Development and Competitiveness
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dc.format.extent.spa.fl_str_mv 9 páginas
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dc.publisher.spa.fl_str_mv North American Business Press
dc.publisher.place.spa.fl_str_mv Estados Unidos
institution Universidad de Antioquia
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spelling Lopera Chaves, María Teresa2024-11-22T17:06:42Z2024-11-22T17:06:42Z2023Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.66642155-2843https://hdl.handle.net/10495/43695ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as entrepreneurs, to begin disputing political power, and for this, the use of images rather than words was decisive. This article analyzes what happened to letters and images when they functioned simultaneously in the 1920s, taking the Antioquia case as a reference. There, Humberto Chaves, a master painter who also worked as a graphic designer and advertiser, was respons ible for creating images of the modern, which the entrepreneurs sought to use to dominate both the market and the national political sphere.9 páginasapplication/pdfengNorth American Business PressEstados Unidoshttps://creativecommons.org/licenses/by-nc-nd/4.0/http://creativecommons.org/licenses/by-nc-nd/2.5/co/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Advertising and the Republic of LettersArtículo de investigaciónhttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARThttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionMercadeomarketingChaves Cuervo, Humberto 1891-1971Pintores (Antioquia, Colombia)CensuraCensorshipPublicidadAdvertisingSiglo XXTwentieth centuryModernidadModernityPrensaPress8247417Journal of Marketing Development and CompetitivenessProyecto Humberto Chaves Cuervo – PintorPublicationCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8823https://bibliotecadigital.udea.edu.co/bitstreams/ab6f0f71-c556-475b-810a-6d52d2a7be48/downloadb88b088d9957e670ce3b3fbe2eedbc13MD52falseAnonymousREADORIGINAL7+LoperaFinal.pdf7+LoperaFinal.pdfArtículo de investigaciónapplication/pdf817456https://bibliotecadigital.udea.edu.co/bitstreams/b56c6f04-7df8-4aec-8ace-dfa18e51df48/downloade967800dba5777a31d1e009ce4220ef9MD51trueAnonymousREADLICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://bibliotecadigital.udea.edu.co/bitstreams/9b2dbfd1-4c57-4a87-9ce3-c454b4b2eb59/download8a4605be74aa9ea9d79846c1fba20a33MD53falseAnonymousREADTEXT7+LoperaFinal.pdf.txt7+LoperaFinal.pdf.txtExtracted texttext/plain22727https://bibliotecadigital.udea.edu.co/bitstreams/8cb82dae-0b22-4f49-9da6-2f25bde89c45/download7fc99ea937315a1770f7b8220b9d55fcMD54falseAnonymousREADTHUMBNAIL7+LoperaFinal.pdf.jpg7+LoperaFinal.pdf.jpgGenerated Thumbnailimage/jpeg12540https://bibliotecadigital.udea.edu.co/bitstreams/a8d032bb-8041-426c-8272-acaea5c592d2/download7b6a930eb8f2c21bafc4888baff5883aMD55falseAnonymousREAD10495/43695oai:bibliotecadigital.udea.edu.co:10495/436952025-03-26 19:01:40.456https://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://bibliotecadigital.udea.edu.coRepositorio Institucional de la Universidad de Antioquiaaplicacionbibliotecadigitalbiblioteca@udea.edu.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