Advertising and the Republic of Letters
ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as ent...
- Autores:
-
Lopera Chaves, María Teresa
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2023
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- eng
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/43695
- Acceso en línea:
- https://hdl.handle.net/10495/43695
- Palabra clave:
- Mercadeo
marketing
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Censura
Censorship
Publicidad
Advertising
Siglo XX
Twentieth century
Modernidad
Modernity
Prensa
Press
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0/
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Advertising and the Republic of Letters |
| title |
Advertising and the Republic of Letters |
| spellingShingle |
Advertising and the Republic of Letters Mercadeo marketing Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Censura Censorship Publicidad Advertising Siglo XX Twentieth century Modernidad Modernity Prensa Press |
| title_short |
Advertising and the Republic of Letters |
| title_full |
Advertising and the Republic of Letters |
| title_fullStr |
Advertising and the Republic of Letters |
| title_full_unstemmed |
Advertising and the Republic of Letters |
| title_sort |
Advertising and the Republic of Letters |
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Lopera Chaves, María Teresa |
| dc.contributor.author.none.fl_str_mv |
Lopera Chaves, María Teresa |
| dc.subject.lemb.none.fl_str_mv |
Mercadeo marketing Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Censura Censorship Publicidad Advertising Siglo XX Twentieth century Modernidad Modernity Prensa Press |
| topic |
Mercadeo marketing Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Censura Censorship Publicidad Advertising Siglo XX Twentieth century Modernidad Modernity Prensa Press |
| description |
ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as entrepreneurs, to begin disputing political power, and for this, the use of images rather than words was decisive. This article analyzes what happened to letters and images when they functioned simultaneously in the 1920s, taking the Antioquia case as a reference. There, Humberto Chaves, a master painter who also worked as a graphic designer and advertiser, was respons ible for creating images of the modern, which the entrepreneurs sought to use to dominate both the market and the national political sphere. |
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2023 |
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2023 |
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2024-11-22T17:06:42Z |
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2024-11-22T17:06:42Z |
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Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.6664 |
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2155-2843 |
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Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.6664 2155-2843 |
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eng |
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eng |
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4 |
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74 |
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17 |
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Journal of Marketing Development and Competitiveness |
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9 páginas |
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application/pdf |
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North American Business Press |
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Estados Unidos |
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Lopera Chaves, María Teresa2024-11-22T17:06:42Z2024-11-22T17:06:42Z2023Lopera Chaves, M. T. (2023). Advertising and the Republic of Letters. Journal of Marketing Development and Competitiveness, 17(4). https://doi.org/10.33423/jmdc.v17i4.66642155-2843https://hdl.handle.net/10495/43695ABSTRACT: Towards the end of the 19th century, in Colombia, men of letters dominated the cultural and political world, so it can be said that this country was the Republic of Letters. However, the economic and social changes that occurred with the turn of the centur y allowed new groups, such as entrepreneurs, to begin disputing political power, and for this, the use of images rather than words was decisive. This article analyzes what happened to letters and images when they functioned simultaneously in the 1920s, taking the Antioquia case as a reference. There, Humberto Chaves, a master painter who also worked as a graphic designer and advertiser, was respons ible for creating images of the modern, which the entrepreneurs sought to use to dominate both the market and the national political sphere.9 páginasapplication/pdfengNorth American Business PressEstados Unidoshttps://creativecommons.org/licenses/by-nc-nd/4.0/http://creativecommons.org/licenses/by-nc-nd/2.5/co/info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Advertising and the Republic of LettersArtículo de investigaciónhttp://purl.org/coar/resource_type/c_2df8fbb1https://purl.org/redcol/resource_type/ARThttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionMercadeomarketingChaves Cuervo, Humberto 1891-1971Pintores (Antioquia, Colombia)CensuraCensorshipPublicidadAdvertisingSiglo XXTwentieth centuryModernidadModernityPrensaPress8247417Journal of Marketing Development and CompetitivenessProyecto Humberto Chaves Cuervo – PintorPublicationCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8823https://bibliotecadigital.udea.edu.co/bitstreams/ab6f0f71-c556-475b-810a-6d52d2a7be48/downloadb88b088d9957e670ce3b3fbe2eedbc13MD52falseAnonymousREADORIGINAL7+LoperaFinal.pdf7+LoperaFinal.pdfArtículo de investigaciónapplication/pdf817456https://bibliotecadigital.udea.edu.co/bitstreams/b56c6f04-7df8-4aec-8ace-dfa18e51df48/downloade967800dba5777a31d1e009ce4220ef9MD51trueAnonymousREADLICENSElicense.txtlicense.txttext/plain; charset=utf-81748https://bibliotecadigital.udea.edu.co/bitstreams/9b2dbfd1-4c57-4a87-9ce3-c454b4b2eb59/download8a4605be74aa9ea9d79846c1fba20a33MD53falseAnonymousREADTEXT7+LoperaFinal.pdf.txt7+LoperaFinal.pdf.txtExtracted texttext/plain22727https://bibliotecadigital.udea.edu.co/bitstreams/8cb82dae-0b22-4f49-9da6-2f25bde89c45/download7fc99ea937315a1770f7b8220b9d55fcMD54falseAnonymousREADTHUMBNAIL7+LoperaFinal.pdf.jpg7+LoperaFinal.pdf.jpgGenerated Thumbnailimage/jpeg12540https://bibliotecadigital.udea.edu.co/bitstreams/a8d032bb-8041-426c-8272-acaea5c592d2/download7b6a930eb8f2c21bafc4888baff5883aMD55falseAnonymousREAD10495/43695oai:bibliotecadigital.udea.edu.co:10495/436952025-03-26 19:01:40.456https://creativecommons.org/licenses/by-nc-nd/4.0/open.accesshttps://bibliotecadigital.udea.edu.coRepositorio Institucional de la Universidad de Antioquiaaplicacionbibliotecadigitalbiblioteca@udea.edu.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 |
