Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930
ABSTRACT: In the Colombian case, in the twenties of the 20th century, businessmen made their way into a coffee agriculture economy and mining, and for this reason, in addition to ensuring the sociopolitical and economic conditions that allowed their activities, they also had to work on their legitim...
- Autores:
-
Lopera Chaves, María Teresa
- Tipo de recurso:
- Article of investigation
- Fecha de publicación:
- 2024
- Institución:
- Universidad de Antioquia
- Repositorio:
- Repositorio UdeA
- Idioma:
- eng
- OAI Identifier:
- oai:bibliotecadigital.udea.edu.co:10495/43697
- Acceso en línea:
- https://hdl.handle.net/10495/43697
- Palabra clave:
- Progreso
Progress
Modernidad
Modernity
Chaves Cuervo, Humberto 1891-1971
Pintores (Antioquia, Colombia)
Publicidad
Advertising
Siglo XX
Twentieth century
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0/
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Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| title |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| spellingShingle |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 Progreso Progress Modernidad Modernity Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Publicidad Advertising Siglo XX Twentieth century |
| title_short |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| title_full |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| title_fullStr |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| title_full_unstemmed |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| title_sort |
Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930 |
| dc.creator.fl_str_mv |
Lopera Chaves, María Teresa |
| dc.contributor.author.none.fl_str_mv |
Lopera Chaves, María Teresa |
| dc.subject.decs.none.fl_str_mv |
Progreso Progress |
| topic |
Progreso Progress Modernidad Modernity Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Publicidad Advertising Siglo XX Twentieth century |
| dc.subject.lemb.none.fl_str_mv |
Modernidad Modernity Chaves Cuervo, Humberto 1891-1971 Pintores (Antioquia, Colombia) Publicidad Advertising Siglo XX Twentieth century |
| description |
ABSTRACT: In the Colombian case, in the twenties of the 20th century, businessmen made their way into a coffee agriculture economy and mining, and for this reason, in addition to ensuring the sociopolitical and economic conditions that allowed their activities, they also had to work on their legitimation before society, and to do so they turned to already recognized painters and draftsmen to carry out the advertising of their companies, adding ideological content related to modernity and progress to their products, as the brands gained their visual distinctiveness. Thanks to this contribution, the artists also legitimized their profession as publicists and designers. |
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2024 |
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2024-11-22T17:14:43Z |
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2024-11-22T17:14:43Z |
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2024 |
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Artículo de investigación |
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Lopera Chaves, M. T. (2024). Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930. Journal of Marketing Development and Competitiveness, 18(3). https://doi.org/10.33423/jmdc.v18i3.7154 |
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2155-2843 |
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Lopera Chaves, M. T. (2024). Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930. Journal of Marketing Development and Competitiveness, 18(3). https://doi.org/10.33423/jmdc.v18i3.7154 2155-2843 |
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eng |
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eng |
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42 |
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3 |
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34 |
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18 |
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Journal of Marketing Development and Competitiveness |
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openAccess |
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9 páginas |
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application/pdf |
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North American Business Press |
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Estados Unidos |
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Universidad de Antioquia |
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Lopera Chaves, María Teresa2024-11-22T17:14:43Z2024-11-22T17:14:43Z2024Lopera Chaves, M. T. (2024). Business and Artistic Legitimacy in Antioqueña Advertising 1920–1930. Journal of Marketing Development and Competitiveness, 18(3). https://doi.org/10.33423/jmdc.v18i3.71542155-2843https://hdl.handle.net/10495/43697ABSTRACT: In the Colombian case, in the twenties of the 20th century, businessmen made their way into a coffee agriculture economy and mining, and for this reason, in addition to ensuring the sociopolitical and economic conditions that allowed their activities, they also had to work on their legitimation before society, and to do so they turned to already recognized painters and draftsmen to carry out the advertising of their companies, adding ideological content related to modernity and progress to their products, as the brands gained their visual distinctiveness. 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