Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77

Este artículo analiza la presencia de tres exiliados de habla portuguesa en el Segundo Festival Mundial de Artes y Cultura Negra y Africana (FESTAC) en Lagos, Nigeria, en 1977, enriqueciendo la literatura histórica y conceptual al poner en diálogo el legado de Abdias do Nascimento en FESTAC con el d...

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Autores:
Gordon, Darius
Tipo de recurso:
Article of journal
Fecha de publicación:
2025
Institución:
Universidad de Cartagena
Repositorio:
Repositorio Universidad de Cartagena
Idioma:
eng
OAI Identifier:
oai:repositorio.unicartagena.edu.co:11227/20320
Acceso en línea:
https://hdl.handle.net/11227/20320
https://doi.org/10.32997/pa-2025-5540
Palabra clave:
National Culture
Exiles
Transnationalism
Lusophone
cultura nacional
exiliados
transnacionalismo
lusófono
Rights
openAccess
License
https://creativecommons.org/licenses/by-nc-nd/4.0
id UCART2_d1db7e855de3fc9c640350ac484fa696
oai_identifier_str oai:repositorio.unicartagena.edu.co:11227/20320
network_acronym_str UCART2
network_name_str Repositorio Universidad de Cartagena
repository_id_str
dc.title.spa.fl_str_mv Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
dc.title.translated.eng.fl_str_mv Exiles, Culture, and the Politics of (Trans)Nationalism at FESTAC 77
title Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
spellingShingle Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
National Culture
Exiles
Transnationalism
Lusophone
cultura nacional
exiliados
transnacionalismo
lusófono
title_short Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
title_full Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
title_fullStr Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
title_full_unstemmed Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
title_sort Exiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77
dc.creator.fl_str_mv Gordon, Darius
dc.contributor.author.spa.fl_str_mv Gordon, Darius
dc.subject.eng.fl_str_mv National Culture
Exiles
Transnationalism
Lusophone
topic National Culture
Exiles
Transnationalism
Lusophone
cultura nacional
exiliados
transnacionalismo
lusófono
dc.subject.spa.fl_str_mv cultura nacional
exiliados
transnacionalismo
lusófono
description Este artículo analiza la presencia de tres exiliados de habla portuguesa en el Segundo Festival Mundial de Artes y Cultura Negra y Africana (FESTAC) en Lagos, Nigeria, en 1977, enriqueciendo la literatura histórica y conceptual al poner en diálogo el legado de Abdias do Nascimento en FESTAC con el de exiliados menos conocidos, Thereza Santos y Mario Pinto de Andrade. Como exiliados en esta red, su presencia en FESTAC ofreció una perspectiva privilegiada para explorar la cultura, la política y las ideas del (trans)nacionalismo y la cultura nacional a nivel global. Basándome en una serie de correspondencias archivadas, memorias, textos publicados y cobertura periodística, sostengo que estos intelectuales aclaran los contornos globales de la política racial en el mundo lusófono de mediados del siglo XX.  
publishDate 2025
dc.date.accessioned.none.fl_str_mv 2025-10-16T20:43:59Z
2025-10-17T12:30:21Z
dc.date.available.none.fl_str_mv 2025-10-16T20:43:59Z
2025-10-17T12:30:21Z
dc.date.issued.none.fl_str_mv 2025-10-16
dc.type.spa.fl_str_mv Artículo de revista
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dc.relation.references.eng.fl_str_mv Acuña, Mauricio. “Poéticas e Performances de Imaginações Afro-Atlânticas: O Primeiro Festival Mundial de Artes Negras”. PhD Dissertation, Princeton University, 2021.
Alberto, Paulina L. Terms of Inclusion: Black Intellectuals in Twentieth-Century Brazil. Illustrated edition. Chapel Hill: University of North Carolina Press, 2011.
Alkalimat, Abdul. FESTAC: The Second World Black and African Festival of Arts and Culture. https://www.alkalimat.org/festac/.
Anderson, Warwick, Ricardo Roque, and Ricardo Ventura Santos, eds. Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism. New York, NY: Berghahn Books, 2019.
Andrade, Mário Pinto de, and Michel Laban. Mário Pinto de Andrade: uma entrevista dada a Michel Laban. João Sá da Costa, 1997.
Andrade, Mário Pinto de, and Lanie Millar. The Revolution Will Be a Poetic Act: African Culture and Decolonization. Translated by Fabienne Moore. 1st edition. Hoboken: Polity, 2024.
Apter, Andrew. “Festac 77: A Black World’s Fair.” In Oxford Research Encyclopedia of African History, 2021. https://doi.org/10.1093/acrefore/9780190277734.013.798.
___. The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria. Chicago, IL: University of Chicago Press, 2005. https://press.uchicago.edu/ucp/books/book/chicago/P/bo3534816.html.
Dávila, Jerry. Hotel Trópico: Brazil and the Challenge of African Decolonization, 1950–1980. Illustrated edition. Durham NC: Duke University Press Books, 2010.
Dzidzienyo, Anani, and J. Michael Turner. “African-Brazilian Relations: A Reconsideration”. Brazil in the International System: The Rise of a Middle Power. Wayne A. Selcher ed. Routledge, 1981. 201–218. https://doi.org/10.4324/9780429052101-8.
“Dossier África”. Entrevista de Paulo Freire a Mário Pinto de Andrade, 1976, directed by RTP Play, 5, https://www.rtp.pt/play/p9753/e753014/dossier-africa.
Edjabe, Ntone, and Kwanele Sosibo. “Reproducing Festac ‘77: A Secret Among a Family of Millions.” The Funambulist Magazine, November 2, 2020. https://thefunambulist.net/magazine/pan-africanism/reproducing-festac-77-a-secret-among-a-family-of-millions-with-ntone-edjabe-and-kwanele-sosibo.
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, Mass: Harvard University Press, 2003.
Festac ’77. Chimurenga and Afterall Books, 2019.
Hartman, Saidiya. “Venus in Two Acts”. Small Axe 12/2 (2008): 1–14.
Mahler, Anne Garland. From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity. Durham: Duke University Press Books, 2018.
Makalani, Minkah. In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917-1939. First Editiion edition. Chapel Hill: University of North Carolina Press, 2011.
Moura, Sabrina. “The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro Arts (Dakar, 1966)”. New Histories of Art in the Global Postwar Era. Flavia Frigeri and Kristian Handberg, eds. Routledge, 2021.
Nance, Marilyn, Julie Mehretu, Antawan I. Byrd, Uchenna Ikonne, Tsitsi Ella Jaji, Zakiya Collier, and Chisom Ilogu. Marilyn Nance: Last Day in Lagos. Edited by Oluremi C. Onabanjo. CARA/Fourthwall Books, 2022.
Nascimento, Abdias. O Genocídio do negro brasileiro: Processo de um racismo mascarado. Apoio: Ipeafro edição. Perspectiva, 2016.
Nascimento, Abdias do. O Brasil na mira do pan-africanismo. EDUFBA/CEAO, 2002.
___. “Racial Democracy” in Brazil, Myth Or Reality?: A Dossier of Brazilian Racism. Sketch Publishing Company, 1977.
Nascimento, Abdias, et al. Sitiado em Lagos: Autodefesa de um Negro Acossado Pelo Racismo. 2a edição. São Paulo, SP: Perspectiva, 2024.
Pereira, Amilcar Araujo. O mundo negro: relações raciais e a constituição do movimento negro contemporâneo no Brasil. FAPERJ, 2013.
Peres, Fátima d’Alva Penha Salvaterra. “A Revolta Activa – Os Conflitos Identitários no Contexto da Luta de Libertação Nacional”. Master’s Thesis, Universidade Nova de Lisboa, 2010.
Perry, Keisha-Khan Y., and Anani Dzidzienyo. “Homenagem: Remembering the Life and Work of Abdias Nascimento”. Journal of Black Studies 52/6 (2021): 555-564. https://doi.org/10.1177/00219347211011587.
Said, Edward W. “Intellectual Exile: Expatriates and Marginals.” Grand Street 47 (1993): 112. https://doi.org/10.2307/25007703.
Santos, Thereza. Malunga Thereza Santos: A Historia de Vida de Uma Guerreira. São Carlos, SP, Brasil: Editora da Universidade de São Carlos, 2008.
___. “My Conscience, My Struggle.” In Racial Politics in Contemporary Brazil. Michael Hanchard, ed.. University Press, 1999. 188-99. https://doi.org/10.1515/9780822382539.
Telepneva, Natalia. Cold War Liberation: The Soviet Union and the Collapse of the Portuguese Empire in Africa, 1961–1975. Chapel Hill: The University of North Carolina Press, 2022.
Tolan-Szkilnik, Paraska. Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future. Stanford, California: Stanford University Press, 2023.
Trapp, Rafael P. O Elefante negro. São Paulo, SP, Brasil: Alameda Editorial, 2020.
Versus: Afro-Latino-América. (2015) “As raízes de Tereza Santos: Angola”. Entrevista de Tereza Santos por Astrogildo Esteves Filho in Versus, Issue 29, February 1977. https://fpabramo.org.br/editora/wp-content/uploads/sites/17/2017/05/versus_afro_latino_america_2015.pdf
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spelling Gordon, Darius2025-10-16T20:43:59Z2025-10-17T12:30:21Z2025-10-16T20:43:59Z2025-10-17T12:30:21Z2025-10-16https://hdl.handle.net/11227/2032010.32997/pa-2025-55402805-7090https://doi.org/10.32997/pa-2025-5540Este artículo analiza la presencia de tres exiliados de habla portuguesa en el Segundo Festival Mundial de Artes y Cultura Negra y Africana (FESTAC) en Lagos, Nigeria, en 1977, enriqueciendo la literatura histórica y conceptual al poner en diálogo el legado de Abdias do Nascimento en FESTAC con el de exiliados menos conocidos, Thereza Santos y Mario Pinto de Andrade. Como exiliados en esta red, su presencia en FESTAC ofreció una perspectiva privilegiada para explorar la cultura, la política y las ideas del (trans)nacionalismo y la cultura nacional a nivel global. Basándome en una serie de correspondencias archivadas, memorias, textos publicados y cobertura periodística, sostengo que estos intelectuales aclaran los contornos globales de la política racial en el mundo lusófono de mediados del siglo XX.  This article analyzes the presence of three Portuguese-speaking exiles at the Second World Black and African Festival of Arts and Culture (FESTAC) in Lagos, Nigeria in 1977. This article adds to the historical and conceptual literature by placing Abdias do Nascimento’s legacy at FESTAC in conversation with a lesser-known exiles, Thereza Santos and Mario Pinto de Andrade. As exiles in this network, their presence at FESTAC offered a unique vantage point for navigating the culture, politics, and ideas of (trans)nationalism and national culture on a global stage. By drawing on a series of archived correspondences, memoir, published texts, and news coverage, I argue that these intellectuals clarify the global contours of racial politics in the mid-20th century Lusophone world.application/pdftext/htmlengUniversidad de CartagenaPerspectivas Afrohttps://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/5540/4219https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/5540/4237741575Acuña, Mauricio. “Poéticas e Performances de Imaginações Afro-Atlânticas: O Primeiro Festival Mundial de Artes Negras”. PhD Dissertation, Princeton University, 2021.Alberto, Paulina L. Terms of Inclusion: Black Intellectuals in Twentieth-Century Brazil. Illustrated edition. Chapel Hill: University of North Carolina Press, 2011.Alkalimat, Abdul. FESTAC: The Second World Black and African Festival of Arts and Culture. https://www.alkalimat.org/festac/.Anderson, Warwick, Ricardo Roque, and Ricardo Ventura Santos, eds. Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism. New York, NY: Berghahn Books, 2019.Andrade, Mário Pinto de, and Michel Laban. Mário Pinto de Andrade: uma entrevista dada a Michel Laban. João Sá da Costa, 1997.Andrade, Mário Pinto de, and Lanie Millar. The Revolution Will Be a Poetic Act: African Culture and Decolonization. Translated by Fabienne Moore. 1st edition. Hoboken: Polity, 2024.Apter, Andrew. “Festac 77: A Black World’s Fair.” In Oxford Research Encyclopedia of African History, 2021. https://doi.org/10.1093/acrefore/9780190277734.013.798.___. The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria. Chicago, IL: University of Chicago Press, 2005. https://press.uchicago.edu/ucp/books/book/chicago/P/bo3534816.html.Dávila, Jerry. Hotel Trópico: Brazil and the Challenge of African Decolonization, 1950–1980. Illustrated edition. Durham NC: Duke University Press Books, 2010.Dzidzienyo, Anani, and J. Michael Turner. “African-Brazilian Relations: A Reconsideration”. Brazil in the International System: The Rise of a Middle Power. Wayne A. Selcher ed. Routledge, 1981. 201–218. https://doi.org/10.4324/9780429052101-8.“Dossier África”. Entrevista de Paulo Freire a Mário Pinto de Andrade, 1976, directed by RTP Play, 5, https://www.rtp.pt/play/p9753/e753014/dossier-africa.Edjabe, Ntone, and Kwanele Sosibo. “Reproducing Festac ‘77: A Secret Among a Family of Millions.” The Funambulist Magazine, November 2, 2020. https://thefunambulist.net/magazine/pan-africanism/reproducing-festac-77-a-secret-among-a-family-of-millions-with-ntone-edjabe-and-kwanele-sosibo.Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, Mass: Harvard University Press, 2003.Festac ’77. Chimurenga and Afterall Books, 2019.Hartman, Saidiya. “Venus in Two Acts”. Small Axe 12/2 (2008): 1–14.Mahler, Anne Garland. From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity. Durham: Duke University Press Books, 2018.Makalani, Minkah. In the Cause of Freedom: Radical Black Internationalism from Harlem to London, 1917-1939. First Editiion edition. Chapel Hill: University of North Carolina Press, 2011.Moura, Sabrina. “The Cultural Politics of Négritude and the Debates around the Brazilian Participation in the First World Festival of Negro Arts (Dakar, 1966)”. New Histories of Art in the Global Postwar Era. Flavia Frigeri and Kristian Handberg, eds. Routledge, 2021.Nance, Marilyn, Julie Mehretu, Antawan I. Byrd, Uchenna Ikonne, Tsitsi Ella Jaji, Zakiya Collier, and Chisom Ilogu. Marilyn Nance: Last Day in Lagos. Edited by Oluremi C. Onabanjo. CARA/Fourthwall Books, 2022.Nascimento, Abdias. O Genocídio do negro brasileiro: Processo de um racismo mascarado. Apoio: Ipeafro edição. Perspectiva, 2016.Nascimento, Abdias do. O Brasil na mira do pan-africanismo. EDUFBA/CEAO, 2002.___. “Racial Democracy” in Brazil, Myth Or Reality?: A Dossier of Brazilian Racism. Sketch Publishing Company, 1977.Nascimento, Abdias, et al. Sitiado em Lagos: Autodefesa de um Negro Acossado Pelo Racismo. 2a edição. São Paulo, SP: Perspectiva, 2024.Pereira, Amilcar Araujo. O mundo negro: relações raciais e a constituição do movimento negro contemporâneo no Brasil. FAPERJ, 2013.Peres, Fátima d’Alva Penha Salvaterra. “A Revolta Activa – Os Conflitos Identitários no Contexto da Luta de Libertação Nacional”. Master’s Thesis, Universidade Nova de Lisboa, 2010.Perry, Keisha-Khan Y., and Anani Dzidzienyo. “Homenagem: Remembering the Life and Work of Abdias Nascimento”. Journal of Black Studies 52/6 (2021): 555-564. https://doi.org/10.1177/00219347211011587.Said, Edward W. “Intellectual Exile: Expatriates and Marginals.” Grand Street 47 (1993): 112. https://doi.org/10.2307/25007703.Santos, Thereza. Malunga Thereza Santos: A Historia de Vida de Uma Guerreira. São Carlos, SP, Brasil: Editora da Universidade de São Carlos, 2008.___. “My Conscience, My Struggle.” In Racial Politics in Contemporary Brazil. Michael Hanchard, ed.. University Press, 1999. 188-99. https://doi.org/10.1515/9780822382539.Telepneva, Natalia. Cold War Liberation: The Soviet Union and the Collapse of the Portuguese Empire in Africa, 1961–1975. Chapel Hill: The University of North Carolina Press, 2022.Tolan-Szkilnik, Paraska. Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future. Stanford, California: Stanford University Press, 2023.Trapp, Rafael P. O Elefante negro. São Paulo, SP, Brasil: Alameda Editorial, 2020.Versus: Afro-Latino-América. (2015) “As raízes de Tereza Santos: Angola”. Entrevista de Tereza Santos por Astrogildo Esteves Filho in Versus, Issue 29, February 1977. https://fpabramo.org.br/editora/wp-content/uploads/sites/17/2017/05/versus_afro_latino_america_2015.pdfhttps://creativecommons.org/licenses/by-nc-nd/4.0http://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessEsta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0.https://revistas.unicartagena.edu.co/index.php/PersAfro/article/view/5540National CultureExilesTransnationalismLusophonecultura nacionalexiliadostransnacionalismolusófonoExiliados, cultura y políticas de (trans)nacionalismo en FESTAC 77Exiles, Culture, and the Politics of (Trans)Nationalism at FESTAC 77Artículo de revistainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleJournal articlePublicationOREORE.xmltext/xml2503https://repositorio.unicartagena.edu.co/bitstreams/b9c35a08-87f5-43e2-95b8-2eb12efd7d9f/download224b9f2085c53b26b007ba8ee5c56685MD5111227/20320oai:repositorio.unicartagena.edu.co:11227/203202025-10-17 07:30:21.21https://creativecommons.org/licenses/by-nc-nd/4.0metadata.onlyhttps://repositorio.unicartagena.edu.coBiblioteca Digital Universidad de Cartagenabdigital@metabiblioteca.com

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