La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales

Este ensayo profundiza en las técnicas, inspiraciones y simbología que rodean la obra de arte de Harmonia Rosales, una artista afrocubana conocida por su recreación de pinturas clásicas que representan a mujeres negras asumiendo roles de poder. A través de un análisis feminista decolonial de tres de...

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Autores:
Scerbo, Rosita
Tipo de recurso:
Article of journal
Fecha de publicación:
2024
Institución:
Universidad de Cartagena
Repositorio:
Repositorio Universidad de Cartagena
Idioma:
spa
OAI Identifier:
oai:repositorio.unicartagena.edu.co:11227/19955
Acceso en línea:
https://hdl.handle.net/11227/19955
https://doi.org/10.32997/pa-2024-4739
Palabra clave:
Harmonia Rosales
decolonial feminism
Afrodiasporic visual art
Afro-Cuban culture
Black feminist paintings
Harmonia Rosales
feminismo decolonial
arte visual afrodiaspórico
cultura Afro-Cubana
pinturas feministas negras
Rights
openAccess
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https://creativecommons.org/licenses/by-nc-nd/4.0
id UCART2_7b5e474a557f2c4720fc4f7856f32760
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network_acronym_str UCART2
network_name_str Repositorio Universidad de Cartagena
repository_id_str
dc.title.spa.fl_str_mv La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
dc.title.translated.eng.fl_str_mv Visual Expression as a Decolonial Feminist Practice in the Paintings of Afro-Cuban Artist Harmonia Rosales
title La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
spellingShingle La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
Harmonia Rosales
decolonial feminism
Afrodiasporic visual art
Afro-Cuban culture
Black feminist paintings
Harmonia Rosales
feminismo decolonial
arte visual afrodiaspórico
cultura Afro-Cubana
pinturas feministas negras
title_short La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
title_full La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
title_fullStr La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
title_full_unstemmed La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
title_sort La expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía Rosales
dc.creator.fl_str_mv Scerbo, Rosita
dc.contributor.author.spa.fl_str_mv Scerbo, Rosita
dc.subject.eng.fl_str_mv Harmonia Rosales
decolonial feminism
Afrodiasporic visual art
Afro-Cuban culture
Black feminist paintings
topic Harmonia Rosales
decolonial feminism
Afrodiasporic visual art
Afro-Cuban culture
Black feminist paintings
Harmonia Rosales
feminismo decolonial
arte visual afrodiaspórico
cultura Afro-Cubana
pinturas feministas negras
dc.subject.spa.fl_str_mv Harmonia Rosales
feminismo decolonial
arte visual afrodiaspórico
cultura Afro-Cubana
pinturas feministas negras
description Este ensayo profundiza en las técnicas, inspiraciones y simbología que rodean la obra de arte de Harmonia Rosales, una artista afrocubana conocida por su recreación de pinturas clásicas que representan a mujeres negras asumiendo roles de poder. A través de un análisis feminista decolonial de tres de sus pinturas, este ensayo intenta responder las siguientes preguntas de investigación: ¿de qué manera las expresiones de arte visual de Harmonía Rosales son herramientas efectivas para defender la justicia social? ¿Podemos concebir su arte visual como parte del legado del activismo afrodescendiente y las prácticas feministas decoloniales?.
publishDate 2024
dc.date.accessioned.none.fl_str_mv 2024-06-04T09:19:56Z
2025-07-25T21:27:31Z
dc.date.available.none.fl_str_mv 2024-06-04T09:19:56Z
2025-07-25T21:27:31Z
dc.date.issued.none.fl_str_mv 2024-06-04
dc.type.spa.fl_str_mv Artículo de revista
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dc.relation.references.spa.fl_str_mv Aldahan A, et al. “Discrimination against People with Dermatologic Diseases”. JAMA Dermatology 152/2 (2016): 140–140.
Anzaldúa, Gloria. Borderlands/La frontera: The New Mestiza. San Francisco: Aunt Lute Press, 1987.
Baba, Ifa Karade. The Handbook of Yoruba Religious Concepts. Newburyport, Massachusetts: Weiser Books; 2020.
Binford, Sally. “Myths and Matriarchies”. En The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power within the Feminist Movement. C. Spretnak, ed. New York: Doubleday, 1982. 541-549.
Capone, Stefania. “The Orisha Religion in a Transnational Perspective”. Social Compass 69/2 (2022): 135-152.
Cleveland, Christena. God is a Black Woman. San Francisco: HarperOne, 2022.
Chwalkowski, Farrin. Symbols in Arts, Religion and Culture: The Soul of Nature. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2016.
Curiel, Ochy. “Identidades esencialistas o construcción de identidades políticas: El dilema de las feministas afrodescendientes”. Otras Miradas 2/2 (2005): 96-113.
___. “Crítica poscolonial desde las practices del feminism antirracista”. Nómadas 26/1 (2007): 92-101.
___. "Hacia la construcción de un feminismo descolonizado. A propósito de la realización del Encuentro Feminista Autónomo: Haciendo Comunidad en la Casa de las Diferencias". En Emancipaciones feministas del siglo XXI. Martínez Alonso, Gleidyz and Martínez Toledo, Yanet, eds. Panamá: Ruth Casa Editorial, 2010. 189-200.
Dache, Amalia, et al. “A Calle Decolonial Hack: Afro-Latin Theorizing of Philadelphia's Spaces of Learning and Resistance”. Teaching in Higher Education 26/7-8 (2021): 1077-1097.
Daly, Mary. Beyond God the Father: Toward a Philosophy of Women's Liberation. 2nd edition. Boston: Beacon Press, 1985.
De la Fuente, Alejandro. “Afro-Latin American Art”. En Afro-Latin American Studies: An Introduction. de la Fuente, Alejandro and George- Reid Andrews, eds. Cambridge: Cambridge University Press, 2018. 348-405.
Denmark, F. L. “Prejudice and Discrimination”. The Corsini Encyclopedia of Psychology (Vol. 4). I. B.Weiner & W. E.Craighead (Eds.), Hoboken, New Jersey: Wiley, 2010.
Do Bú, E. A., Alexandre, M. E. S., Scardua, A., & Araújo, C. R. F. "Vitiligo as a Psychosocial Disease: Apprehensions of Patients Imprinted by the White". Interface: Comunicacao, Saude, Educacao 22/65 (2018): 481–491.
Falu, N. “Arts of Being Yorùbá: Divination, Allegory, Tragedy, Proverb, Panegyric”. Magic, Ritual & Witchcraft 14/3 (2019): 472-474.
Facio, Elisa and Irene Lara (Eds.). Fleshing the Spirit: Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives. Tucson, Arizona: University of Arizona Press, 2014.
Figueroa, Yomaira. “After the Hurricane: Afro-Latina Decolonial Feminisms and Destierro”. Hypatia, 35/1 (2020): 220-229.
Firooz, A., et al. “What Patients with Vitiligo Believe about their Condition". International Journal of Dermatology 43/11 (2004): 811–814.
Fusco, Coco. The Bodies That Were Not Ours: And Other Writings. London, United Kingdom: Routledge, 2001.
Garcés Marrero R. “Olokun en África y en Cuba: Cosmología afrocubana y tradición oral”. The Polish Journal of Arts and Culture 15/1 (2022): 85-102.
"Harmonia Rosales repaints classic artworks to show God is a black woman". Dazed. 2018. https://www.dazeddigital.com/art-photography/article/41202/1/harmonia-rosales-repaints-classic-artworks-god-is-a-black-woman-rjd-gallery
Hartman, Saidiya V. Lose Your Mother. A Journey Along the Atlantic Slave Route. London, United Kingdom: Macmillan Publishers, 2008.
Hull, Alasha Gloria. Soul Talk: The New Spirituality of African American Women. Inner Traditions, 2001.
Idang, Gabriel. “African culture and values”. Phronimon 16/2 (2015) 97-111.
Jiménez Román, Miriam. “Allá y Acá: Locating Puerto Ricans in the Diaspora(s)”. Diálogo 5/1 (2001): 10-13.
___. “Looking at that Middle Ground: Racial Mixing as Panacea?”. A Companion to Latina/o Studies. Juan Flores and Renato Rosaldo, eds. Hoboken, Nueva Jersey: Blackwell Publishing Ltd, 2007. 325-336.
Jorge, Angela. “The Black Puerto Rican Woman in Contemporary American Society”. En The Afro-Latin@ Reader. Miriam Jiménez Román and Juan Flores, eds. Durham: Duke University Press, 2010. 269-275.
López Oro, José. “Ni de aquí, ni de allá: Garífuna Subjectivities and the Politics of Diasporic Belonging”. En Afro-Latin@s in Movement: Critical Approaches to Blackness and Transnationalism in the Americas. Petra R. Rivera-Rideau, Jennifer A. Jones, and Tianna S. Paschel, eds. Palgrave Macmillan, 2016.
Lugones, María. “Toward a Decolonial Feminism”. Hypatia 25/4 (2010): 742-759.
Méndez, María José. “‘The River Told Me’: Rethinking Intersectionality from the World of Berta Cáceres”. Capitalism Nature Socialism 29/ 1 (2018): 7-24.
Moraga, Cherrié and Gloria Anzaldúa. This Bridge Called My Back: Writing by Radical Women of Color. Women of Color Press, 1981.
Morales-Sánchez, M. A., et al. “Impact of Vitiligo on Quality of Life”. ACTAS Dermo-Sifiliográficas 108/7 (2017): 637–642.
Olademo O. Women in Yoruba Religions. New York: New York University Press, 2022.
Omosule, Segun. “Redefining Oral African Literature”. KIU Journal of Humanities 4/4 (2020): 173-182.
Ortner, S.B. “Is Female to Male as Nature is to Culture?” Women, Culture and Society. M. Rosaldo and L. Lamphere, eds. California: Stanford University Press, 1974.
Penagos E. “Teaching Religious Traditions through Place: A Case for Place-Based Associative Pedagogy in Orisha Traditions”. Practical Matters 12/1 (2019): 121-131.
Prieto, René. Body of Writing: Figuring Desire in Spanish American Literature. Durham: Duke University Press, 2000.
Rivero, Eliana. “Fronterisleña, Border Islander”. Michigan Quarterly Review 33/ 4 (1994): 669-674.
Ruiz, Ada. “Harmonia Rosales: Black Femininity in Classical Artworks”. Los Angeles Academy of Figurative Art, 2018. https://laafa.edu/harmonia-rosales-black-femininity-in-classical-artworks/
Scerbo, Rosita. “Bridging the Gap Between Literature and Visual Art: Reimagining Black Femininity Through an Ekphrastic Analysis of Harmonia Rosales' Decolonial Feminist Aesthetics”. Hispanic Journal 44/2 (2023): 125-147.
___. The Afrodescendant Woman in Latin American Diasporic Visual Art. Routledge: series Routledge Research in Art and Race, 2024.
Scerbo, Rosita and Concetta Bondi. “Centering Black Women/Challenging Latinidad and Hegemonic Discourses”. En AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective. Rosita. Scerbo & Concetta Bondi, eds. Rowman & Littlefield, Lexington Books, series Critical Africana Studies, 2022. 1-28.
Souza, Caridad and Karina Céspedes. “Dispatches from an Afro-Latinx Decolonial Feminism”. Chicana/Latina Studies: The Journal of Mujeres Activas en Letras y Cambio Social 22/1 (2022): 26-65.
Spretnak, C. (Ed.) The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power within the Feminist Movement. New York: Doubleday, 1982.
Stewart DM. “African Archives in the Caribbean: The Yoruba Tradition, Cultural Experts, and the Unmaking of Religious Knowledge in Twentieth-Century Trinidad”. History & Anthropology 34/5 (2023): 779-800.
Valdés, Vanessa. Oshun’s Daughters: The Search for Womanhood in the Americas. New York: SUNY Press, 2014.
Zamora, Omaris. “(Trance)forming AfroLatina Embodied Knowledges in Nelly Rosario’s Song of the Water Saints”. Label Me Latina/o Special Issue: Afro-Latina/o Literature and Performance 7/1 (2017): 1-16.
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spelling Scerbo, Rosita2024-06-04T09:19:56Z2025-07-25T21:27:31Z2024-06-04T09:19:56Z2025-07-25T21:27:31Z2024-06-04https://hdl.handle.net/11227/1995510.32997/pa-2024-47392805-7090https://doi.org/10.32997/pa-2024-4739Este ensayo profundiza en las técnicas, inspiraciones y simbología que rodean la obra de arte de Harmonia Rosales, una artista afrocubana conocida por su recreación de pinturas clásicas que representan a mujeres negras asumiendo roles de poder. A través de un análisis feminista decolonial de tres de sus pinturas, este ensayo intenta responder las siguientes preguntas de investigación: ¿de qué manera las expresiones de arte visual de Harmonía Rosales son herramientas efectivas para defender la justicia social? ¿Podemos concebir su arte visual como parte del legado del activismo afrodescendiente y las prácticas feministas decoloniales?.This essay delves into the techniques, inspirations, and symbology surrounding the artwork of Harmonia Rosales, an Afro-Cuban artist known for her recreation of classical paintings depicting Black women assuming roles of power. Through a decolonial feminist analysis of three of her paintings, this essay attempts to answer the following research questions: In what ways are Harmonia Rosales' visual art expressions effective tools for advocating for social justice? Can we conceive her visual art as part of the legacy of Afro-descendant activism and decolonial feminist practices?.application/pdftext/htmlspaUniversidad de CartagenaPerspectivas Afrohttps://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4739/3676https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4739/369640423853Aldahan A, et al. “Discrimination against People with Dermatologic Diseases”. JAMA Dermatology 152/2 (2016): 140–140.Anzaldúa, Gloria. Borderlands/La frontera: The New Mestiza. San Francisco: Aunt Lute Press, 1987.Baba, Ifa Karade. The Handbook of Yoruba Religious Concepts. Newburyport, Massachusetts: Weiser Books; 2020.Binford, Sally. “Myths and Matriarchies”. En The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power within the Feminist Movement. C. Spretnak, ed. New York: Doubleday, 1982. 541-549.Capone, Stefania. “The Orisha Religion in a Transnational Perspective”. Social Compass 69/2 (2022): 135-152.Cleveland, Christena. God is a Black Woman. San Francisco: HarperOne, 2022.Chwalkowski, Farrin. Symbols in Arts, Religion and Culture: The Soul of Nature. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, 2016.Curiel, Ochy. “Identidades esencialistas o construcción de identidades políticas: El dilema de las feministas afrodescendientes”. Otras Miradas 2/2 (2005): 96-113.___. “Crítica poscolonial desde las practices del feminism antirracista”. Nómadas 26/1 (2007): 92-101.___. "Hacia la construcción de un feminismo descolonizado. A propósito de la realización del Encuentro Feminista Autónomo: Haciendo Comunidad en la Casa de las Diferencias". En Emancipaciones feministas del siglo XXI. Martínez Alonso, Gleidyz and Martínez Toledo, Yanet, eds. Panamá: Ruth Casa Editorial, 2010. 189-200.Dache, Amalia, et al. “A Calle Decolonial Hack: Afro-Latin Theorizing of Philadelphia's Spaces of Learning and Resistance”. Teaching in Higher Education 26/7-8 (2021): 1077-1097.Daly, Mary. Beyond God the Father: Toward a Philosophy of Women's Liberation. 2nd edition. Boston: Beacon Press, 1985.De la Fuente, Alejandro. “Afro-Latin American Art”. En Afro-Latin American Studies: An Introduction. de la Fuente, Alejandro and George- Reid Andrews, eds. Cambridge: Cambridge University Press, 2018. 348-405.Denmark, F. L. “Prejudice and Discrimination”. The Corsini Encyclopedia of Psychology (Vol. 4). I. B.Weiner & W. E.Craighead (Eds.), Hoboken, New Jersey: Wiley, 2010.Do Bú, E. A., Alexandre, M. E. S., Scardua, A., & Araújo, C. R. F. "Vitiligo as a Psychosocial Disease: Apprehensions of Patients Imprinted by the White". Interface: Comunicacao, Saude, Educacao 22/65 (2018): 481–491.Falu, N. “Arts of Being Yorùbá: Divination, Allegory, Tragedy, Proverb, Panegyric”. Magic, Ritual & Witchcraft 14/3 (2019): 472-474.Facio, Elisa and Irene Lara (Eds.). Fleshing the Spirit: Spirituality and Activism in Chicana, Latina, and Indigenous Women’s Lives. Tucson, Arizona: University of Arizona Press, 2014.Figueroa, Yomaira. “After the Hurricane: Afro-Latina Decolonial Feminisms and Destierro”. Hypatia, 35/1 (2020): 220-229.Firooz, A., et al. “What Patients with Vitiligo Believe about their Condition". International Journal of Dermatology 43/11 (2004): 811–814.Fusco, Coco. The Bodies That Were Not Ours: And Other Writings. London, United Kingdom: Routledge, 2001.Garcés Marrero R. “Olokun en África y en Cuba: Cosmología afrocubana y tradición oral”. The Polish Journal of Arts and Culture 15/1 (2022): 85-102."Harmonia Rosales repaints classic artworks to show God is a black woman". Dazed. 2018. https://www.dazeddigital.com/art-photography/article/41202/1/harmonia-rosales-repaints-classic-artworks-god-is-a-black-woman-rjd-galleryHartman, Saidiya V. Lose Your Mother. A Journey Along the Atlantic Slave Route. London, United Kingdom: Macmillan Publishers, 2008.Hull, Alasha Gloria. Soul Talk: The New Spirituality of African American Women. Inner Traditions, 2001.Idang, Gabriel. “African culture and values”. Phronimon 16/2 (2015) 97-111.Jiménez Román, Miriam. “Allá y Acá: Locating Puerto Ricans in the Diaspora(s)”. Diálogo 5/1 (2001): 10-13.___. “Looking at that Middle Ground: Racial Mixing as Panacea?”. A Companion to Latina/o Studies. Juan Flores and Renato Rosaldo, eds. Hoboken, Nueva Jersey: Blackwell Publishing Ltd, 2007. 325-336.Jorge, Angela. “The Black Puerto Rican Woman in Contemporary American Society”. En The Afro-Latin@ Reader. Miriam Jiménez Román and Juan Flores, eds. Durham: Duke University Press, 2010. 269-275.López Oro, José. “Ni de aquí, ni de allá: Garífuna Subjectivities and the Politics of Diasporic Belonging”. En Afro-Latin@s in Movement: Critical Approaches to Blackness and Transnationalism in the Americas. Petra R. Rivera-Rideau, Jennifer A. Jones, and Tianna S. Paschel, eds. Palgrave Macmillan, 2016.Lugones, María. “Toward a Decolonial Feminism”. Hypatia 25/4 (2010): 742-759.Méndez, María José. “‘The River Told Me’: Rethinking Intersectionality from the World of Berta Cáceres”. Capitalism Nature Socialism 29/ 1 (2018): 7-24.Moraga, Cherrié and Gloria Anzaldúa. This Bridge Called My Back: Writing by Radical Women of Color. Women of Color Press, 1981.Morales-Sánchez, M. A., et al. “Impact of Vitiligo on Quality of Life”. ACTAS Dermo-Sifiliográficas 108/7 (2017): 637–642.Olademo O. Women in Yoruba Religions. New York: New York University Press, 2022.Omosule, Segun. “Redefining Oral African Literature”. KIU Journal of Humanities 4/4 (2020): 173-182.Ortner, S.B. “Is Female to Male as Nature is to Culture?” Women, Culture and Society. M. Rosaldo and L. Lamphere, eds. California: Stanford University Press, 1974.Penagos E. “Teaching Religious Traditions through Place: A Case for Place-Based Associative Pedagogy in Orisha Traditions”. Practical Matters 12/1 (2019): 121-131.Prieto, René. Body of Writing: Figuring Desire in Spanish American Literature. Durham: Duke University Press, 2000.Rivero, Eliana. “Fronterisleña, Border Islander”. Michigan Quarterly Review 33/ 4 (1994): 669-674.Ruiz, Ada. “Harmonia Rosales: Black Femininity in Classical Artworks”. Los Angeles Academy of Figurative Art, 2018. https://laafa.edu/harmonia-rosales-black-femininity-in-classical-artworks/Scerbo, Rosita. “Bridging the Gap Between Literature and Visual Art: Reimagining Black Femininity Through an Ekphrastic Analysis of Harmonia Rosales' Decolonial Feminist Aesthetics”. Hispanic Journal 44/2 (2023): 125-147.___. The Afrodescendant Woman in Latin American Diasporic Visual Art. Routledge: series Routledge Research in Art and Race, 2024.Scerbo, Rosita and Concetta Bondi. “Centering Black Women/Challenging Latinidad and Hegemonic Discourses”. En AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective. Rosita. Scerbo & Concetta Bondi, eds. Rowman & Littlefield, Lexington Books, series Critical Africana Studies, 2022. 1-28.Souza, Caridad and Karina Céspedes. “Dispatches from an Afro-Latinx Decolonial Feminism”. Chicana/Latina Studies: The Journal of Mujeres Activas en Letras y Cambio Social 22/1 (2022): 26-65.Spretnak, C. (Ed.) The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power within the Feminist Movement. New York: Doubleday, 1982.Stewart DM. “African Archives in the Caribbean: The Yoruba Tradition, Cultural Experts, and the Unmaking of Religious Knowledge in Twentieth-Century Trinidad”. History & Anthropology 34/5 (2023): 779-800.Valdés, Vanessa. Oshun’s Daughters: The Search for Womanhood in the Americas. New York: SUNY Press, 2014.Zamora, Omaris. “(Trance)forming AfroLatina Embodied Knowledges in Nelly Rosario’s Song of the Water Saints”. Label Me Latina/o Special Issue: Afro-Latina/o Literature and Performance 7/1 (2017): 1-16.https://creativecommons.org/licenses/by-nc-nd/4.0http://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessEsta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0.https://revistas.unicartagena.edu.co/index.php/PersAfro/article/view/4739Harmonia Rosalesdecolonial feminismAfrodiasporic visual artAfro-Cuban cultureBlack feminist paintingsHarmonia Rosalesfeminismo decolonialarte visual afrodiaspóricocultura Afro-Cubanapinturas feministas negrasLa expresión visual como práctica feminista decolonial en las pinturas de la artista afrocubana Harmonía RosalesVisual Expression as a Decolonial Feminist Practice in the Paintings of Afro-Cuban Artist Harmonia RosalesArtículo de revistainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleJournal articlePublicationOREORE.xmltext/xml2597https://repositorio.unicartagena.edu.co/bitstreams/541719ff-bc39-4071-a876-da9ef5aede8d/download7072d92e599211c4e3ab218155733f76MD5111227/19955oai:repositorio.unicartagena.edu.co:11227/199552025-07-25 16:27:31.24https://creativecommons.org/licenses/by-nc-nd/4.0metadata.onlyhttps://repositorio.unicartagena.edu.coBiblioteca Digital Universidad de Cartagenabdigital@metabiblioteca.com

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