Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey
El Congreso Cultural de La Habana (CCH) de 1968 reunió a intelectuales de África, Asia y América Latina, incluso grandes figuras literarias como C.L.R. James y Alex La Guma. El CCH se convirtió en escenario de una controversia entre destacados escritores negros cubanos, luego de que funcionarios del...
- Autores:
-
Garland Mahler, Anne
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2025
- Institución:
- Universidad de Cartagena
- Repositorio:
- Repositorio Universidad de Cartagena
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.unicartagena.edu.co:11227/20318
- Acceso en línea:
- https://hdl.handle.net/11227/20318
https://doi.org/10.32997/pa-2025-5538
- Palabra clave:
- Black radicalism
Caribbean
Cold war
Cuba
Global south
Tricontinental
radicalismo negro
Caribe
Guerra Fría
Sur Global
Tricontinental
- Rights
- openAccess
- License
- https://creativecommons.org/licenses/by-nc-nd/4.0
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Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
| dc.title.translated.eng.fl_str_mv |
The Limits of Solidarity: Reading the 1968 Cultural Congress of Havana through Andrew Salkey’s Havana Journal |
| title |
Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
| spellingShingle |
Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey Black radicalism Caribbean Cold war Cuba Global south Tricontinental radicalismo negro Caribe Guerra Fría Sur Global Tricontinental |
| title_short |
Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
| title_full |
Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
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Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
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Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
| title_sort |
Los límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew Salkey |
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Garland Mahler, Anne |
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Garland Mahler, Anne |
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Black radicalism Caribbean Cold war Cuba Global south Tricontinental |
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Black radicalism Caribbean Cold war Cuba Global south Tricontinental radicalismo negro Caribe Guerra Fría Sur Global Tricontinental |
| dc.subject.spa.fl_str_mv |
radicalismo negro Caribe Guerra Fría Sur Global Tricontinental |
| description |
El Congreso Cultural de La Habana (CCH) de 1968 reunió a intelectuales de África, Asia y América Latina, incluso grandes figuras literarias como C.L.R. James y Alex La Guma. El CCH se convirtió en escenario de una controversia entre destacados escritores negros cubanos, luego de que funcionarios del Estado les impidieran hablar en el congreso sobre las desigualdades raciales en la isla. A través del análisis de materiales del CCH y de Havana Journal, las memorias del escritor jamaicano Andrew Salkey sobre su participación, este ensayo traza dichas fricciones dentro del CCH, considerándolo una lente útil para examinar las complejidades más amplias de la   Guerra Fría cultural. |
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2025 |
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2025-10-16T20:43:59Z 2025-10-17T12:30:19Z |
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2025-10-16 |
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Abreu, Alberto. “El Black Power en la Cuba de los sesenta y setenta: Conversación con Juan Felipe Benemelis”. Afromodernidades (2012). Accessed July 19, 2019. https://afromodernidades.files.wordpress.com/2012/10/el-black-power-enla-cuba-durante-los-aos-60-y-70segunda-parte-y-final.docx “At the Root”. Tricontinental 25 (1971): 106-137. CCH. “Cultural Congress of Havana: Meeting of Intellectuals from All the World on Problems of Asia, Africa and Latin America”. In CCH. Papers and Proceedings. Havana, 1968. Clytus, John. Black Man in Red Cuba. Coral Gables, FL: University of Miami Press,1970. Colás, Santiago. “Silence and Dialectics: Speculations on C.L.R. James and Latin America.” Rethinking C.L.R. James. Grant Farred, ed. Cambridge, MA: Blackwell Publishers, 1966. 131-164. De la Fuente, Alejandro. A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba. Chapel Hill: University of North Carolina Press, 2011. Fornet, Ambrosio. “El Quinquenio Gris: revisitando el término”. Casa de Las Américas 246 (2007): 3. Frost, Jackqueline and Jorge E. Lefevre Tavárez. “Tragedy of the Possible: Aimé Césaire in Cuba, 1968”. Historical Materialism 28/2 (2020): 25-75. González Seligmann, Katerina. “Caliban, Why? The 1968 Cultural Congress of Havana, C.L.R. James, and the Role of the Caribbean Intellectual”. The Global South 13/1 (2019): 59-80. Gordon-Nesbitt, Rebecca. To Defend the Revolution Is to Defend Culture: The Cultural Policy of the Cuban Revolution. Oakland, CA: PM Press, 2015. Guerra, Lillian. Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959-1971. Chapel Hill: University of North Carolina Press, 2012. Mahler, Anne Garland. “Global South.” Oxford Bibliographies in Literary and Critical Theory. Eugene O'Brien, ed. Oxford: Oxford University Press, 2017. ___. From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity. Durham: Duke University Press, 2018. Martínez, Elizabeth Sutherland. The Youngest Revolution: A Personal Report on Cuba. New York: Dial Press, 1969. Millar, Lanie. “Mário Pinto de Andrade, the Cultural Congress of Havana, and the Role of Culture in the Global South”. In Sites of Contest: Cultural Cold War Diplomacy and the Global South. Kerry Bystrom, Monica Popescu, and Katherine Zien, eds. Routledge, 2021. 45-61. Moore, Carlos. Castro, the Blacks, and Africa. Afro-American Culture and Society. Berkeley: University of California Press, 1988. Navarro, Desiderio. “In Medias Res Publicas: On Intellectuals and Social Criticism in the Cuban Public Sphere”. Translated by Alessandro Fornazarri and Desiderio Navarro. Boundary 2 29/3 (2002): 187–203. OAS and Special Consultative Committee on Security (SCCS). SCCS against the Subversive Action of International Communism: CCH: Study Prepared by the SCCS at Its Tenth Regular Meeting, 1968. Washington: Pan American Union, General Secretariat of the OAS, 1968. Pérez-Sarduy, Pedro. “An Open Letter to Carlos Moore”. Cuba Update (1990): 34–36. Perry, Amanda. "Sovereign Alliances: Reading the Romance between Cuba and the Anglophone Caribbean in the 1970s ". Sites of Contest: Cultural Cold War Diplomacy and the Global South. Kerry Bystrom, Monica Popescu, and Katherine Zien, eds. Routledge, 2021. 78-91. Roberts, Brian Russell and Keith Foulcher. Indonesian Notebook: A Sourcebook on Richard Wright and the Bandung Conference. Durham: Duke University Press, 2016. Salkey, Andrew. Havana Journal. Harmondsworth: Penguin, 1971. Silber, Irwin. The CCH. 4-11, January, 1968. New York, 1968. |
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Garland Mahler, Anne2025-10-16T20:43:59Z2025-10-17T12:30:19Z2025-10-16T20:43:59Z2025-10-17T12:30:19Z2025-10-16https://hdl.handle.net/11227/2031810.32997/pa-2025-55382805-7090https://doi.org/10.32997/pa-2025-5538El Congreso Cultural de La Habana (CCH) de 1968 reunió a intelectuales de África, Asia y América Latina, incluso grandes figuras literarias como C.L.R. James y Alex La Guma. El CCH se convirtió en escenario de una controversia entre destacados escritores negros cubanos, luego de que funcionarios del Estado les impidieran hablar en el congreso sobre las desigualdades raciales en la isla. A través del análisis de materiales del CCH y de Havana Journal, las memorias del escritor jamaicano Andrew Salkey sobre su participación, este ensayo traza dichas fricciones dentro del CCH, considerándolo una lente útil para examinar las complejidades más amplias de la   Guerra Fría cultural.The 1968 Cultural Congress of Havana (CCH) joined intellectuals from Africa, Asia, and Latin America, including literary giants like C.L.R. James and Alex La Guma. The CCH became a site of a controversy among prominent Black Cuban writers after state officials prevented them from speaking at the congress about racial inequalities on the island. Through an analysis of CCH materials and Havana Journal, the memoir by Jamaican writer Andrew Salkey about his participation, this essay traces such frictions within the CCH, considering it as a useful lens for examining the larger complexities of the cultural Cold War.application/pdftext/htmlspaUniversidad de CartagenaPerspectivas Afrohttps://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/5538/4217https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/5538/4234311175Abreu, Alberto. “El Black Power en la Cuba de los sesenta y setenta: Conversación con Juan Felipe Benemelis”. Afromodernidades (2012). Accessed July 19, 2019. https://afromodernidades.files.wordpress.com/2012/10/el-black-power-enla-cuba-durante-los-aos-60-y-70segunda-parte-y-final.docx“At the Root”. Tricontinental 25 (1971): 106-137.CCH. “Cultural Congress of Havana: Meeting of Intellectuals from All the World on Problems of Asia, Africa and Latin America”. In CCH. Papers and Proceedings. Havana, 1968.Clytus, John. Black Man in Red Cuba. Coral Gables, FL: University of Miami Press,1970.Colás, Santiago. “Silence and Dialectics: Speculations on C.L.R. James and Latin America.” Rethinking C.L.R. James. Grant Farred, ed. Cambridge, MA: Blackwell Publishers, 1966. 131-164.De la Fuente, Alejandro. A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba. Chapel Hill: University of North Carolina Press, 2011.Fornet, Ambrosio. “El Quinquenio Gris: revisitando el término”. Casa de Las Américas 246 (2007): 3.Frost, Jackqueline and Jorge E. Lefevre Tavárez. “Tragedy of the Possible: Aimé Césaire in Cuba, 1968”. Historical Materialism 28/2 (2020): 25-75.González Seligmann, Katerina. “Caliban, Why? The 1968 Cultural Congress of Havana, C.L.R. James, and the Role of the Caribbean Intellectual”. The Global South 13/1 (2019): 59-80.Gordon-Nesbitt, Rebecca. To Defend the Revolution Is to Defend Culture: The Cultural Policy of the Cuban Revolution. Oakland, CA: PM Press, 2015.Guerra, Lillian. Visions of Power in Cuba: Revolution, Redemption, and Resistance, 1959-1971. Chapel Hill: University of North Carolina Press, 2012.Mahler, Anne Garland. “Global South.” Oxford Bibliographies in Literary and Critical Theory. Eugene O'Brien, ed. Oxford: Oxford University Press, 2017.___. From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity. Durham: Duke University Press, 2018.Martínez, Elizabeth Sutherland. The Youngest Revolution: A Personal Report on Cuba. New York: Dial Press, 1969.Millar, Lanie. “Mário Pinto de Andrade, the Cultural Congress of Havana, and the Role of Culture in the Global South”. In Sites of Contest: Cultural Cold War Diplomacy and the Global South. Kerry Bystrom, Monica Popescu, and Katherine Zien, eds. Routledge, 2021. 45-61.Moore, Carlos. Castro, the Blacks, and Africa. Afro-American Culture and Society. Berkeley: University of California Press, 1988.Navarro, Desiderio. “In Medias Res Publicas: On Intellectuals and Social Criticism in the Cuban Public Sphere”. Translated by Alessandro Fornazarri and Desiderio Navarro. Boundary 2 29/3 (2002): 187–203.OAS and Special Consultative Committee on Security (SCCS). SCCS against the Subversive Action of International Communism: CCH: Study Prepared by the SCCS at Its Tenth Regular Meeting, 1968. Washington: Pan American Union, General Secretariat of the OAS, 1968.Pérez-Sarduy, Pedro. “An Open Letter to Carlos Moore”. Cuba Update (1990): 34–36.Perry, Amanda. "Sovereign Alliances: Reading the Romance between Cuba and the Anglophone Caribbean in the 1970s ". Sites of Contest: Cultural Cold War Diplomacy and the Global South. Kerry Bystrom, Monica Popescu, and Katherine Zien, eds. Routledge, 2021. 78-91.Roberts, Brian Russell and Keith Foulcher. Indonesian Notebook: A Sourcebook on Richard Wright and the Bandung Conference. Durham: Duke University Press, 2016.Salkey, Andrew. Havana Journal. Harmondsworth: Penguin, 1971.Silber, Irwin. The CCH. 4-11, January, 1968. New York, 1968.https://creativecommons.org/licenses/by-nc-nd/4.0http://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccessEsta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0.https://revistas.unicartagena.edu.co/index.php/PersAfro/article/view/5538Black radicalismCaribbeanCold warCubaGlobal southTricontinentalradicalismo negroCaribeGuerra FríaSur GlobalTricontinentalLos límites de la solidaridad global: leyendo el Congreso Cultural de La Habana de 1968 a través del Havana Journal de Andrew SalkeyThe Limits of Solidarity: Reading the 1968 Cultural Congress of Havana through Andrew Salkey’s Havana JournalArtículo de revistainfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1Textinfo:eu-repo/semantics/articleJournal articlePublicationOREORE.xmltext/xml2641https://repositorio.unicartagena.edu.co/bitstreams/d7e95211-5ace-42c8-be40-13590a27d34c/downloade78a62b50444936d605009c87446e3d9MD5111227/20318oai:repositorio.unicartagena.edu.co:11227/203182025-10-17 07:30:19.434https://creativecommons.org/licenses/by-nc-nd/4.0metadata.onlyhttps://repositorio.unicartagena.edu.coBiblioteca Digital Universidad de Cartagenabdigital@metabiblioteca.com |