Graphemes, traces and signing within the unimage of the contemporary city

The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the...

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Tipo de recurso:: Article of journal

Fecha de publicación:: 2013

Institución:: Universidad Antonio Nariño

Repositorio:: Repositorio UAN

Idioma:: spa

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spelling	2013-06-142024-10-10T02:29:19Z2024-10-10T02:29:19Zhttps://revistas.uan.edu.co/index.php/nodo/article/view/83https://repositorio.uan.edu.co/handle/123456789/10551The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the baroque, Art Nouveau, cubism, German expressionism, Frank Lloyd Wright’s organicism and Jackson Pollock’s action painting, among others. Fractal forms found in nature are the result of chaotic dynamics in which biosystems work; they are the visual aspect of underlying natural laws. That is how water currents, winds, movements in plant life, seismic activity, heat waves, animal migrations and social human anatomy’s rhizomatous movements function. It is possible to square matter with energy in motion, the same as we can speak of quantum urban environments. Associated traces and fields entail it. Acts performed in the city can be seen in its radiography. It is in the flux, in the particle and its path, in the complex and entangled writing of the metacity in which the no-image (the unimage) of contemporary landscape is based on.El artículo aborda una manera de interpretar la ciudad, haciendo énfasis en las trazas, los grafos y las rúbricas urbanas propias de la ciudad contemporánea. Dentro de la continuidad histórica que caracteriza a la vertiente orgánica, señala el autor, se ubica el dinamismo característico del arte medieval, del barroco, del art noveau, del cubismo, del expresionismo alemán, el organicismo de Frank Lloyd Wright, y el action painting de Jackson Pollock, entre otros. Las formas fractales que se perciben en la naturaleza son el resultado de la dinámica caótica dentro de la cual operan los bio-sistemas. Son el aspecto visible de leyes naturales subyacentes. Así funcionan los hidroflujos, los vientos, el movimiento de la flora, la sismicidad, los flujos calóricos, las migraciones animales, y los movimientos rizomáticos de la anatomía social humana. Se puede hacer corresponder materia con energía en movimiento, y se puede hablar de un ambiente cuántico a nivel de la ciudad. Las trazas y sus campos asociados lo hacen suponer. El performance de los actos urbanos puede ser “visto” en su radiografía. Es en el flujo, en la partícula y su trayectoria, en la compleja y enmarañada escritura de la meta-ciudad, como se fundamenta la noimagen (inimagen) del paisaje contemporáneo.application/pdfspaUNIVERSIDAD ANTONIO NARIÑOhttps://revistas.uan.edu.co/index.php/nodo/article/view/83/65https://creativecommons.org/licenses/by-nc-sa/4.0http://purl.org/coar/access_right/c_abf2REVISTA NODO; Vol. 7 Núm. 14 (2013); 35 - 482346-092X1909-3888Fractalflujos naturales y socialesperformanceFractalsnatural and social flowsperformanceGraphemes, traces and signing within the unimage of the contemporary cityGrafías, trazas y rúbricas en la inimagen de la ciudad contemporáneainfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtículo revisado por pareshttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Llamosa-Escovar, David Francisco123456789/10551oai:repositorio.uan.edu.co:123456789/105512025-03-13 22:58:20.976metadata.onlyhttps://repositorio.uan.edu.coRepositorio Institucional UANalertas.repositorio@uan.edu.co
dc.title.en-US.fl_str_mv	Graphemes, traces and signing within the unimage of the contemporary city
dc.title.es-ES.fl_str_mv	Grafías, trazas y rúbricas en la inimagen de la ciudad contemporánea
title	Graphemes, traces and signing within the unimage of the contemporary city
spellingShingle	Graphemes, traces and signing within the unimage of the contemporary city Fractal flujos naturales y sociales performance Fractals natural and social flows performance
title_short	Graphemes, traces and signing within the unimage of the contemporary city
title_full	Graphemes, traces and signing within the unimage of the contemporary city
title_fullStr	Graphemes, traces and signing within the unimage of the contemporary city
title_full_unstemmed	Graphemes, traces and signing within the unimage of the contemporary city
title_sort	Graphemes, traces and signing within the unimage of the contemporary city
dc.subject.es-ES.fl_str_mv	Fractal flujos naturales y sociales performance
topic	Fractal flujos naturales y sociales performance Fractals natural and social flows performance
dc.subject.en-US.fl_str_mv	Fractals natural and social flows performance
description	The article raises the issue of interpreting the city emphasizing on the role of traces, graphemes and signing typical of contemporary urban conditions. According to the author, in the distinctive historical continuity of the organic trend it is possible to pin down the dynamics of medieval art, the baroque, Art Nouveau, cubism, German expressionism, Frank Lloyd Wright’s organicism and Jackson Pollock’s action painting, among others. Fractal forms found in nature are the result of chaotic dynamics in which biosystems work; they are the visual aspect of underlying natural laws. That is how water currents, winds, movements in plant life, seismic activity, heat waves, animal migrations and social human anatomy’s rhizomatous movements function. It is possible to square matter with energy in motion, the same as we can speak of quantum urban environments. Associated traces and fields entail it. Acts performed in the city can be seen in its radiography. It is in the flux, in the particle and its path, in the complex and entangled writing of the metacity in which the no-image (the unimage) of contemporary landscape is based on.
publishDate	2013
dc.date.accessioned.none.fl_str_mv	2024-10-10T02:29:19Z
dc.date.available.none.fl_str_mv	2024-10-10T02:29:19Z
dc.date.none.fl_str_mv	2013-06-14
dc.type.none.fl_str_mv	info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion
dc.type.es-ES.fl_str_mv	Artículo revisado por pares
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.spa.fl_str_mv	http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
format	http://purl.org/coar/resource_type/c_6501
status_str	publishedVersion
dc.identifier.none.fl_str_mv	https://revistas.uan.edu.co/index.php/nodo/article/view/83
dc.identifier.uri.none.fl_str_mv	https://repositorio.uan.edu.co/handle/123456789/10551
url	https://revistas.uan.edu.co/index.php/nodo/article/view/83 https://repositorio.uan.edu.co/handle/123456789/10551
dc.language.none.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.uan.edu.co/index.php/nodo/article/view/83/65
dc.rights.es-ES.fl_str_mv	https://creativecommons.org/licenses/by-nc-sa/4.0
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	https://creativecommons.org/licenses/by-nc-sa/4.0 http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv	application/pdf
dc.publisher.es-ES.fl_str_mv	UNIVERSIDAD ANTONIO NARIÑO
dc.source.es-ES.fl_str_mv	REVISTA NODO; Vol. 7 Núm. 14 (2013); 35 - 48
dc.source.none.fl_str_mv	2346-092X 1909-3888
institution	Universidad Antonio Nariño
repository.name.fl_str_mv	Repositorio Institucional UAN
repository.mail.fl_str_mv	alertas.repositorio@uan.edu.co
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Graphemes, traces and signing within the unimage of the contemporary city

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