Identidad del Festival Nacional de Cine de Indonesia

Los festivales de cine sirven como plataformas vitales para difundir y apreciar obras cinematográficas, actuando como eventos culturales que involucran a múltiples partes interesadas. Este artículo examina los desafíos organizativos y las barreras de comunicación dentro del Festival de Cine de Indon...

Full description

Autores:: Undiana, Nala Nandana
Abdullah, Aceng
Agustin, Herlina
Wirakusumah, Teddy Kurnia

Tipo de recurso:: Article of journal

Fecha de publicación:: 2025

Institución:: Universidad de San Buenaventura

Repositorio:: Repositorio USB

Idioma:: eng

id	SANBUENAV2_6fa52544c770c6f78fdd444fe86487ad
oai_identifier_str	oai:bibliotecadigital.usb.edu.co:10819/26440
network_acronym_str	SANBUENAV2
network_name_str	Repositorio USB
repository_id_str
dc.title.spa.fl_str_mv	Identidad del Festival Nacional de Cine de Indonesia
dc.title.translated.spa.fl_str_mv	Identidad del Festival Nacional de Cine de Indonesia
title	Identidad del Festival Nacional de Cine de Indonesia
spellingShingle	Identidad del Festival Nacional de Cine de Indonesia film festival identity media communication Indonesia festival de cine identidad comunicación con los medios Indonesia
title_short	Identidad del Festival Nacional de Cine de Indonesia
title_full	Identidad del Festival Nacional de Cine de Indonesia
title_fullStr	Identidad del Festival Nacional de Cine de Indonesia
title_full_unstemmed	Identidad del Festival Nacional de Cine de Indonesia
title_sort	Identidad del Festival Nacional de Cine de Indonesia
dc.creator.fl_str_mv	Undiana, Nala Nandana Abdullah, Aceng Agustin, Herlina Wirakusumah, Teddy Kurnia
dc.contributor.author.eng.fl_str_mv	Undiana, Nala Nandana Abdullah, Aceng Agustin, Herlina Wirakusumah, Teddy Kurnia
dc.subject.eng.fl_str_mv	film festival identity media communication Indonesia
topic	film festival identity media communication Indonesia festival de cine identidad comunicación con los medios Indonesia
dc.subject.spa.fl_str_mv	festival de cine identidad comunicación con los medios Indonesia
description	Los festivales de cine sirven como plataformas vitales para difundir y apreciar obras cinematográficas, actuando como eventos culturales que involucran a múltiples partes interesadas. Este artículo examina los desafíos organizativos y las barreras de comunicación dentro del Festival de Cine de Indonesia (FFI, por su sigla en inglés: Festival Film Indonesia), de 2019 a 2021. Utilizamos una metodología cualitativa de estudio de caso y realizamos entrevistas semiestructuradas con interesados clave, incluidos funcionarios del Gobierno, profesionales del cine y expertos de la industria. Los resultados revelan importantes barreras de comunicación que afectan la coordinación del programa, la participación de los organizadores, los procesos de selección y la participación del público. Estas aportan a la incoherencia y la ineficacia en la ejecución del festival. El estudio subraya la necesidad de protocolos de comunicación estructurados y la integración de herramientas digitales para mejorar la coordinación entre las partes interesadas. Las soluciones propuestas pretenden optimizar la organización del festival, garantizando que cumpla su función de plataforma para el intercambio cultural y el desarrollo de la industria. Esta investigación contribuye a una comprensión más amplia de la gestión de los festivales de cine y ofrece ideas prácticas para mejoras futuras en eventos similares.
publishDate	2025
dc.date.accessioned.none.fl_str_mv	2025-01-20T00:00:00Z 2025-07-31T17:14:31Z
dc.date.available.none.fl_str_mv	2025-01-20T00:00:00Z 2025-07-31T17:14:31Z
dc.date.issued.none.fl_str_mv	2025-01-20
dc.type.spa.fl_str_mv	Artículo de revista
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.eng.fl_str_mv	http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.eng.fl_str_mv	http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.content.eng.fl_str_mv	Text
dc.type.driver.eng.fl_str_mv	info:eu-repo/semantics/article
dc.type.local.eng.fl_str_mv	Journal article
dc.type.version.eng.fl_str_mv	info:eu-repo/semantics/publishedVersion
format	http://purl.org/coar/resource_type/c_6501
status_str	publishedVersion
dc.identifier.doi.none.fl_str_mv	10.21500/22563202.7068
dc.identifier.eissn.none.fl_str_mv	2256-3202
dc.identifier.uri.none.fl_str_mv	https://hdl.handle.net/10819/26440
dc.identifier.url.none.fl_str_mv	https://doi.org/10.21500/22563202.7068
identifier_str_mv	10.21500/22563202.7068 2256-3202
url	https://hdl.handle.net/10819/26440 https://doi.org/10.21500/22563202.7068
dc.language.iso.eng.fl_str_mv	eng
language	eng
dc.relation.bitstream.none.fl_str_mv	https://revistas.usb.edu.co/index.php/GuillermoOckham/article/download/7068/5531
dc.relation.citationendpage.none.fl_str_mv	173
dc.relation.citationissue.eng.fl_str_mv	1
dc.relation.citationstartpage.none.fl_str_mv	157
dc.relation.citationvolume.eng.fl_str_mv	23
dc.relation.ispartofjournal.eng.fl_str_mv	Revista Guillermo de Ockham
dc.relation.references.eng.fl_str_mv	Ahuja, V., & Priyadarshini, S. (2015). Effective communication management for urban infrastructure projects [Conference session]. Project Management National Conference, India. Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Harvard University Press. Bourdieu, P. (1985). The social space and the genesis of groups. Theory and Society, 14(6), 723-744. https://doi.org/10.1007/BF00174048 Bourne, L. (2013). Controls communicate? Stakeholder Circle. https://www.stakeholdermapping.com/index.php/download_file/view/104/92/ Bourne, L. (2016). Stakeholder relationship management: A maturity model for organizational implementation. Routledge. Bowler, A. (1984). The social production of art. By Janet Wolff. St. Martin’s Press, 1981. 196 pp. Social Forces, 62(4), 1122-1124. https://doi.org/10.2307/2578588 Caltrans. (2007). Project communication handbook (2nd ed.). Office of Project Management Process Improvement. Chan, F. (2011). The international film festival and the making of a national cinema. Screen, 52(2), 253-260. https://doi.org/10.1093/screen/hjr012 Crane, D. (1989). The transformation of the avant-garde: The New York Art World 1940-1985. University of Chicago Press. Cudny, W. (2016). Festivalisation of urban spaces factors, processes and effects. Springer. http://www.springer.com/series/10180 Czach, L. (2004). Film festivals, programming, and the building of a national cinema. The Moving Image, 4(1), 76-88. https://doi.org/10.1353/mov.2004.0004 Davidsen, A. S. (2013). Phenomenological approaches in psychology and health sciences. Qualitative Research in Psychology, 10(3), 318-339. https://doi.org/10.1080/14780887.2011.608466 De Valck, M. (2006). Film festivals: History and theory of a European phenomenon that became a global network. ASCA. De Valck, M. (2007). Film festivals: From European geopolitics to global cinephilia. Amsterdam University Press. https://doi.org/10.5117/9789053561928 De Valck, M. (2010). Film festivals: From European geopolitics to global cinephilia. Amsterdam University Press. De Valck, M. (2019). Film festivals: History and theory of a European phenomenon that became a global network. ASCA. De Valck, M., Kredell, B., & Loist, S. (2016). Film festivals: History, theory, method, praxis. Routledge. Elsaesser, T. (2005). Film festival networks: The new topographies of cinema in Europe. In European cinema (pp. 82-107). Amsterdam University Press. https://doi.org/10.1515/9789048505173-005 Elving, W., van Ruler, B., Goodman, M., & Genest, C. (2012). Communication management in The Netherlands. Journal of Communication Management, 16(2), 112-132. https://doi.org/10.1108/13632541211217551 Haltof, M. (2012). Polish film and the Holocaust: Politics and memory. Historical Journal of Film, Radio and Television, 33(3), 525-528. https://doi.org/10.1080/01439685.2013.800261 Hayes, M. C. (2016). Film programming: Curating for cinemas, festivals, archives. Historical Journal of Film, Radio and Television, 36(2), 260-262. https://doi.org/10.1080/01439685.2016.1164482 Hu, Y., & Gao, H. (2019). Research on the construction of intercultural management strategy in the “Silk Road International Film Festival.” Advances in Social Science, Education and Humanities Research, 376(SSCHD), 597-602. https://doi.org/10.2991/sschd-19.2019.103 Ingold, T. (2013). Making: Anthropology, archaeology, art and architecture. Routledge. https://doi.org/10.4324/9780203559055 Iordanova, D. (2009). Film festival yearbook 1: The festival circuit. St. Andrews Film Studies. Iordanova, D., & van de Peer, S. (2014). Film festival yearbook 6: Film festivals and the Middle East. St. Andrews Film Studies. Johnson, M. (2012). Business consulting: What you need to know for IT operations management. Emereo Publishing. Kabadayi, L. (2012). The role of short film in education. Procedia: Social and Behavioral Sciences, 47, 316-320. https://doi.org/10.1016/j.sbspro.2012.06.657 Lampel, J., & Meyer, A. D. (2008). Field-configuring events as structuring mechanisms: How conferences, ceremonies, and trade shows constitute new technologies, industries, and markets. Journal of Management Studies, 45(6), 1025-1035. https://doi.org/http://dx.doi.org/10.1111/j.1467-6486.2005.00534.x Moleong, L. J. (2010). Metodologi Penelitian Kualitatif. Remaja Rosdakarya. Moulin, R. (1987). The French art market: A sociological view. Rutgers University Press. Mulyana, D. (2004). Metode Penelitian Kualitatif. Remaja Rosdakarya. Nazir, M. (2011). Metode Penlitian. Penerbit Ghalia Indonesia. Nugroho, G. (2012). Hanoi dan FFI. Kompas. https://regional.kompas.com/read/2012/12/02/0252376/hanoi.dan.ffi Putra, D. E. P. (2021). Implementasi Analisis SWOT Dalam Strategi Pengembangan Festival Film Solo Documentary. SIGNIFIERA: Journal of Cultural Studies, 1, 9-15. https://doi.org/10.53868/signifiera.v1i1.2 Rajhans, K. (2018). Effective communication management: A key to stakeholder relationship management in project-based organizations. IUP Journal of Soft Skills, 12(4), 47-66. Rastegar, R. (2012). Difference, aesthetics and the curatorial crisis of film festivals. Screen, 53(3), 310-317. https://doi.org/10.1093/screen/hjs022 Ricoeur, P. (2008). Freud and philosophy an essay on interpretation (D. Savage, Trans.). Yale University Press. Rüling, C. C., & Strandgaard Pedersen, J. (2010). Film festival research from an organizational studies perspective. Scandinavian Journal of Management, 26(3), 318-323. https://doi.org/10.1016/j.scaman.2010.06.006 Setiawati, S. R. (2020). Konsepsi Ruang Urban Yogyakarta dalam Kurasi Festival Film Dokumenter dan Jogja-NETPAC Asian Film Festival 2019. Jurnal Seni Urban, 3(1), 5-7. http://dx.doi.org/10.52969/jsu.v3i1.28 Teguh, I. (2018, December 10). Sejarah Festival Film Indonesia: Enam Dekade Saksi Pasang Surut. Tirto.id. https://tirto.id/sejarah-festival-film-indonesia-enam-dekade-saksi-pasangsurut-dbsm Van Vliet, H. (2018). The Dutch film festival landscape: A walk-through. NECSUS: European Journal of Media Studies, 7(2), 263-272. https://doi.org/https://doi.org/10.25969/mediarep/3450 Vilhjálmsdóttir, L. (2011). A documentary film festival circuit and film festivals as field-configuring events, adapting to digitalization: “… to get together and to really talk about strategies” [Master’s dissertation, Bifröst University]. Skemman. http://hdl.handle.net/1946/10293 Whitley, R. (1985). Expository science: Forms and functions of popularisation (Vol. 9). Reidel. Yin, R. K. (2011). Qualitative research from start to finish. The Guilford Press. Yin, R. K. (2014). Case study research: Design and methods (5th ed.). Sage. Yin, R. K. (2018). Case study research and applications: Design and methods (6th ed.). Sage. https://doi.org/10.1177/109634809702100108 Zucker, D. M. (2009). How to do case study research. In M. Garner, C. Wagner & B. Kawulich (Eds.), Teaching research methods in the humanities and social sciences (pp. 1-12). Routledge. https://doi.org/10.4324/9781315611921
dc.rights.eng.fl_str_mv	Nala Nandana Undiana, Aceng Abdullah, Herlina Agustin, Teddy Kurnia Wirakusumah - 2024
dc.rights.accessrights.eng.fl_str_mv	info:eu-repo/semantics/openAccess
dc.rights.coar.eng.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.uri.eng.fl_str_mv	https://creativecommons.org/licenses/by-nc-nd/4.0
rights_invalid_str_mv	Nala Nandana Undiana, Aceng Abdullah, Herlina Agustin, Teddy Kurnia Wirakusumah - 2024 http://purl.org/coar/access_right/c_abf2 https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv	openAccess
dc.format.mimetype.eng.fl_str_mv	application/pdf
dc.publisher.eng.fl_str_mv	Universidad de San Buenaventura Cali
dc.source.eng.fl_str_mv	https://revistas.usb.edu.co/index.php/GuillermoOckham/article/view/7068
institution	Universidad de San Buenaventura
bitstream.url.fl_str_mv	https://bibliotecadigital.usb.edu.co/bitstreams/4eada7ea-fffe-4462-9b8d-99f19035b9b3/download
bitstream.checksum.fl_str_mv	ff16f259ab092ba660d5a69da93e8177
bitstream.checksumAlgorithm.fl_str_mv	MD5
repository.name.fl_str_mv	Repositorio Institucional Universidad de San Buenaventura Colombia
repository.mail.fl_str_mv	bdigital@metabiblioteca.com
_version_	1851053562612678656
spelling	Undiana, Nala NandanaAbdullah, AcengAgustin, HerlinaWirakusumah, Teddy Kurnia2025-01-20T00:00:00Z2025-07-31T17:14:31Z2025-01-20T00:00:00Z2025-07-31T17:14:31Z2025-01-20Los festivales de cine sirven como plataformas vitales para difundir y apreciar obras cinematográficas, actuando como eventos culturales que involucran a múltiples partes interesadas. Este artículo examina los desafíos organizativos y las barreras de comunicación dentro del Festival de Cine de Indonesia (FFI, por su sigla en inglés: Festival Film Indonesia), de 2019 a 2021. Utilizamos una metodología cualitativa de estudio de caso y realizamos entrevistas semiestructuradas con interesados clave, incluidos funcionarios del Gobierno, profesionales del cine y expertos de la industria. Los resultados revelan importantes barreras de comunicación que afectan la coordinación del programa, la participación de los organizadores, los procesos de selección y la participación del público. Estas aportan a la incoherencia y la ineficacia en la ejecución del festival. El estudio subraya la necesidad de protocolos de comunicación estructurados y la integración de herramientas digitales para mejorar la coordinación entre las partes interesadas. Las soluciones propuestas pretenden optimizar la organización del festival, garantizando que cumpla su función de plataforma para el intercambio cultural y el desarrollo de la industria. Esta investigación contribuye a una comprensión más amplia de la gestión de los festivales de cine y ofrece ideas prácticas para mejoras futuras en eventos similares.Film festivals serve as vital platforms for disseminating and appreciating film works, acting as cultural events that involve multiple stakeholders. This study examines the organizational challenges and communication barriers within the Festival Film Indonesia (FFI) from 2019 to 2021. We utilized a qualitative case study methodology and conducted semi-structured interviews with key stakeholders, including government officials, film practitioners, and industry experts. The findings reveal significant communication barriers that impact program coordination, organizer involvement, curation processes, and audience engagement. These barriers contribute to inconsistencies and inefficiencies in the festival’s execution. The study highlights the need for structured communication protocols and the integration of digital tools to enhance coordination among stakeholders. The proposed solutions aim to improve the festival’s organization, ensuring it fulfills its role as a platform for cultural exchange and industry development. This research contributes to the broader understanding of film festival management and offers practical insights for future improvements in similar events.application/pdf10.21500/22563202.70682256-3202https://hdl.handle.net/10819/26440https://doi.org/10.21500/22563202.7068engUniversidad de San Buenaventura Calihttps://revistas.usb.edu.co/index.php/GuillermoOckham/article/download/7068/5531173115723Revista Guillermo de OckhamAhuja, V., & Priyadarshini, S. (2015). Effective communication management for urban infrastructure projects [Conference session]. Project Management National Conference, India. Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Harvard University Press. Bourdieu, P. (1985). The social space and the genesis of groups. Theory and Society, 14(6), 723-744. https://doi.org/10.1007/BF00174048 Bourne, L. (2013). Controls communicate? Stakeholder Circle. https://www.stakeholdermapping.com/index.php/download_file/view/104/92/ Bourne, L. (2016). Stakeholder relationship management: A maturity model for organizational implementation. Routledge. Bowler, A. (1984). The social production of art. By Janet Wolff. St. Martin’s Press, 1981. 196 pp. Social Forces, 62(4), 1122-1124. https://doi.org/10.2307/2578588 Caltrans. (2007). Project communication handbook (2nd ed.). Office of Project Management Process Improvement. Chan, F. (2011). The international film festival and the making of a national cinema. Screen, 52(2), 253-260. https://doi.org/10.1093/screen/hjr012 Crane, D. (1989). The transformation of the avant-garde: The New York Art World 1940-1985. University of Chicago Press. Cudny, W. (2016). Festivalisation of urban spaces factors, processes and effects. Springer. http://www.springer.com/series/10180 Czach, L. (2004). Film festivals, programming, and the building of a national cinema. The Moving Image, 4(1), 76-88. https://doi.org/10.1353/mov.2004.0004 Davidsen, A. S. (2013). Phenomenological approaches in psychology and health sciences. Qualitative Research in Psychology, 10(3), 318-339. https://doi.org/10.1080/14780887.2011.608466 De Valck, M. (2006). Film festivals: History and theory of a European phenomenon that became a global network. ASCA. De Valck, M. (2007). Film festivals: From European geopolitics to global cinephilia. Amsterdam University Press. https://doi.org/10.5117/9789053561928 De Valck, M. (2010). Film festivals: From European geopolitics to global cinephilia. Amsterdam University Press. De Valck, M. (2019). Film festivals: History and theory of a European phenomenon that became a global network. ASCA. De Valck, M., Kredell, B., & Loist, S. (2016). Film festivals: History, theory, method, praxis. Routledge. Elsaesser, T. (2005). Film festival networks: The new topographies of cinema in Europe. In European cinema (pp. 82-107). Amsterdam University Press. https://doi.org/10.1515/9789048505173-005 Elving, W., van Ruler, B., Goodman, M., & Genest, C. (2012). Communication management in The Netherlands. Journal of Communication Management, 16(2), 112-132. https://doi.org/10.1108/13632541211217551 Haltof, M. (2012). Polish film and the Holocaust: Politics and memory. Historical Journal of Film, Radio and Television, 33(3), 525-528. https://doi.org/10.1080/01439685.2013.800261 Hayes, M. C. (2016). Film programming: Curating for cinemas, festivals, archives. Historical Journal of Film, Radio and Television, 36(2), 260-262. https://doi.org/10.1080/01439685.2016.1164482 Hu, Y., & Gao, H. (2019). Research on the construction of intercultural management strategy in the “Silk Road International Film Festival.” Advances in Social Science, Education and Humanities Research, 376(SSCHD), 597-602. https://doi.org/10.2991/sschd-19.2019.103 Ingold, T. (2013). Making: Anthropology, archaeology, art and architecture. Routledge. https://doi.org/10.4324/9780203559055 Iordanova, D. (2009). Film festival yearbook 1: The festival circuit. St. Andrews Film Studies. Iordanova, D., & van de Peer, S. (2014). Film festival yearbook 6: Film festivals and the Middle East. St. Andrews Film Studies. Johnson, M. (2012). Business consulting: What you need to know for IT operations management. Emereo Publishing. Kabadayi, L. (2012). The role of short film in education. Procedia: Social and Behavioral Sciences, 47, 316-320. https://doi.org/10.1016/j.sbspro.2012.06.657 Lampel, J., & Meyer, A. D. (2008). Field-configuring events as structuring mechanisms: How conferences, ceremonies, and trade shows constitute new technologies, industries, and markets. Journal of Management Studies, 45(6), 1025-1035. https://doi.org/http://dx.doi.org/10.1111/j.1467-6486.2005.00534.x Moleong, L. J. (2010). Metodologi Penelitian Kualitatif. Remaja Rosdakarya. Moulin, R. (1987). The French art market: A sociological view. Rutgers University Press. Mulyana, D. (2004). Metode Penelitian Kualitatif. Remaja Rosdakarya. Nazir, M. (2011). Metode Penlitian. Penerbit Ghalia Indonesia. Nugroho, G. (2012). Hanoi dan FFI. Kompas. https://regional.kompas.com/read/2012/12/02/0252376/hanoi.dan.ffi Putra, D. E. P. (2021). Implementasi Analisis SWOT Dalam Strategi Pengembangan Festival Film Solo Documentary. SIGNIFIERA: Journal of Cultural Studies, 1, 9-15. https://doi.org/10.53868/signifiera.v1i1.2 Rajhans, K. (2018). Effective communication management: A key to stakeholder relationship management in project-based organizations. IUP Journal of Soft Skills, 12(4), 47-66. Rastegar, R. (2012). Difference, aesthetics and the curatorial crisis of film festivals. Screen, 53(3), 310-317. https://doi.org/10.1093/screen/hjs022 Ricoeur, P. (2008). Freud and philosophy an essay on interpretation (D. Savage, Trans.). Yale University Press. Rüling, C. C., & Strandgaard Pedersen, J. (2010). Film festival research from an organizational studies perspective. Scandinavian Journal of Management, 26(3), 318-323. https://doi.org/10.1016/j.scaman.2010.06.006 Setiawati, S. R. (2020). Konsepsi Ruang Urban Yogyakarta dalam Kurasi Festival Film Dokumenter dan Jogja-NETPAC Asian Film Festival 2019. Jurnal Seni Urban, 3(1), 5-7. http://dx.doi.org/10.52969/jsu.v3i1.28 Teguh, I. (2018, December 10). Sejarah Festival Film Indonesia: Enam Dekade Saksi Pasang Surut. Tirto.id. https://tirto.id/sejarah-festival-film-indonesia-enam-dekade-saksi-pasangsurut-dbsm Van Vliet, H. (2018). The Dutch film festival landscape: A walk-through. NECSUS: European Journal of Media Studies, 7(2), 263-272. https://doi.org/https://doi.org/10.25969/mediarep/3450 Vilhjálmsdóttir, L. (2011). A documentary film festival circuit and film festivals as field-configuring events, adapting to digitalization: “… to get together and to really talk about strategies” [Master’s dissertation, Bifröst University]. Skemman. http://hdl.handle.net/1946/10293 Whitley, R. (1985). Expository science: Forms and functions of popularisation (Vol. 9). Reidel. Yin, R. K. (2011). Qualitative research from start to finish. The Guilford Press. Yin, R. K. (2014). Case study research: Design and methods (5th ed.). Sage. Yin, R. K. (2018). Case study research and applications: Design and methods (6th ed.). Sage. https://doi.org/10.1177/109634809702100108 Zucker, D. M. (2009). How to do case study research. In M. Garner, C. Wagner & B. Kawulich (Eds.), Teaching research methods in the humanities and social sciences (pp. 1-12). Routledge. https://doi.org/10.4324/9781315611921Nala Nandana Undiana, Aceng Abdullah, Herlina Agustin, Teddy Kurnia Wirakusumah - 2024info:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.https://creativecommons.org/licenses/by-nc-nd/4.0https://revistas.usb.edu.co/index.php/GuillermoOckham/article/view/7068film festivalidentitymedia communicationIndonesiafestival de cineidentidadcomunicación con los mediosIndonesiaIdentidad del Festival Nacional de Cine de IndonesiaIdentidad del Festival Nacional de Cine de IndonesiaArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85Textinfo:eu-repo/semantics/articleJournal articleinfo:eu-repo/semantics/publishedVersionPublicationOREORE.xmltext/xml2642https://bibliotecadigital.usb.edu.co/bitstreams/4eada7ea-fffe-4462-9b8d-99f19035b9b3/downloadff16f259ab092ba660d5a69da93e8177MD5110819/26440oai:bibliotecadigital.usb.edu.co:10819/264402025-07-31 12:14:31.41https://creativecommons.org/licenses/by-nc-nd/4.0https://bibliotecadigital.usb.edu.coRepositorio Institucional Universidad de San Buenaventura Colombiabdigital@metabiblioteca.com

Identidad del Festival Nacional de Cine de Indonesia

Publicaciones similares