Todos mis sueños van en el arte, entonces sin él no tendría sueños: estudio de caso con 4 adolescentes pertenecientes a la Corporación Casa Mía sobre sus procesos de construcción de identidad y expresiones artísticas

The research question which guides this research exercise is directed to the influence of artistic expressions in the construction of identity in adolescence, in order to recognize in the narrative structure of four adolescents who participate in the processes of the Casa Mía Corporation, the relati...

Full description

Autores:
Clavijo Díaz, Sara
Ochoa Buriticá, Wilhem Felipe
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad de San Buenaventura
Repositorio:
Repositorio USB
Idioma:
spa
OAI Identifier:
oai:bibliotecadigital.usb.edu.co:10819/7268
Acceso en línea:
http://hdl.handle.net/10819/7268
Palabra clave:
Identidad
Expresiones artísticas
Animación Sociocultural
Adolescencia
Identity
Artistic expressions
Sociocultural animation
Adolescence
Psicología social
Psicología del adolescente
Pedagogía
Rights
License
Atribución-NoComercial-SinDerivadas 2.5 Colombia
Description
Summary:The research question which guides this research exercise is directed to the influence of artistic expressions in the construction of identity in adolescence, in order to recognize in the narrative structure of four adolescents who participate in the processes of the Casa Mía Corporation, the relationship they find among the artistic practices of those who participate in the corporation and their identity processes. For this, four in-depth interviews were conducted with two female adolescents and two men respectively, with the previous construction of a theoretical framework that allows approaching identity as a dynamic entity that is constantly moving on the subject; sociocultural animation as an agent which enables socialization and participation; adolescence as a stage of transition and search for identity; and artistic expressions as facilitators of an alternative language that mobilizes reflexive processes and situates them in context. It concludes with an intertextual analysis of the discourse and shows the different levels of introspection, reflection and awareness of the four adolescents interviewed, about what artistic expressions have allowed them in their identity processes. The discussion with the theory and the four testimonies framed in different discursive levels is illustrated, to propose conclusions on what the artistic expressions allow as evidenced in the four interviews