Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano

Ambisonic is a three-dimensional reproduction system which has been widely used for more than four decades. Its wide use is due to the robust reconstruction of the sound field that allows the generation of immersive environments. This thesis presents the evaluation of different methodologies for 3 c...

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Autores:
Ardila Arredondo, Alejandro
Villegas Echeverri, Daniela
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad de San Buenaventura
Repositorio:
Repositorio USB
Idioma:
spa
OAI Identifier:
oai:bibliotecadigital.usb.edu.co:10819/6826
Acceso en línea:
http://hdl.handle.net/10819/6826
Palabra clave:
Ambisonics
Campo cercano
Monopolos
Reconstrucción
Simulación
Ambisonics
Near field
Monopoles
Reconstruction
Simulations
Reproducción de sonido
Sonido envolvente
Equipos de sonido
Ingeniería de sonido
Síntesis - sonido
Rights
License
Atribución-NoComercial-SinDerivadas 2.5 Colombia
id SANBUENAV2_0662fe7fb07a4cd53a32cfdd1ebf31bb
oai_identifier_str oai:bibliotecadigital.usb.edu.co:10819/6826
network_acronym_str SANBUENAV2
network_name_str Repositorio USB
repository_id_str
dc.title.spa.fl_str_mv Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
title Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
spellingShingle Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
Ambisonics
Campo cercano
Monopolos
Reconstrucción
Simulación
Ambisonics
Near field
Monopoles
Reconstruction
Simulations
Reproducción de sonido
Sonido envolvente
Equipos de sonido
Ingeniería de sonido
Síntesis - sonido
title_short Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
title_full Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
title_fullStr Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
title_full_unstemmed Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
title_sort Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano
dc.creator.fl_str_mv Ardila Arredondo, Alejandro
Villegas Echeverri, Daniela
dc.contributor.advisor.none.fl_str_mv Murillo Gómez, Diego Mauricio
Murillo Gómez, Diego Mauricio
dc.contributor.author.none.fl_str_mv Ardila Arredondo, Alejandro
Villegas Echeverri, Daniela
dc.subject.spa.fl_str_mv Ambisonics
Campo cercano
Monopolos
Reconstrucción
Simulación
Ambisonics
Near field
Monopoles
Reconstruction
Simulations
topic Ambisonics
Campo cercano
Monopolos
Reconstrucción
Simulación
Ambisonics
Near field
Monopoles
Reconstruction
Simulations
Reproducción de sonido
Sonido envolvente
Equipos de sonido
Ingeniería de sonido
Síntesis - sonido
dc.subject.lemb.spa.fl_str_mv Reproducción de sonido
Sonido envolvente
Equipos de sonido
Ingeniería de sonido
Síntesis - sonido
description Ambisonic is a three-dimensional reproduction system which has been widely used for more than four decades. Its wide use is due to the robust reconstruction of the sound field that allows the generation of immersive environments. This thesis presents the evaluation of different methodologies for 3 cases of decoding based on different types of propagation and sound sources. Where the near field is included The analysis of these models contemplate the amount of energy required by the system for the reconstruction of the sound field, errors with respect to the theoretical sound field as: amplitude error, normalized amplitude error and phase error. Finally, the analysis of the near-field filters in the time and frequency domain is performed. The numerical simulations show that it is indeed possible to compensate the effect of near field produced by the monopoles at the expense of a great energy generated by the system
publishDate 2019
dc.date.accessioned.none.fl_str_mv 2019-01-23T15:35:46Z
dc.date.available.none.fl_str_mv 2019-01-23T15:35:46Z
dc.date.issued.none.fl_str_mv 2019
dc.date.submitted.none.fl_str_mv 2019-01-23
dc.type.spa.fl_str_mv Trabajo de grado - Pregrado
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_7a1f
dc.type.spa.spa.fl_str_mv Trabajo de Grado
dc.type.driver.spa.fl_str_mv info:eu-repo/semantics/bachelorThesis
dc.identifier.citation.spa.fl_str_mv A. Ardila Arredondo, D. Villegas Echeverri, “Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano.”, Trabajo de grado Ingeniería de Sonido, Universidad de San Buenaventura Medellín, Facultad de Ingenierías, 2019
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10819/6826
identifier_str_mv A. Ardila Arredondo, D. Villegas Echeverri, “Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano.”, Trabajo de grado Ingeniería de Sonido, Universidad de San Buenaventura Medellín, Facultad de Ingenierías, 2019
url http://hdl.handle.net/10819/6826
dc.language.iso.spa.fl_str_mv spa
language spa
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.cc.spa.fl_str_mv Atribución-NoComercial-SinDerivadas 2.5 Colombia
dc.rights.uri.spa.fl_str_mv http://creativecommons.org/licenses/by-nc-nd/2.5/co/
rights_invalid_str_mv Atribución-NoComercial-SinDerivadas 2.5 Colombia
http://creativecommons.org/licenses/by-nc-nd/2.5/co/
http://purl.org/coar/access_right/c_abf2
dc.format.spa.fl_str_mv pdf
dc.format.extent.spa.fl_str_mv 105 páginas
dc.format.medium.spa.fl_str_mv Recurso en linea
dc.format.mimetype.spa.fl_str_mv application/pdf
dc.publisher.faculty.spa.fl_str_mv Ingenierias
dc.publisher.program.spa.fl_str_mv Ingeniería de Sonido
dc.publisher.sede.spa.fl_str_mv Medellín
institution Universidad de San Buenaventura
dc.source.bibliographicCitation.spa.fl_str_mv [1] D. Havelock, S. Kuwano, and M. Vorländer, Handbook of signal processing in acoustics, 1ra ed. New york: Springer Science & Business Media, 2008.
[2] M. Ledo Hernansanz, “Tecnología de registro y reproducción sonora para entornos de realidad virtual,” Proyecto fin de carrera, Diac, Facultad de Ingeniería, Universidad Politécnica De Madrid, Madrid, 2013.
[3] W. de Bruijn, W. van Rooijen, and M. M. Boone, “Recent developments on wfs for high quality spatial sound reproduction,” in Audio Engineering Society Convention 110, 2001, pp 1-6.
[4] J. Ahrens and S. Spors, “On the scattering of synthetic sound fields,” in Audio Engineering Society Convention 130, 2011, pp 1-7.
[5] T. D. Abhayapala, D. B. Ward, et al., “Theory and design of high order sound field microphones using spherical microphone array,” in ICASSP, vol. 2, 2002, pp. 1949–1952.
[6] M. A. Gerzon, “Ambisonics in multichannel broadcasting and video, Journal of the Audio Engineering Society, vol. 33, no. 11, pp. 859–871, 1985.
[7] D. Murillo Gomez, “Interactive auralization based on hybrid simulation methods and plane wave expansión,” PhD thesis, Faculty Of Engineering And The Environment, University of Southampton, Southampton, 2016.
[8] G. Dickins and R. Kennedy, “Towards optimal soundfield representation,” in Audio Engineering Society Convention 106, Audio Engineering Society, 1999, pp. 1-12.
[9] P. Lecomte, P.-A. Gauthier, C. Langrenne, A. Garcia, and A. Berry, “On the use of a lebedev grid for ambisonics,” in Audio Engineering Society Convention 139, 2015, pp. 1-12.
[10]A. Heller, R. Lee, and E. Benjamin, “Is my decoder ambisonic,” in Audio Engineering Society Convention 125, 2008, pp. 1-22.
[11]F. Melchior, A. Gräfe, and A. Partzsch, “Spatial audio authoring for ambisonics reproduction,” in Proc. of the Ambisonics Symposium, 2009, pp. 1-6.
[12]A. J. Horsburgh and D. F. Clark, “Ambisonic decoders; is historical hardware the future ?” in Audio Engineering Society Convention 128, 2010, pp. 1-7.
[13]D. G. Malham and A. Myatt, “3-d sound spatialization using ambisonic techniques,” in Computer music journal, vol. 19, no. 4, 1995, pp. 58–70.
[14]P. Geluso, “Capturing height: The addition of z microphones to stereo and surround microphone arrays,” in Audio Engineering Society Convention 132, 2012, pp. 1-5.
[15]D. Malham, “Spherical harmonic coding of sound objects-the ambisonic’o’format,” in Audio Engineering Society Conference: 19th International Conference: Surround SoundTechniques, Technology, and Perception, 2001, pp. 1-4.
[16]O. Kirkeby and P. A. Nelson, “Digital filter design for inversion problems in sound reproduction,” in Journal of the Audio Engineering Society, vol. 47, no. 7/8, 1999, pp. 583– 595.
[17]D. Menzies and F. M. Fazi, “A theoretical analysis of sound localization, with application to amplitude panning,” in Audio Engineering Society Convention 138, 2015, pp. 1-5.
[18]D. Murillo, F. Fazi, and M. Shin, “Evaluation of ambisonics decoding methods with experimental measurements,” in EAA Joint Symposium on Auralization and Ambisonics, 2014, pp. 33-40.
[19]D. M. M. Gómez, J. Astley, and F. M. Fazi, “Low frequency interactive auralization based on a plane wave expansion,” Applied Sciences, vol. 7, no. 6, p. 558, 2017.
[20]J. Atkins, “Optimal spatial sampling for spherical loudspeaker arrays,” in Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference, 2010, pp. 97–100.
[21]M. Neukom and J. C. Schacher, “Ambisonics equivalent panning.,” in ICMC, 2008, pp. 1-5.
[22]J. Daniel and S. Moreau, “Further study of sound field coding with higher order ambisonics,” in Audio Engineering Society Convention 116, 2004, pp. 1–14.
[23]M. Kratschmer and R. Rabenstein, “Implementing ambisonics on a 48 channel circular loudspeaker array,” in 1st Ambisonics Symposium, 2009, pp. 1-5
[24]S. Spors, V. Kuscher, and J. Ahrens, “Efficient realization of model-based rendering for 2.5- dimensional near-field compensated higher order ambisonics,” in Applications of Signal Processing to Audio and Acoustics (WASPAA), 2011 IEEE Workshop on, 2011, pp. 61–64,
[25]N. Hahn and S. Spors, “Further investigations on the design of radial filters for the driving functions of near-field compensated higher-order ambisonics,” in Audio Engineering Society Convention 142, 2017, pp. 1–11.
[26]E. G. Williams, Fourier acoustics: sound radiation and nearfield acoustical holography. Washintgton: Academic Press, 1999.
[27]S. Bravo Yuste, Métodos matemáticos avanzados para científicos e ingenieros, 48 ed. Cáceres: Universidad de Extremadura, 2006.
[28]S. Bharitkar and C. Kyriakakis, Immersive audio signal processing. New York: Springer Science & Business Media, 2008.
[29]F. J. Fahy, Foundations of engineering acoustics. Southampton: Elsevier, 2000.
[30]N. P. Cheremisinoff, Noise control in industry: A practical guide. New Jersey: Elsevier, 1996.
[31]J. I. Taylor and D. W. Kirkland, The bearing analysis handbook: a practical guide for solving vibration problems in bearings. Virginia: Vibration Consultants, 2004.
[32]M. J. Crocker, Handbook of noise and vibration control. New Jersey :John Wiley & Sons, 2007
[33]P. Filippi, A. Bergassoli, D. Habault, and J. P. Lefebvre, Acoustics: basic physics, theory, and methods. London: Elsevier, 1998.
[34]M. Long, Architectural acoustics. Burlington: Elsevier, 2005.
[35]J. Blauert and N. Xiang, Acoustics for engineers: Troy lectures. Berlin: Springer Science & Business Media, 2009
[36]S. S. Bayin, Essentials of Mathematical Methods in Science and Engineering. Ankara: John Wiley & Sons, 2013
[37]C. Hansen, S. Snyder, X. Qiu, L. Brooks, and D. Moreau, Active control of noise and vibration. Boca Raton: CRC press, 2012.
[38]S. W. Rienstra and A. Hirschberg, An introduction to acoustics, Eindhoven: Eindhoven University of Technology, 2004.
[39]M. J. Crocker, Handbook of acoustics. New Jersey: John Wiley & Sons, 1998.
[40] C. Hopkins, Sound insulation. Oxford: Routledge, 2012.
[41]M. Abramowitz and I. A. Stegun, Handbook of mathematical functions: with formulas, graphs, and mathematical tables, vol. 55. New York: Courier Corporation, 1965.
[42]D. B. Ward and T. D. Abhayapala, “Reproduction of a plane-wave sound field using an array of loudspeakers,” in IEEE Transactions on speech and audio processing, vol. 9, no. 6, 2001, pp. 697–707.
[43]M. A. Gerzon, “Periphony: With-height sound reproduction,” in Journal of the Audio Engineering Society, vol. 21, no. 1, 1973, pp. 2–10.
[44]J. Daniel, “Spatial sound encoding including near field effect: Introducing distance coding filters and a viable, new ambisonic format,” in Audio Engineering Society Conference: 23rd International Conference: Signal Processing in Audio Recording and Reproduction, Audio Engineering Society, 2003, pp. 1–15.
dc.source.instname.spa.fl_str_mv Universidad de San Buenaventura - Medellín
dc.source.other.spa.fl_str_mv Biblioteca USB Medellín (San Benito) CD-4988t
dc.source.reponame.spa.fl_str_mv Biblioteca Digital Universidad de San Buenaventura
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spelling Comunidad Científica y AcadémicaMurillo Gómez, Diego Mauricioc4bc7d56-4166-4a66-82d3-7d6c4bf09d8c-1Murillo Gómez, Diego Mauriciovirtual::2334-1Ardila Arredondo, Alejandrod60e0ebc-fc08-406a-be54-8987712af09c-1Villegas Echeverri, Daniela9a8e2e40-cd88-45f7-9fbe-4b156ab62e5e-12019-01-23T15:35:46Z2019-01-23T15:35:46Z20192019-01-23Ambisonic is a three-dimensional reproduction system which has been widely used for more than four decades. Its wide use is due to the robust reconstruction of the sound field that allows the generation of immersive environments. This thesis presents the evaluation of different methodologies for 3 cases of decoding based on different types of propagation and sound sources. Where the near field is included The analysis of these models contemplate the amount of energy required by the system for the reconstruction of the sound field, errors with respect to the theoretical sound field as: amplitude error, normalized amplitude error and phase error. Finally, the analysis of the near-field filters in the time and frequency domain is performed. The numerical simulations show that it is indeed possible to compensate the effect of near field produced by the monopoles at the expense of a great energy generated by the systemAmbisonic es un sistema de reproducción tridimensional el cual ha sido ampliamente utilizado por más de cuatro décadas. Su amplio uso se debe a la reconstrucción robusta del campo sonoro que permite la generación de entornos inmersivos. En esta tesis se presenta la evaluación de diferentes metodologías para 3 casos de decodificación con base en diferentes tipos de propagación y fuentes sonoras. Donde se incluye el campo cercano. El análisis de estos modelos contempla la cantidad de energía requerida por el sistema para la reconstrucción del campo sonoro, errores con respecto al campo sonoro teórico como: error de amplitud, error de amplitud normalizado y error de fase. Por último, se realiza el análisis de los filtros de campo cercano en el dominio del tiempo y frecuencia. Las simulaciones numéricas muestran que efectivamente es posible compensar el efecto de campo cercano producido por los monopolos a costa de una gran energía generada por el sistema.pdf105 páginasRecurso en lineaapplication/pdfA. Ardila Arredondo, D. Villegas Echeverri, “Análisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercano.”, Trabajo de grado Ingeniería de Sonido, Universidad de San Buenaventura Medellín, Facultad de Ingenierías, 2019http://hdl.handle.net/10819/6826spaIngenieriasIngeniería de SonidoMedellínAtribución-NoComercial-SinDerivadas 2.5 ColombiaPor medio de este formato manifiesto mi voluntad de AUTORIZAR a la Universidad de San Buenaventura, Sede Bogotá, Seccionales Medellín, Cali y Cartagena, la difusión en texto completo de manera gratuita y por tiempo indefinido en la Biblioteca Digital Universidad de San Buenaventura, el documento académico-investigativo objeto de la presente autorización, con fines estrictamente educativos, científicos y culturales, en los términos establecidos en la Ley 23 de 1982, Ley 44 de 1993, Decisión Andina 351 de 1993, Decreto 460 de 1995 y demás normas generales sobre derechos de autor. Como autor manifiesto que el presente documento académico-investigativo es original y se realiza sin violar o usurpar derechos de autor de terceros, por lo tanto, la obra es de mi exclusiva autora y poseo la titularidad sobre la misma. La Universidad de San Buenaventura no será responsable de ninguna utilización indebida del documento por parte de terceros y será exclusivamente mi responsabilidad atender personalmente cualquier reclamación que pueda presentarse a la Universidad. Autorizo a la Biblioteca Digital de la Universidad de San Buenaventura convertir el documento al formato que el repositorio lo requiera (impreso, digital, electrónico o cualquier otro conocido o por conocer) o con fines de preservación digital. Esta autorización no implica renuncia a la facultad que tengo de publicar posteriormente la obra, en forma total o parcial, por lo cual podrá, dando aviso por escrito con no menos de un mes de antelación, solicitar que el documento deje de estar disponible para el público en la Biblioteca Digital de la Universidad de San Buenaventura, así mismo, cuando se requiera por razones legales y/o reglas del editor de una revista.http://creativecommons.org/licenses/by-nc-nd/2.5/co/http://purl.org/coar/access_right/c_abf2[1] D. Havelock, S. Kuwano, and M. Vorländer, Handbook of signal processing in acoustics, 1ra ed. New york: Springer Science & Business Media, 2008.[2] M. Ledo Hernansanz, “Tecnología de registro y reproducción sonora para entornos de realidad virtual,” Proyecto fin de carrera, Diac, Facultad de Ingeniería, Universidad Politécnica De Madrid, Madrid, 2013.[3] W. de Bruijn, W. van Rooijen, and M. M. Boone, “Recent developments on wfs for high quality spatial sound reproduction,” in Audio Engineering Society Convention 110, 2001, pp 1-6.[4] J. Ahrens and S. Spors, “On the scattering of synthetic sound fields,” in Audio Engineering Society Convention 130, 2011, pp 1-7.[5] T. D. Abhayapala, D. B. Ward, et al., “Theory and design of high order sound field microphones using spherical microphone array,” in ICASSP, vol. 2, 2002, pp. 1949–1952.[6] M. A. Gerzon, “Ambisonics in multichannel broadcasting and video, Journal of the Audio Engineering Society, vol. 33, no. 11, pp. 859–871, 1985.[7] D. Murillo Gomez, “Interactive auralization based on hybrid simulation methods and plane wave expansión,” PhD thesis, Faculty Of Engineering And The Environment, University of Southampton, Southampton, 2016.[8] G. Dickins and R. Kennedy, “Towards optimal soundfield representation,” in Audio Engineering Society Convention 106, Audio Engineering Society, 1999, pp. 1-12.[9] P. Lecomte, P.-A. Gauthier, C. Langrenne, A. Garcia, and A. Berry, “On the use of a lebedev grid for ambisonics,” in Audio Engineering Society Convention 139, 2015, pp. 1-12.[10]A. Heller, R. Lee, and E. Benjamin, “Is my decoder ambisonic,” in Audio Engineering Society Convention 125, 2008, pp. 1-22.[11]F. Melchior, A. Gräfe, and A. Partzsch, “Spatial audio authoring for ambisonics reproduction,” in Proc. of the Ambisonics Symposium, 2009, pp. 1-6.[12]A. J. Horsburgh and D. F. Clark, “Ambisonic decoders; is historical hardware the future ?” in Audio Engineering Society Convention 128, 2010, pp. 1-7.[13]D. G. Malham and A. Myatt, “3-d sound spatialization using ambisonic techniques,” in Computer music journal, vol. 19, no. 4, 1995, pp. 58–70.[14]P. Geluso, “Capturing height: The addition of z microphones to stereo and surround microphone arrays,” in Audio Engineering Society Convention 132, 2012, pp. 1-5.[15]D. Malham, “Spherical harmonic coding of sound objects-the ambisonic’o’format,” in Audio Engineering Society Conference: 19th International Conference: Surround SoundTechniques, Technology, and Perception, 2001, pp. 1-4.[16]O. Kirkeby and P. A. Nelson, “Digital filter design for inversion problems in sound reproduction,” in Journal of the Audio Engineering Society, vol. 47, no. 7/8, 1999, pp. 583– 595.[17]D. Menzies and F. M. Fazi, “A theoretical analysis of sound localization, with application to amplitude panning,” in Audio Engineering Society Convention 138, 2015, pp. 1-5.[18]D. Murillo, F. Fazi, and M. Shin, “Evaluation of ambisonics decoding methods with experimental measurements,” in EAA Joint Symposium on Auralization and Ambisonics, 2014, pp. 33-40.[19]D. M. M. Gómez, J. Astley, and F. M. Fazi, “Low frequency interactive auralization based on a plane wave expansion,” Applied Sciences, vol. 7, no. 6, p. 558, 2017.[20]J. Atkins, “Optimal spatial sampling for spherical loudspeaker arrays,” in Acoustics Speech and Signal Processing (ICASSP), 2010 IEEE International Conference, 2010, pp. 97–100.[21]M. Neukom and J. C. Schacher, “Ambisonics equivalent panning.,” in ICMC, 2008, pp. 1-5.[22]J. Daniel and S. Moreau, “Further study of sound field coding with higher order ambisonics,” in Audio Engineering Society Convention 116, 2004, pp. 1–14.[23]M. Kratschmer and R. Rabenstein, “Implementing ambisonics on a 48 channel circular loudspeaker array,” in 1st Ambisonics Symposium, 2009, pp. 1-5[24]S. Spors, V. Kuscher, and J. Ahrens, “Efficient realization of model-based rendering for 2.5- dimensional near-field compensated higher order ambisonics,” in Applications of Signal Processing to Audio and Acoustics (WASPAA), 2011 IEEE Workshop on, 2011, pp. 61–64,[25]N. Hahn and S. Spors, “Further investigations on the design of radial filters for the driving functions of near-field compensated higher-order ambisonics,” in Audio Engineering Society Convention 142, 2017, pp. 1–11.[26]E. G. Williams, Fourier acoustics: sound radiation and nearfield acoustical holography. Washintgton: Academic Press, 1999.[27]S. Bravo Yuste, Métodos matemáticos avanzados para científicos e ingenieros, 48 ed. Cáceres: Universidad de Extremadura, 2006.[28]S. Bharitkar and C. Kyriakakis, Immersive audio signal processing. New York: Springer Science & Business Media, 2008.[29]F. J. Fahy, Foundations of engineering acoustics. Southampton: Elsevier, 2000.[30]N. P. Cheremisinoff, Noise control in industry: A practical guide. New Jersey: Elsevier, 1996.[31]J. I. Taylor and D. W. Kirkland, The bearing analysis handbook: a practical guide for solving vibration problems in bearings. Virginia: Vibration Consultants, 2004.[32]M. J. Crocker, Handbook of noise and vibration control. New Jersey :John Wiley & Sons, 2007[33]P. Filippi, A. Bergassoli, D. Habault, and J. P. Lefebvre, Acoustics: basic physics, theory, and methods. London: Elsevier, 1998.[34]M. Long, Architectural acoustics. Burlington: Elsevier, 2005.[35]J. Blauert and N. Xiang, Acoustics for engineers: Troy lectures. Berlin: Springer Science & Business Media, 2009[36]S. S. Bayin, Essentials of Mathematical Methods in Science and Engineering. Ankara: John Wiley & Sons, 2013[37]C. Hansen, S. Snyder, X. Qiu, L. Brooks, and D. Moreau, Active control of noise and vibration. Boca Raton: CRC press, 2012.[38]S. W. Rienstra and A. Hirschberg, An introduction to acoustics, Eindhoven: Eindhoven University of Technology, 2004.[39]M. J. Crocker, Handbook of acoustics. New Jersey: John Wiley & Sons, 1998.[40] C. Hopkins, Sound insulation. Oxford: Routledge, 2012.[41]M. Abramowitz and I. A. Stegun, Handbook of mathematical functions: with formulas, graphs, and mathematical tables, vol. 55. New York: Courier Corporation, 1965.[42]D. B. Ward and T. D. Abhayapala, “Reproduction of a plane-wave sound field using an array of loudspeakers,” in IEEE Transactions on speech and audio processing, vol. 9, no. 6, 2001, pp. 697–707.[43]M. A. Gerzon, “Periphony: With-height sound reproduction,” in Journal of the Audio Engineering Society, vol. 21, no. 1, 1973, pp. 2–10.[44]J. Daniel, “Spatial sound encoding including near field effect: Introducing distance coding filters and a viable, new ambisonic format,” in Audio Engineering Society Conference: 23rd International Conference: Signal Processing in Audio Recording and Reproduction, Audio Engineering Society, 2003, pp. 1–15.Universidad de San Buenaventura - MedellínBiblioteca USB Medellín (San Benito) CD-4988tBiblioteca Digital Universidad de San BuenaventuraAmbisonicsCampo cercanoMonopolosReconstrucciónSimulaciónAmbisonicsNear fieldMonopolesReconstructionSimulationsReproducción de sonidoSonido envolventeEquipos de sonidoIngeniería de sonidoSíntesis - sonidoIngeniero de SonidoAnálisis de algoritmos de decodificación de sistemas ambisonics incluyendo corrección de campo cercanoTrabajo de grado - PregradoTrabajo de Gradoinfo:eu-repo/semantics/bachelorThesishttp://purl.org/coar/resource_type/c_7a1fPublicationhttps://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001280538virtual::2334-1https://scholar.google.es/citations?hl=es&user=j1ZiKFAAAAAJvirtual::2334-1667ebd90-1cf6-4c2c-bd4a-b09d37030aacvirtual::2334-1667ebd90-1cf6-4c2c-bd4a-b09d37030aacvirtual::2334-1ORIGINALAnalisis_Algoritmos_Decodificacion_Ardila_2019.pdfAnalisis_Algoritmos_Decodificacion_Ardila_2019.pdfapplication/pdf5891986https://bibliotecadigital.usb.edu.co/bitstreams/95207472-c469-458a-bc1a-8fc11060beff/download3cc07d21ba523baadc2bf5c4c672b530MD51LICENSElicense.txtlicense.txttext/plain; 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