The whitened screen. Makeup of the social skin on the news of RCN

This article is the result of an investigation about a problematic presents in Colombian screens: they are blanched, it is applied a kind of symbolic orthopedics over the bodies of those represented to show a modern and aseptic image of the country, without the ethnic diversity that enriches it. It...

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Fecha de publicación:
2019
Institución:
Universidad Católica de Pereira
Repositorio:
Repositorio Institucional - RIBUC
Idioma:
spa
OAI Identifier:
oai:repositorio.ucp.edu.co:10785/11724
Acceso en línea:
https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248
http://hdl.handle.net/10785/11724
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openAccess
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Derechos de autor 2019 Textos y Sentidos
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oai_identifier_str oai:repositorio.ucp.edu.co:10785/11724
network_acronym_str RepoRIBUC
network_name_str Repositorio Institucional - RIBUC
repository_id_str
spelling The whitened screen. Makeup of the social skin on the news of RCNLa pantalla blanqueada. Maquillaje de la piel social en los informativos de RCN.This article is the result of an investigation about a problematic presents in Colombian screens: they are blanched, it is applied a kind of symbolic orthopedics over the bodies of those represented to show a modern and aseptic image of the country, without the ethnic diversity that enriches it. It realizes these whitening strategies through a study of RCN news, using as method the comprehensive research of French sociologist Jean-Claude Kaufmann, that enacts a lively dialogue between the field and the theory in order to emerge the subjectivity of the researcher, manifesting for example in building their own analysis tools. That is precisely what has been done, revealing certain visibility policies as the focusing lens, that by focusing on a fact blurs environments and contours of the news; or the creation of narrative scenarios that place the event in a more emotional level, which leads to a distortion of news and social impact of the news.Este artículo es el resultado de una investigación sobre una problemática presente en las pantallas colombianas: que están blanqueadas, que se aplica una especie de ortopedia simbólica sobre los cuerpos de los representados para mostrar una imagen moderna y aséptica del país, sin la diversidad étnica que lo enriquece. Se da cuenta de estas estrategias de blanqueamiento a través de un estudio de los noticieros de RCN, utilizando como método la Investigación Comprensiva del sociólogo francés Jean-Claude Kaufmann (2004), que promulga un diálogo vivo entre el terreno y la teoría con el fin de que emerja la subjetividad del investigador, manifestándose, por ejemplo, en la construcción de sus propias herramientas de análisis. Eso es lo que precisamente se ha llevado a cabo, desvelando ciertas políticas de visibilidad como la lente de enfoque, que por centrarse en un hecho desenfoca los entornos y contornos de la noticia; o la creación de escenarios narrativos que coloca el evento en un plano más sentimental, lo que lleva a una desvirtuación del impacto noticioso y social de las noticias.Universidad Católica de Pereira2022-06-01T19:58:23Z2022-06-01T19:58:23Z2019-06-06Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1application/pdfhttps://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248http://hdl.handle.net/10785/11724Textos y Sentidos; Núm. 13 (2016); 111 - 1312215-88202215-8812spahttps://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248/237Derechos de autor 2019 Textos y Sentidoshttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Romero Tenorio, José ManuelZuluaga Morales, Jhon MarioGarcía Hernández, Anny Rosaoai:repositorio.ucp.edu.co:10785/117242025-01-28T00:00:54Z
dc.title.none.fl_str_mv The whitened screen. Makeup of the social skin on the news of RCN
La pantalla blanqueada. Maquillaje de la piel social en los informativos de RCN.
title The whitened screen. Makeup of the social skin on the news of RCN
spellingShingle The whitened screen. Makeup of the social skin on the news of RCN
title_short The whitened screen. Makeup of the social skin on the news of RCN
title_full The whitened screen. Makeup of the social skin on the news of RCN
title_fullStr The whitened screen. Makeup of the social skin on the news of RCN
title_full_unstemmed The whitened screen. Makeup of the social skin on the news of RCN
title_sort The whitened screen. Makeup of the social skin on the news of RCN
description This article is the result of an investigation about a problematic presents in Colombian screens: they are blanched, it is applied a kind of symbolic orthopedics over the bodies of those represented to show a modern and aseptic image of the country, without the ethnic diversity that enriches it. It realizes these whitening strategies through a study of RCN news, using as method the comprehensive research of French sociologist Jean-Claude Kaufmann, that enacts a lively dialogue between the field and the theory in order to emerge the subjectivity of the researcher, manifesting for example in building their own analysis tools. That is precisely what has been done, revealing certain visibility policies as the focusing lens, that by focusing on a fact blurs environments and contours of the news; or the creation of narrative scenarios that place the event in a more emotional level, which leads to a distortion of news and social impact of the news.
publishDate 2019
dc.date.none.fl_str_mv 2019-06-06
2022-06-01T19:58:23Z
2022-06-01T19:58:23Z
dc.type.none.fl_str_mv Artículo de revista
http://purl.org/coar/resource_type/c_6501
http://purl.org/coar/version/c_970fb48d4fbd8a85
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248
http://hdl.handle.net/10785/11724
url https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248
http://hdl.handle.net/10785/11724
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/248/237
dc.rights.none.fl_str_mv Derechos de autor 2019 Textos y Sentidos
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
info:eu-repo/semantics/openAccess
http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2019 Textos y Sentidos
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Católica de Pereira
publisher.none.fl_str_mv Universidad Católica de Pereira
dc.source.none.fl_str_mv Textos y Sentidos; Núm. 13 (2016); 111 - 131
2215-8820
2215-8812
institution Universidad Católica de Pereira
repository.name.fl_str_mv
repository.mail.fl_str_mv
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