The structure and triad of design as a fundamental set in the creation of an artefact
In the course of human history, sciences such as sociology, anthropology and archeology, have been commissioned to demonstrate that man lives in function to create tools to facilitate survival in the environment of each times, moving from traditional processes to more industrialized. For them the hu...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/10219
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/grafias/article/view/1352
http://hdl.handle.net/10785/10219
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2014 Revista Grafías
| id |
RepoRIBUC_686376100655df5927028e75ab4a3144 |
|---|---|
| oai_identifier_str |
oai:repositorio.ucp.edu.co:10785/10219 |
| network_acronym_str |
RepoRIBUC |
| network_name_str |
Repositorio Institucional - RIBUC |
| repository_id_str |
|
| spelling |
The structure and triad of design as a fundamental set in the creation of an artefactLa estructura y la triada del diseño como conjunto fundamental en la elaboración de un artefactoIn the course of human history, sciences such as sociology, anthropology and archeology, have been commissioned to demonstrate that man lives in function to create tools to facilitate survival in the environment of each times, moving from traditional processes to more industrialized. For them the human being has been specializing in different tasks in order to achieve many more selected objects and details. The specialization of individuals in the field of industrial design, consist on the conduct in-depth studies of form and functionality of a device, which must have a clear relationship between the formal elements, communicative, aesthetic and functional that allows the user a better understanding and as a consequence of this a better use of such devices that allows the man a life much more practical.En el transcurso de la historia del ser humano, ciencias como la sociología, la antropología y la arqueología se han encargado de demostrar que el hombre vive en función de crear herramientas para facilitar la supervivencia en el entorno de cada época, pasando desde procesos artesanales hasta los industrializados. Para ellos, el ser humano se ha ido especializando en labores diferentes, con el fin de lograr objetos mucho más selectos y con mayores detalles. La especialización de los individuos en el campo del diseño industrial consiste en realizar estudios a fondo de la forma y funcionalidad de un artefacto, con una clara relación entre los elementos formales, comunicativos, estéticos y funcionales, que le permiten al usuario un mejor entendimiento, y en consecuencia, un mejor uso de dichos artefactos.Universidad Católica de Pereira2022-06-01T19:24:16Z2022-06-01T19:24:16Z2020-05-07Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1application/pdfhttps://revistas.ucp.edu.co/index.php/grafias/article/view/1352http://hdl.handle.net/10785/10219Revista Grafías; Núm. 25 (Abr. - Jun., 2014); 19 - 231900-5679spahttps://revistas.ucp.edu.co/index.php/grafias/article/view/1352/1360Derechos de autor 2014 Revista Grafíashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Gaviria Santa, Angélica Maríaoai:repositorio.ucp.edu.co:10785/102192025-01-27T19:22:57Z |
| dc.title.none.fl_str_mv |
The structure and triad of design as a fundamental set in the creation of an artefact La estructura y la triada del diseño como conjunto fundamental en la elaboración de un artefacto |
| title |
The structure and triad of design as a fundamental set in the creation of an artefact |
| spellingShingle |
The structure and triad of design as a fundamental set in the creation of an artefact |
| title_short |
The structure and triad of design as a fundamental set in the creation of an artefact |
| title_full |
The structure and triad of design as a fundamental set in the creation of an artefact |
| title_fullStr |
The structure and triad of design as a fundamental set in the creation of an artefact |
| title_full_unstemmed |
The structure and triad of design as a fundamental set in the creation of an artefact |
| title_sort |
The structure and triad of design as a fundamental set in the creation of an artefact |
| description |
In the course of human history, sciences such as sociology, anthropology and archeology, have been commissioned to demonstrate that man lives in function to create tools to facilitate survival in the environment of each times, moving from traditional processes to more industrialized. For them the human being has been specializing in different tasks in order to achieve many more selected objects and details. The specialization of individuals in the field of industrial design, consist on the conduct in-depth studies of form and functionality of a device, which must have a clear relationship between the formal elements, communicative, aesthetic and functional that allows the user a better understanding and as a consequence of this a better use of such devices that allows the man a life much more practical. |
| publishDate |
2020 |
| dc.date.none.fl_str_mv |
2020-05-07 2022-06-01T19:24:16Z 2022-06-01T19:24:16Z |
| dc.type.none.fl_str_mv |
Artículo de revista http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/grafias/article/view/1352 http://hdl.handle.net/10785/10219 |
| url |
https://revistas.ucp.edu.co/index.php/grafias/article/view/1352 http://hdl.handle.net/10785/10219 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/grafias/article/view/1352/1360 |
| dc.rights.none.fl_str_mv |
Derechos de autor 2014 Revista Grafías https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2 |
| rights_invalid_str_mv |
Derechos de autor 2014 Revista Grafías https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
Universidad Católica de Pereira |
| publisher.none.fl_str_mv |
Universidad Católica de Pereira |
| dc.source.none.fl_str_mv |
Revista Grafías; Núm. 25 (Abr. - Jun., 2014); 19 - 23 1900-5679 |
| institution |
Universidad Católica de Pereira |
| repository.name.fl_str_mv |
|
| repository.mail.fl_str_mv |
|
| _version_ |
1844494656216236032 |