New images and dressed bodies

As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like somethi...

Full description

Autores:
Tipo de recurso:
Fecha de publicación:
2019
Institución:
Universidad Católica de Pereira
Repositorio:
Repositorio Institucional - RIBUC
Idioma:
spa
OAI Identifier:
oai:repositorio.ucp.edu.co:10785/11400
Acceso en línea:
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054
http://hdl.handle.net/10785/11400
Palabra clave:
Rights
openAccess
License
Derechos de autor 2019 Arquetipo
id RepoRIBUC_137d652c5235cd761277f33adcd9efe0
oai_identifier_str oai:repositorio.ucp.edu.co:10785/11400
network_acronym_str RepoRIBUC
network_name_str Repositorio Institucional - RIBUC
repository_id_str
spelling New images and dressed bodiesNuevas imágenes y cuerpos vestidos.As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like something out of the man, but like somethingthat inhabits and shape him, we have to know what imply the new images and theconceptual transformations that deliver to this timeEn el texto se rastrea la posibilidad de entender al vestido como medio y al cuerpo como imagen, como manera de aprehender el proceso de creación constante que el ser humano hace de su apariencia. Para ello, se define la relación vital entre imagen y cuerpo algo que lo habita y modela, y se exploran las implicaciones de las nuevas imágenes y las transformaciones conceptuales del mundo contemporáneo.Universidad Católica de Pereira2022-06-01T19:51:17Z2022-06-01T19:51:17Z2019-08-22Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1application/pdfhttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054http://hdl.handle.net/10785/11400Arquetipo; Núm. 5 (2012); 63-742539-39362215-9444spahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054/1033Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Fernández Silva, Claudiaoai:repositorio.ucp.edu.co:10785/114002025-01-27T23:59:36Z
dc.title.none.fl_str_mv New images and dressed bodies
Nuevas imágenes y cuerpos vestidos.
title New images and dressed bodies
spellingShingle New images and dressed bodies
title_short New images and dressed bodies
title_full New images and dressed bodies
title_fullStr New images and dressed bodies
title_full_unstemmed New images and dressed bodies
title_sort New images and dressed bodies
description As a complement of this inquire, we search for the possibility to understand the bodyas an image and the dress as a medium, as a way to apprehend the constant creationprocess that human being do with its appearance. But for that, we cannot stand on theold paradigms that define the image like something out of the man, but like somethingthat inhabits and shape him, we have to know what imply the new images and theconceptual transformations that deliver to this time
publishDate 2019
dc.date.none.fl_str_mv 2019-08-22
2022-06-01T19:51:17Z
2022-06-01T19:51:17Z
dc.type.none.fl_str_mv Artículo de revista
http://purl.org/coar/resource_type/c_6501
http://purl.org/coar/version/c_970fb48d4fbd8a85
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054
http://hdl.handle.net/10785/11400
url https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054
http://hdl.handle.net/10785/11400
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1054/1033
dc.rights.none.fl_str_mv Derechos de autor 2019 Arquetipo
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
info:eu-repo/semantics/openAccess
http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv Derechos de autor 2019 Arquetipo
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidad Católica de Pereira
publisher.none.fl_str_mv Universidad Católica de Pereira
dc.source.none.fl_str_mv Arquetipo; Núm. 5 (2012); 63-74
2539-3936
2215-9444
institution Universidad Católica de Pereira
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1844494659338895360