It tells life, not death

In this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, ac...

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Fecha de publicación:: 2020

Institución:: Universidad Católica de Pereira

Repositorio:: Repositorio Institucional - RIBUC

Idioma:: spa

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spelling	It tells life, not deathSe narra la vida, no la muerteIn this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, according to the synopsis, there is some imagination in the story and that is exactly why the story is a fiction supported on the pillar of literary creation, the language. Regarding metafiction, the narrator provides constant reflections on the creation of Isabel Allende´s works, on the very fact of writing and the origin of many of her stories and novels. Finally, as for the first-person narrator, this stands as an expression of an interior reminiscent, but it also expresses a distressing present before a fact as heartbreaking as it is the death of a daughter, Paula’s death.En este ensayo crítico se analizan tres aspectos de la estética de la novela Paula, de Isabel Allende: el elemento autobiográfico, puesto que contiene datos reales que incluyen fragmentos de la vida de Isabel Allende, sin embargo, según el epígrafe hay algo de imaginación en el relato y por eso mismo la historia es una ficción soportada sobre el pilar de la creación literaria, el lenguaje. La metaficción, en la que la narradora reflexiona sobre la creación de las obras de Allende y el origen de muchos de sus cuentos y novelas. Un narrador en primera persona, como expresión de un yo interior que recuerda, pero que también expresa un presente angustioso frente a un hecho tan desgarrador como lo es la muerte de una hija, de Paula.Universidad Católica de Pereira2022-06-01T19:28:43Z2022-06-01T19:28:43Z2020-12-23Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_2df8fbb1application/pdfhttps://revistas.ucp.edu.co/index.php/paginas/article/view/1925http://hdl.handle.net/10785/10646Revista Páginas; Núm. 98 (Jul. - Dic., 2015); 37-500121-1633spahttps://revistas.ucp.edu.co/index.php/paginas/article/view/1925/1776Derechos de autor 2015 Revista Páginashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Rodríguez Grajales, Inés Emiliaoai:repositorio.ucp.edu.co:10785/106462025-01-27T19:24:06Z
dc.title.none.fl_str_mv	It tells life, not death Se narra la vida, no la muerte
title	It tells life, not death
spellingShingle	It tells life, not death
title_short	It tells life, not death
title_full	It tells life, not death
title_fullStr	It tells life, not death
title_full_unstemmed	It tells life, not death
title_sort	It tells life, not death
description	In this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, according to the synopsis, there is some imagination in the story and that is exactly why the story is a fiction supported on the pillar of literary creation, the language. Regarding metafiction, the narrator provides constant reflections on the creation of Isabel Allende´s works, on the very fact of writing and the origin of many of her stories and novels. Finally, as for the first-person narrator, this stands as an expression of an interior reminiscent, but it also expresses a distressing present before a fact as heartbreaking as it is the death of a daughter, Paula’s death.
publishDate	2020
dc.date.none.fl_str_mv	2020-12-23 2022-06-01T19:28:43Z 2022-06-01T19:28:43Z
dc.type.none.fl_str_mv	Artículo de revista http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/version/c_970fb48d4fbd8a85 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
status_str	publishedVersion
dc.identifier.none.fl_str_mv	https://revistas.ucp.edu.co/index.php/paginas/article/view/1925 http://hdl.handle.net/10785/10646
url	https://revistas.ucp.edu.co/index.php/paginas/article/view/1925 http://hdl.handle.net/10785/10646
dc.language.none.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.ucp.edu.co/index.php/paginas/article/view/1925/1776
dc.rights.none.fl_str_mv	Derechos de autor 2015 Revista Páginas https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES info:eu-repo/semantics/openAccess http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv	Derechos de autor 2015 Revista Páginas https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv	openAccess
dc.format.none.fl_str_mv	application/pdf
dc.publisher.none.fl_str_mv	Universidad Católica de Pereira
publisher.none.fl_str_mv	Universidad Católica de Pereira
dc.source.none.fl_str_mv	Revista Páginas; Núm. 98 (Jul. - Dic., 2015); 37-50 0121-1633
institution	Universidad Católica de Pereira
repository.name.fl_str_mv
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It tells life, not death

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