The dance space in audiovisual advertising
Thinking about the dance is such a difficult and exciting challenge as dancing. Practice demands discipline, patience and requires the dancer constant confrontation with the limits of his/her body. Concerning reflection, it demands a researcher’s vast effort and a passionate interest that gets into...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/11722
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244
http://hdl.handle.net/10785/11722
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Textos y Sentidos
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2022-06-01T19:58:23Z2022-06-01T19:58:23Z2019-06-06https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244http://hdl.handle.net/10785/11722Thinking about the dance is such a difficult and exciting challenge as dancing. Practice demands discipline, patience and requires the dancer constant confrontation with the limits of his/her body. Concerning reflection, it demands a researcher’s vast effort and a passionate interest that gets into this universe still little explored by academic research, if compared to other arts like painting and cinema. Dance exists through the dancer’s body movements and its duration is just the moment of this extraordinary and unusual movement. Just like us, it is corporal and ephemeral and this may be one of the keys to understand the low research on the dance. Talking about body and ephemerality is to highlight two intrinsic conditions to human beings, of which we do not always want to remember. This article starts a work whose initial goal is to understand one aspect of dance: its communicative character. But it is only the beginning of a long search for making dance a more accessible and explored subject matter.Pensar en la danza es un reto tan fascinante y difícil como bailar. Practicarlo exige disciplina, paciencia y requiere que el bailarín tenga confrontaciones constantes con las limitaciones de su cuerpo. Respecto a esta reflexión, le exige al investigador un vasto esfuerzo y un apasionado interés que se obtiene dentro de este universo aún poco explorado por la investigación académica, comparándolo con otras áreas como el cine y la pintura. La danza existe a través de los movimientos del bailarín y su larga duración es solo el momento de este movimiento extraordinario e inusual. Así como nosotros, es corporal y pasajero, y puede ser una de las claves para entender la poca investigación acerca de la danza. Cuando hablamos acerca de cuerpo y fugacidad es para resaltar dos condiciones intrínsecas que tiene el ser humano, las cuales no siempre estamos dispuestos a recordar. Este artículo es el comienzo de un trabajo cuyo objetivo inicial es entender un aspecto de la danza: su carácter comunicativo. No obstante, este es solo el comienzo de una larga búsqueda para hacer de la danza un tema más accesible y explorado.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244/231Derechos de autor 2019 Textos y Sentidoshttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Textos y Sentidos; Núm. 13 (2016); 71 - 862215-88202215-8812The dance space in audiovisual advertisingEl espacio de la danza en la publicidad audiovisualArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTravassos, MarinaPublication10785/11722oai:repositorio.ucp.edu.co:10785/117222025-01-27 19:00:30.694https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Textos y Sentidosmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
dc.title.eng.fl_str_mv |
The dance space in audiovisual advertising |
dc.title.spa.fl_str_mv |
El espacio de la danza en la publicidad audiovisual |
title |
The dance space in audiovisual advertising |
spellingShingle |
The dance space in audiovisual advertising |
title_short |
The dance space in audiovisual advertising |
title_full |
The dance space in audiovisual advertising |
title_fullStr |
The dance space in audiovisual advertising |
title_full_unstemmed |
The dance space in audiovisual advertising |
title_sort |
The dance space in audiovisual advertising |
description |
Thinking about the dance is such a difficult and exciting challenge as dancing. Practice demands discipline, patience and requires the dancer constant confrontation with the limits of his/her body. Concerning reflection, it demands a researcher’s vast effort and a passionate interest that gets into this universe still little explored by academic research, if compared to other arts like painting and cinema. Dance exists through the dancer’s body movements and its duration is just the moment of this extraordinary and unusual movement. Just like us, it is corporal and ephemeral and this may be one of the keys to understand the low research on the dance. Talking about body and ephemerality is to highlight two intrinsic conditions to human beings, of which we do not always want to remember. This article starts a work whose initial goal is to understand one aspect of dance: its communicative character. But it is only the beginning of a long search for making dance a more accessible and explored subject matter. |
publishDate |
2019 |
dc.date.issued.none.fl_str_mv |
2019-06-06 |
dc.date.accessioned.none.fl_str_mv |
2022-06-01T19:58:23Z |
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2022-06-01T19:58:23Z |
dc.type.spa.fl_str_mv |
Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/article |
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info:eu-repo/semantics/publishedVersion |
format |
http://purl.org/coar/resource_type/c_6501 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10785/11722 |
url |
https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244 http://hdl.handle.net/10785/11722 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/244/231 |
dc.rights.spa.fl_str_mv |
Derechos de autor 2019 Textos y Sentidos https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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info:eu-repo/semantics/openAccess |
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Derechos de autor 2019 Textos y Sentidos https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
dc.source.spa.fl_str_mv |
Textos y Sentidos; Núm. 13 (2016); 71 - 86 |
dc.source.none.fl_str_mv |
2215-8820 2215-8812 |
institution |
Universidad Católica de Pereira |
repository.name.fl_str_mv |
Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
repository.mail.fl_str_mv |
bdigital@metabiblioteca.com |
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1828143413377105920 |