Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO

This research has as object of study the visual communication of the posters ofthe main OTT video platforms in Spain: Netflix and HBO. For it, has been defineda sample of 80 series of the drama and comedy genres issued in the 2009-2017period. Through the methodology of content analysis, 46 variables...

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Tipo de recurso:
Article of journal
Fecha de publicación:
2019
Institución:
Universidad Católica de Pereira
Repositorio:
Repositorio Institucional - RIBUC
Idioma:
spa
OAI Identifier:
oai:repositorio.ucp.edu.co:10785/11267
Acceso en línea:
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/85
http://hdl.handle.net/10785/11267
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openAccess
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Derechos de autor 2019 Arquetipo
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oai_identifier_str oai:repositorio.ucp.edu.co:10785/11267
network_acronym_str RepoRIBUC2
network_name_str Repositorio Institucional - RIBUC
repository_id_str
spelling 2022-06-01T19:51:05Z2022-06-01T19:51:05Z2019-05-23https://revistas.ucp.edu.co/index.php/arquetipo/article/view/85http://hdl.handle.net/10785/11267This research has as object of study the visual communication of the posters ofthe main OTT video platforms in Spain: Netflix and HBO. For it, has been defineda sample of 80 series of the drama and comedy genres issued in the 2009-2017period. Through the methodology of content analysis, 46 variables have beenregistered, mostly formal, but also other latent variables such as graphic and verbalallusion or language. The results obtained have shown the existence of significantdifferences in the design of the drama and comedy posters prevailing, in each case,specific resources that allow the proper communication of the genre through thecolor, the lighting, the framing or the stage.Esta investigación tiene como objeto de estudio la comunicación visual dela cartelería de las principales plataformas de vídeo OTT en España: Netflix y HBO. Para ello, se ha definido una muestra de 80 series de los géneros drama y comedia emitidas en el periodo del 2009-2017. Mediante la metodología del análisis de contenido, se han registrado 46 variables, en su mayoría, formales,pero también otras variables latentes como la alusión gráfica y/o verbal o el idioma.Los resultados demuestran la existencia de diferencias significativas en el diseño de los carteles de drama y comedia; predominando, en cada caso, recursos concretos que permiten la adecuada comunicación del género mediante el color,la iluminación, el encuadre o el escenario.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/85/82Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arquetipo; Núm. 17 (2018); 103-1222539-39362215-9444Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBOPautas de la comunicación visual de los carteles de las principales plataformas de vídeo OTT en España: Netflix y HBOArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPorcel Herrera, SandraPublication10785/11267oai:repositorio.ucp.edu.co:10785/112672025-01-27 19:00:55.469https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Arquetipometadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com
dc.title.eng.fl_str_mv Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
dc.title.spa.fl_str_mv Pautas de la comunicación visual de los carteles de las principales plataformas de vídeo OTT en España: Netflix y HBO
title Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
spellingShingle Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
title_short Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
title_full Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
title_fullStr Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
title_full_unstemmed Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
title_sort Visual communication guidelines of the posters of the main OTT video platforms in Spain: Netflix and HBO
description This research has as object of study the visual communication of the posters ofthe main OTT video platforms in Spain: Netflix and HBO. For it, has been defineda sample of 80 series of the drama and comedy genres issued in the 2009-2017period. Through the methodology of content analysis, 46 variables have beenregistered, mostly formal, but also other latent variables such as graphic and verbalallusion or language. The results obtained have shown the existence of significantdifferences in the design of the drama and comedy posters prevailing, in each case,specific resources that allow the proper communication of the genre through thecolor, the lighting, the framing or the stage.
publishDate 2019
dc.date.issued.none.fl_str_mv 2019-05-23
dc.date.accessioned.none.fl_str_mv 2022-06-01T19:51:05Z
dc.date.available.none.fl_str_mv 2022-06-01T19:51:05Z
dc.type.spa.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
dc.type.coarversion.none.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.driver.none.fl_str_mv info:eu-repo/semantics/article
dc.type.version.none.fl_str_mv info:eu-repo/semantics/publishedVersion
format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucp.edu.co/index.php/arquetipo/article/view/85
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10785/11267
url https://revistas.ucp.edu.co/index.php/arquetipo/article/view/85
http://hdl.handle.net/10785/11267
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucp.edu.co/index.php/arquetipo/article/view/85/82
dc.rights.spa.fl_str_mv Derechos de autor 2019 Arquetipo
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
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rights_invalid_str_mv Derechos de autor 2019 Arquetipo
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Católica de Pereira
dc.source.spa.fl_str_mv Arquetipo; Núm. 17 (2018); 103-122
dc.source.none.fl_str_mv 2539-3936
2215-9444
institution Universidad Católica de Pereira
repository.name.fl_str_mv Repositorio Institucional de la Universidad Católica de Pereira - RIBUC
repository.mail.fl_str_mv bdigital@metabiblioteca.com
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