The beauty in the ancient greece and in the contemporary design

It is common to observe how the current design elements are borrowed from classical tendencies; in fact, they are a source of constant inspiration for designers seeking new meaning in them. However, substantial differences shine to be taken into account when taking, for example, through ancient Gree...

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Tipo de recurso:
Article of journal
Fecha de publicación:
2020
Institución:
Universidad Católica de Pereira
Repositorio:
Repositorio Institucional - RIBUC
Idioma:
spa
OAI Identifier:
oai:repositorio.ucp.edu.co:10785/13934
Acceso en línea:
https://revistas.ucp.edu.co/index.php/grafias/article/view/1391
http://hdl.handle.net/10785/13934
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openAccess
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Derechos de autor 2014 Revista Grafías
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oai_identifier_str oai:repositorio.ucp.edu.co:10785/13934
network_acronym_str RepoRIBUC2
network_name_str Repositorio Institucional - RIBUC
repository_id_str
spelling 2023-08-30T00:24:05Z2023-08-30T00:24:05Z2020-05-11https://revistas.ucp.edu.co/index.php/grafias/article/view/139110.31908/grafias.v0i25.1391http://hdl.handle.net/10785/13934It is common to observe how the current design elements are borrowed from classical tendencies; in fact, they are a source of constant inspiration for designers seeking new meaning in them. However, substantial differences shine to be taken into account when taking, for example, through ancient Greece as the focus of creation. Analyzing the ideal of beauty, artistic production and functionality contained in the Greek design, you may find that the Greek exaltation of beauty through the symmetrical, natural and masculine forms differs from the contemporary intent of value subjectivity and influence context. Also, the assumed hierarchy of fine arts in ancient Greece is challenged by the current trend of generating experiences from indigenous materials. Finally, the turn that takes the Greek idea of design as a decorative tool basically exposed, becoming today a commodityEs frecuente observar cómo elementos del diseño actual son retomados de tendencias clásicas; de hecho, son fuente de inspiración constante para nuevos diseñadores que buscan significado en ellas. Sin embargo, relucen diferencias sustanciales que deberían tenerse en cuenta a la hora de tomar, por ejemplo, a la Antigua Grecia como eje de creación. Analizando el ideal de belleza, la producción artística y la funcionalidad contenida en el diseño griego, se puede encontrar que la exaltación helénica de lo bello por medio de las formas simétricas, naturales y masculinas difiere de la intención contemporánea de valorar la subjetividad y la influencia del contexto. Asimismo, la jerarquía que suponían las bellas artes en la antigua Grecia es rebatida por la tendencia actual de generar experiencias desde materiales autóctonos. Por último, se expone el giro que toma la idea griega del diseño como una herramienta básicamente decorativa, pasando a ser hoy un commodity.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/grafias/article/view/1391/1399Derechos de autor 2014 Revista Grafíashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Revista Grafías; Núm. 25 (Abr. - Jun., 2014); 175 - 1781900-567910.31908/grafias.v0i25The beauty in the ancient greece and in the contemporary designLa belleza en la Grecia antigua y en el diseño contemporáneoArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTamayo Castellanos, Carlos JuliánPublication10785/13934oai:repositorio.ucp.edu.co:10785/139342025-01-27 12:49:05.786https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2014 Revista Grafíasmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com
dc.title.eng.fl_str_mv The beauty in the ancient greece and in the contemporary design
dc.title.spa.fl_str_mv La belleza en la Grecia antigua y en el diseño contemporáneo
title The beauty in the ancient greece and in the contemporary design
spellingShingle The beauty in the ancient greece and in the contemporary design
title_short The beauty in the ancient greece and in the contemporary design
title_full The beauty in the ancient greece and in the contemporary design
title_fullStr The beauty in the ancient greece and in the contemporary design
title_full_unstemmed The beauty in the ancient greece and in the contemporary design
title_sort The beauty in the ancient greece and in the contemporary design
description It is common to observe how the current design elements are borrowed from classical tendencies; in fact, they are a source of constant inspiration for designers seeking new meaning in them. However, substantial differences shine to be taken into account when taking, for example, through ancient Greece as the focus of creation. Analyzing the ideal of beauty, artistic production and functionality contained in the Greek design, you may find that the Greek exaltation of beauty through the symmetrical, natural and masculine forms differs from the contemporary intent of value subjectivity and influence context. Also, the assumed hierarchy of fine arts in ancient Greece is challenged by the current trend of generating experiences from indigenous materials. Finally, the turn that takes the Greek idea of design as a decorative tool basically exposed, becoming today a commodity
publishDate 2020
dc.date.issued.none.fl_str_mv 2020-05-11
dc.date.accessioned.none.fl_str_mv 2023-08-30T00:24:05Z
dc.date.available.none.fl_str_mv 2023-08-30T00:24:05Z
dc.type.none.fl_str_mv Artículo de revista
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coar.none.fl_str_mv http://purl.org/coar/resource_type/c_6501
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format http://purl.org/coar/resource_type/c_6501
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucp.edu.co/index.php/grafias/article/view/1391
10.31908/grafias.v0i25.1391
dc.identifier.uri.none.fl_str_mv http://hdl.handle.net/10785/13934
url https://revistas.ucp.edu.co/index.php/grafias/article/view/1391
http://hdl.handle.net/10785/13934
identifier_str_mv 10.31908/grafias.v0i25.1391
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucp.edu.co/index.php/grafias/article/view/1391/1399
dc.rights.spa.fl_str_mv Derechos de autor 2014 Revista Grafías
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES
dc.rights.accessrights.spa.fl_str_mv info:eu-repo/semantics/openAccess
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rights_invalid_str_mv Derechos de autor 2014 Revista Grafías
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http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.spa.fl_str_mv Universidad Católica de Pereira
dc.source.spa.fl_str_mv Revista Grafías; Núm. 25 (Abr. - Jun., 2014); 175 - 178
dc.source.none.fl_str_mv 1900-5679
10.31908/grafias.v0i25
institution Universidad Católica de Pereira
repository.name.fl_str_mv Repositorio Institucional de la Universidad Católica de Pereira - RIBUC
repository.mail.fl_str_mv bdigital@metabiblioteca.com
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