The form and the visual thought
The formal language of the objects, provide the best tool among the and the designer context, due to the knowledge printed on the silhouette made of material ideas, called objects and transformed by Craftsman tool. That is, hands as tangible language photographically perceived knowledge of the profi...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2020
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/14099
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/grafias/article/view/1561
http://hdl.handle.net/10785/14099
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2010 Revista Grafías
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2023-08-30T00:24:25Z2023-08-30T00:24:25Z2020-05-22https://revistas.ucp.edu.co/index.php/grafias/article/view/156110.31908/grafias.v0i12.1561http://hdl.handle.net/10785/14099The formal language of the objects, provide the best tool among the and the designer context, due to the knowledge printed on the silhouette made of material ideas, called objects and transformed by Craftsman tool. That is, hands as tangible language photographically perceived knowledge of the profile of objects. The space is spoken by man to improve their quality life, and visual language that enables me to reach this proximal interaction object as external body that only decorates a environment, but as full of aesthetic knowledge to learning formal. In conclusion, the objects communicate not only by the fact become motionless before a formal call, but by differentiating agent interpreting social phenomena and transform it into knowledge. Good observation can communicate even more than endless words.El lenguaje formal de los objetos, brindan la mejor herramienta entre el diseñador y el contexto, debido al conocimiento impreso en la silueta tan elaborada de las ideas materiales, llamadas objetos y transformadas por la herramienta del artesano. Es decir, las manos como lenguaje tangible del conocimiento percibido fotográficamente del perfil objetual. El espacio es intervenido por el hombre para mejoramiento de su calidad de vida, y es el lenguaje visual el que me permite llegar a esa interacción proximal del objeto no como cuerpo externo que solo decora un ambiente, sino como el complemento del conocimiento estético con el aprender formal. En conclusión, los objetos comunican no solo por el hecho de quedar inmóviles ante un llamado formal, como agente diferenciador sino por interpretar un fenómeno social y transformarlo en conocimiento. La buena observación puede comunicar aun más que un sinfín de palabras.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/grafias/article/view/1561/1565Derechos de autor 2010 Revista Grafíashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Revista Grafías; Núm. 12 (Nov., 2010); 27 - 301900-567910.31908/grafias.v0i12The form and the visual thoughtLa forma y el pensamiento visualArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionVenegas Carvajal, JuanitaPublication10785/14099oai:repositorio.ucp.edu.co:10785/140992025-01-27 12:49:00.508https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2010 Revista Grafíasmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
| dc.title.eng.fl_str_mv |
The form and the visual thought |
| dc.title.spa.fl_str_mv |
La forma y el pensamiento visual |
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The form and the visual thought |
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The form and the visual thought |
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The form and the visual thought |
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The form and the visual thought |
| title_fullStr |
The form and the visual thought |
| title_full_unstemmed |
The form and the visual thought |
| title_sort |
The form and the visual thought |
| description |
The formal language of the objects, provide the best tool among the and the designer context, due to the knowledge printed on the silhouette made of material ideas, called objects and transformed by Craftsman tool. That is, hands as tangible language photographically perceived knowledge of the profile of objects. The space is spoken by man to improve their quality life, and visual language that enables me to reach this proximal interaction object as external body that only decorates a environment, but as full of aesthetic knowledge to learning formal. In conclusion, the objects communicate not only by the fact become motionless before a formal call, but by differentiating agent interpreting social phenomena and transform it into knowledge. Good observation can communicate even more than endless words. |
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2020 |
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2020-05-22 |
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2023-08-30T00:24:25Z |
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2023-08-30T00:24:25Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/resource_type/c_6501 |
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info:eu-repo/semantics/article |
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https://revistas.ucp.edu.co/index.php/grafias/article/view/1561 10.31908/grafias.v0i12.1561 |
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http://hdl.handle.net/10785/14099 |
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https://revistas.ucp.edu.co/index.php/grafias/article/view/1561 http://hdl.handle.net/10785/14099 |
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10.31908/grafias.v0i12.1561 |
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spa |
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spa |
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https://revistas.ucp.edu.co/index.php/grafias/article/view/1561/1565 |
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Derechos de autor 2010 Revista Grafías https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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Universidad Católica de Pereira |
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Revista Grafías; Núm. 12 (Nov., 2010); 27 - 30 |
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1900-5679 10.31908/grafias.v0i12 |
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Universidad Católica de Pereira |
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Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
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bdigital@metabiblioteca.com |
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