The form and the visual thought
The formal language of the objects, provide the best tool among the and the designer context, due to the knowledge printed on the silhouette made of material ideas, called objects and transformed by Craftsman tool. That is, hands as tangible language photographically perceived knowledge of the profi...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2020
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/14099
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/grafias/article/view/1561
http://hdl.handle.net/10785/14099
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2010 Revista Grafías
| Summary: | The formal language of the objects, provide the best tool among the and the designer context, due to the knowledge printed on the silhouette made of material ideas, called objects and transformed by Craftsman tool. That is, hands as tangible language photographically perceived knowledge of the profile of objects. The space is spoken by man to improve their quality life, and visual language that enables me to reach this proximal interaction object as external body that only decorates a environment, but as full of aesthetic knowledge to learning formal. In conclusion, the objects communicate not only by the fact become motionless before a formal call, but by differentiating agent interpreting social phenomena and transform it into knowledge. Good observation can communicate even more than endless words. |
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