Demonstrate and absence of mediated everyday moments: the public space in Bogotá
In this paper the relationship between new media and the appropriation of public space is to design artwork is presented. Demostrations public spaces are taken, are present and dazzle the possibilities with new technologies, where light, sound and video are diluted with nature and artificiality of t...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/15134
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097
http://hdl.handle.net/10785/15134
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Arquetipo
| id |
RepoRIBUC2_3ff2940ae5137b31c863165969715cca |
|---|---|
| oai_identifier_str |
oai:repositorio.ucp.edu.co:10785/15134 |
| network_acronym_str |
RepoRIBUC2 |
| network_name_str |
Repositorio Institucional - RIBUC |
| repository_id_str |
|
| spelling |
2023-08-30T00:46:18Z2023-08-30T00:46:18Z2019-08-29https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097http://hdl.handle.net/10785/15134In this paper the relationship between new media and the appropriation of public space is to design artwork is presented. Demostrations public spaces are taken, are present and dazzle the possibilities with new technologies, where light, sound and video are diluted with nature and artificiality of the place, therefore, virtually plotted space, build a new one. likewise, his absence opens up possibilities for the creation of a new intervention, otherwise renovation of space. So, understand public space exploring the world, that is, to recognize what is and how it lives, started question about how everyday life can be transformed by the mediation, while inferences about the re-construction of the public from participation in the art of the people that currently pass those places.En este trabajo se presenta la relación entre los nuevos medios y la apropiación que se hace del espacio público para concebir obras de arte. Las manifestaciones se toman los espacios públicos, hacen presencia y deslumbran por las posibilidades con las nuevas tecnologías, donde la luz, el sonido y el video se diluyen junto con la naturaleza y la artificialidad del lugar; por tanto, gratifican virtualmente el espacio y se construye uno nuevo. Así mismo, su ausencia abre las posibilidades de la creación de una nueva intervención, otra forma de renovación del espacio. De modo que comprender en el espacio público la exploración del mundo, es decir, reconocer qué es y cómo se habita, inicia cuestiones sobre cómo la cotidianidad puede ser transformada por la mediatización, y a la vez inferencias sobre la reconstrucción de lo público, desde la participación en el arte de las personas que corrientemente transitan esos lugares.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097/1092Derechos de autor 2019 Arquetipohttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Arquetipo; Núm. 8 (2014); 73-862539-39362215-9444Demonstrate and absence of mediated everyday moments: the public space in BogotáManifestación y ausencia de instantes cotidianos mediatizados: el espacio público en BogotáArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionBustacara Panzza, Sandra MarcelaPublication10785/15134oai:repositorio.ucp.edu.co:10785/151342025-01-27 18:59:11.649https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2019 Arquetipometadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
| dc.title.eng.fl_str_mv |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| dc.title.spa.fl_str_mv |
Manifestación y ausencia de instantes cotidianos mediatizados: el espacio público en Bogotá |
| title |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| spellingShingle |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| title_short |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| title_full |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| title_fullStr |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| title_full_unstemmed |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| title_sort |
Demonstrate and absence of mediated everyday moments: the public space in Bogotá |
| description |
In this paper the relationship between new media and the appropriation of public space is to design artwork is presented. Demostrations public spaces are taken, are present and dazzle the possibilities with new technologies, where light, sound and video are diluted with nature and artificiality of the place, therefore, virtually plotted space, build a new one. likewise, his absence opens up possibilities for the creation of a new intervention, otherwise renovation of space. So, understand public space exploring the world, that is, to recognize what is and how it lives, started question about how everyday life can be transformed by the mediation, while inferences about the re-construction of the public from participation in the art of the people that currently pass those places. |
| publishDate |
2019 |
| dc.date.issued.none.fl_str_mv |
2019-08-29 |
| dc.date.accessioned.none.fl_str_mv |
2023-08-30T00:46:18Z |
| dc.date.available.none.fl_str_mv |
2023-08-30T00:46:18Z |
| dc.type.spa.fl_str_mv |
Artículo de revista |
| dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
| dc.type.coar.none.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 |
| dc.type.coarversion.none.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
| dc.type.driver.none.fl_str_mv |
info:eu-repo/semantics/article |
| dc.type.version.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| format |
http://purl.org/coar/resource_type/c_6501 |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097 |
| dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10785/15134 |
| url |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097 http://hdl.handle.net/10785/15134 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://revistas.ucp.edu.co/index.php/arquetipo/article/view/1097/1092 |
| dc.rights.spa.fl_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
| dc.rights.uri.spa.fl_str_mv |
https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
| dc.rights.accessrights.spa.fl_str_mv |
info:eu-repo/semantics/openAccess |
| dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
| rights_invalid_str_mv |
Derechos de autor 2019 Arquetipo https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES http://purl.org/coar/access_right/c_abf2 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
| dc.source.spa.fl_str_mv |
Arquetipo; Núm. 8 (2014); 73-86 |
| dc.source.none.fl_str_mv |
2539-3936 2215-9444 |
| institution |
Universidad Católica de Pereira |
| repository.name.fl_str_mv |
Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
| repository.mail.fl_str_mv |
bdigital@metabiblioteca.com |
| _version_ |
1828143519594708992 |