Desarraigo cultural en la tejedora de coronas.
Germán Espinosa, one of the great Colombian writers, is the author of the novel «La Tejedora de coronas» (The weaver of crowns) (in which he recreates the siege of Cartagena -which is a historic landmark in our country’s history- from the point of view of Genoveva Alcocer. This woman is the narrator...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2021
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/11021
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/paginas/article/view/2351
http://hdl.handle.net/10785/11021
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2003 Revista páginas
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2022-06-01T19:29:23Z2022-06-01T19:29:23Z2021-02-15https://revistas.ucp.edu.co/index.php/paginas/article/view/2351http://hdl.handle.net/10785/11021Germán Espinosa, one of the great Colombian writers, is the author of the novel «La Tejedora de coronas» (The weaver of crowns) (in which he recreates the siege of Cartagena -which is a historic landmark in our country’s history- from the point of view of Genoveva Alcocer. This woman is the narrator-protagonist of the story; from her critical conscience as a cultural subject immersed in the culture of the corrupted but prudish XVIII century society, she trascends her vision of it, travels to the Enlightment Europe of that century where she mingles with many of the contemporaneous great thinkers - Voltaire among them- and witness the knowledge revolution that is going on. When she returns to her home town with the idea of transforming the mentality of her fellow citizens, she is condemned and burned by the Inquisition. The story develops from the vision of this rebellious, critic, sexy and aggressive woman while the author develops an analysis of its cultural subject who is presented as assuming her culture, then evaluating and criticizing it, then attepmting to impose other models for the which the Cartagena people perhaps were not prepared yet.Germán Espinosa es uno de los grandes escritores colombianos, autor de la novela “La tejedora de coronas”, en la cual recrea el sitio de la ciudad de Cartagena, hecho importante de la historia de nuestro país, desde la mirada de Genoveva Alcocer, la narradora-protagonista de la historia, quien, desde su conciencia crítica como sujeto cultural, inmersa en la cultura de la sociedad corrupta y pacata del siglo XVIII, traspasa su visión de ésta, viaja a Europa en este Siglo de las luces, se relaciona con muchos de los grandes pensadores de la época, entre ellos Voltaire, conoce la revolución del conocimiento que se opera en el viejo continente, y regresa luego a su ciudad natal con la idea de transformar la mentalidad de sus coterráneos, pero termina condenada a la hoguera por la Santa Inquisición. Desde esta visión de la mujer rebelde, crítica, sensual y agresiva que hay en la novela, se presenta un análisis del sujeto cultural que hay dentro de ella, que asume su cultura, la evalúa, la critica y trata de imponer otros modelos para los cuales, quizá, aún no estaba preparada la sociedad cartagenera. Desde este enfoque se aborda esta obra de la literatura colombiana.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/paginas/article/view/2351/2180Derechos de autor 2003 Revista páginashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Revista Páginas; Núm. 65 (Abr., 2003); 69-780121-1633Desarraigo cultural en la tejedora de coronas.Artículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionRodríguez Grajales, Inés EmiliaPublication10785/11021oai:repositorio.ucp.edu.co:10785/110212025-01-27 14:12:42.353https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2003 Revista páginasmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
dc.title.spa.fl_str_mv |
Desarraigo cultural en la tejedora de coronas. |
title |
Desarraigo cultural en la tejedora de coronas. |
spellingShingle |
Desarraigo cultural en la tejedora de coronas. |
title_short |
Desarraigo cultural en la tejedora de coronas. |
title_full |
Desarraigo cultural en la tejedora de coronas. |
title_fullStr |
Desarraigo cultural en la tejedora de coronas. |
title_full_unstemmed |
Desarraigo cultural en la tejedora de coronas. |
title_sort |
Desarraigo cultural en la tejedora de coronas. |
description |
Germán Espinosa, one of the great Colombian writers, is the author of the novel «La Tejedora de coronas» (The weaver of crowns) (in which he recreates the siege of Cartagena -which is a historic landmark in our country’s history- from the point of view of Genoveva Alcocer. This woman is the narrator-protagonist of the story; from her critical conscience as a cultural subject immersed in the culture of the corrupted but prudish XVIII century society, she trascends her vision of it, travels to the Enlightment Europe of that century where she mingles with many of the contemporaneous great thinkers - Voltaire among them- and witness the knowledge revolution that is going on. When she returns to her home town with the idea of transforming the mentality of her fellow citizens, she is condemned and burned by the Inquisition. The story develops from the vision of this rebellious, critic, sexy and aggressive woman while the author develops an analysis of its cultural subject who is presented as assuming her culture, then evaluating and criticizing it, then attepmting to impose other models for the which the Cartagena people perhaps were not prepared yet. |
publishDate |
2021 |
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2021-02-15 |
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2022-06-01T19:29:23Z |
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2022-06-01T19:29:23Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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https://revistas.ucp.edu.co/index.php/paginas/article/view/2351 |
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http://hdl.handle.net/10785/11021 |
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https://revistas.ucp.edu.co/index.php/paginas/article/view/2351 http://hdl.handle.net/10785/11021 |
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spa |
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spa |
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https://revistas.ucp.edu.co/index.php/paginas/article/view/2351/2180 |
dc.rights.spa.fl_str_mv |
Derechos de autor 2003 Revista páginas https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.spa.fl_str_mv |
Universidad Católica de Pereira |
dc.source.spa.fl_str_mv |
Revista Páginas; Núm. 65 (Abr., 2003); 69-78 |
dc.source.none.fl_str_mv |
0121-1633 |
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Universidad Católica de Pereira |
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Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
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bdigital@metabiblioteca.com |
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1828143390388125696 |