Las bandas, la memoria y la identidad en el Bajío guanajuatense mexicano
This article presents an analysis about the music produced by wind bands located in the Bajío Guanajuatense in México. The ethnomusicology introduces the idea that “making music” is a cooperative action which involves sensibility, appropriation and knowledge or cultural capital transmission, in orde...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2019
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/11847
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/textosysentidos/article/view/1017
http://hdl.handle.net/10785/11847
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2019 Textos y Sentidos
| Summary: | This article presents an analysis about the music produced by wind bands located in the Bajío Guanajuatense in México. The ethnomusicology introduces the idea that “making music” is a cooperative action which involves sensibility, appropriation and knowledge or cultural capital transmission, in order to understand music as cultural practices where the audiences, musicians, instruments, and even technological instruments compose the writing music, it means, the music is also a cultural speech that has a complete relation and explanation in concrete sociohistoric processes associated to other social processes such as identity, memory and socio cultural changes. |
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