It tells life, not death
In this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, ac...
- Autores:
- Tipo de recurso:
- Article of journal
- Fecha de publicación:
- 2020
- Institución:
- Universidad Católica de Pereira
- Repositorio:
- Repositorio Institucional - RIBUC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.ucp.edu.co:10785/10646
- Acceso en línea:
- https://revistas.ucp.edu.co/index.php/paginas/article/view/1925
http://hdl.handle.net/10785/10646
- Palabra clave:
- Rights
- openAccess
- License
- Derechos de autor 2015 Revista Páginas
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2022-06-01T19:28:43Z2022-06-01T19:28:43Z2020-12-23https://revistas.ucp.edu.co/index.php/paginas/article/view/1925http://hdl.handle.net/10785/10646In this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, according to the synopsis, there is some imagination in the story and that is exactly why the story is a fiction supported on the pillar of literary creation, the language. Regarding metafiction, the narrator provides constant reflections on the creation of Isabel Allende´s works, on the very fact of writing and the origin of many of her stories and novels. Finally, as for the first-person narrator, this stands as an expression of an interior reminiscent, but it also expresses a distressing present before a fact as heartbreaking as it is the death of a daughter, Paula’s death.En este ensayo crítico se analizan tres aspectos de la estética de la novela Paula, de Isabel Allende: el elemento autobiográfico, puesto que contiene datos reales que incluyen fragmentos de la vida de Isabel Allende, sin embargo, según el epígrafe hay algo de imaginación en el relato y por eso mismo la historia es una ficción soportada sobre el pilar de la creación literaria, el lenguaje. La metaficción, en la que la narradora reflexiona sobre la creación de las obras de Allende y el origen de muchos de sus cuentos y novelas. Un narrador en primera persona, como expresión de un yo interior que recuerda, pero que también expresa un presente angustioso frente a un hecho tan desgarrador como lo es la muerte de una hija, de Paula.application/pdfspaUniversidad Católica de Pereirahttps://revistas.ucp.edu.co/index.php/paginas/article/view/1925/1776Derechos de autor 2015 Revista Páginashttps://creativecommons.org/licenses/by-nc/4.0/deed.es_EShttps://creativecommons.org/licenses/by-nc/4.0/deed.es_ESinfo:eu-repo/semantics/openAccesshttp://purl.org/coar/access_right/c_abf2Revista Páginas; Núm. 98 (Jul. - Dic., 2015); 37-500121-1633It tells life, not deathSe narra la vida, no la muerteArtículo de revistahttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionRodríguez Grajales, Inés EmiliaPublication10785/10646oai:repositorio.ucp.edu.co:10785/106462025-01-27 14:24:06.377https://creativecommons.org/licenses/by-nc/4.0/deed.es_ESDerechos de autor 2015 Revista Páginasmetadata.onlyhttps://repositorio.ucp.edu.coRepositorio Institucional de la Universidad Católica de Pereira - RIBUCbdigital@metabiblioteca.com |
| dc.title.eng.fl_str_mv |
It tells life, not death |
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Se narra la vida, no la muerte |
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It tells life, not death |
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It tells life, not death |
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| description |
In this critical essay are analyzed three aspects which correspond to the aesthetics of Paula novel, written by Isabel Allende, namely: the autobiographical element. This is an autobiographical work given that within it are found real data that include fragments of Isabel Allende’s life. However, according to the synopsis, there is some imagination in the story and that is exactly why the story is a fiction supported on the pillar of literary creation, the language. Regarding metafiction, the narrator provides constant reflections on the creation of Isabel Allende´s works, on the very fact of writing and the origin of many of her stories and novels. Finally, as for the first-person narrator, this stands as an expression of an interior reminiscent, but it also expresses a distressing present before a fact as heartbreaking as it is the death of a daughter, Paula’s death. |
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2020 |
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2020-12-23 |
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2022-06-01T19:28:43Z |
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2022-06-01T19:28:43Z |
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Artículo de revista |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/resource_type/c_6501 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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info:eu-repo/semantics/article |
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http://hdl.handle.net/10785/10646 |
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https://revistas.ucp.edu.co/index.php/paginas/article/view/1925 http://hdl.handle.net/10785/10646 |
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spa |
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spa |
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https://revistas.ucp.edu.co/index.php/paginas/article/view/1925/1776 |
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Derechos de autor 2015 Revista Páginas https://creativecommons.org/licenses/by-nc/4.0/deed.es_ES |
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Universidad Católica de Pereira |
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Revista Páginas; Núm. 98 (Jul. - Dic., 2015); 37-50 |
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0121-1633 |
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Universidad Católica de Pereira |
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Repositorio Institucional de la Universidad Católica de Pereira - RIBUC |
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