Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias

In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds...

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Tipo de recurso:: http://purl.org/coar/resource_type/c_6547

Fecha de publicación:: 2023

Institución:: Universidad Pedagógica y Tecnológica de Colombia

Repositorio:: RiUPTC: Repositorio Institucional UPTC

Idioma:: spa

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dc.title.en-US.fl_str_mv	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
dc.title.es-ES.fl_str_mv	“Soy canción que se fue/ de jonrón”. Traslación, performance y archivo en los videopoemas de Legna Rodríguez Iglesias
dc.title.pt-BR.fl_str_mv	“Soy canción que se fue / de jonrón” (Eu sou uma canção que partiu/ com um home run). Tradução, desempenho e arquivo nos poemas de vídeo de Legna Rodríguez Iglesias
title	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
spellingShingle	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias Literatura cubana actual Videopoesía Performance Archivo latinoamericano Oralidad y escritura Legna Rodríguez Iglesias Contemporary Cuban literature Videopoetry Performance Latin America archive Orality and writing Legna Rodríguez Iglesias Literatura cubana atual Videopoesia Arquivo latino-americano Oralidade e escrita Legna Rodríguez Iglesias
title_short	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_full	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_fullStr	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_full_unstemmed	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
title_sort	Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias
dc.subject.es-ES.fl_str_mv	Literatura cubana actual Videopoesía Performance Archivo latinoamericano Oralidad y escritura Legna Rodríguez Iglesias
topic	Literatura cubana actual Videopoesía Performance Archivo latinoamericano Oralidad y escritura Legna Rodríguez Iglesias Contemporary Cuban literature Videopoetry Performance Latin America archive Orality and writing Legna Rodríguez Iglesias Literatura cubana atual Videopoesia Arquivo latino-americano Oralidade e escrita Legna Rodríguez Iglesias
dc.subject.en-US.fl_str_mv	Contemporary Cuban literature Videopoetry Performance Latin America archive Orality and writing Legna Rodríguez Iglesias
dc.subject.pt-BR.fl_str_mv	Literatura cubana atual Videopoesia Arquivo latino-americano Oralidade e escrita Legna Rodríguez Iglesias
description	In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds an original poetics insofar as it reuses anachronistic forms of the Latin American archive and repertoire (Taylor, 2015), -fundamentally those that are based on a narrating voice-, to build a feminine and migrant writing. In his videopoems we observe the recovery of a rhymed poetry, of oral tradition; as well as certain themes and formats that recover and disarm classic motifs of Cuban literature in which the figure of José Martí resonates: the tones of a literature for the children of America and the portable roots of a poet in the big city.
publishDate	2023
dc.date.accessioned.none.fl_str_mv	2024-07-05T18:56:02Z
dc.date.available.none.fl_str_mv	2024-07-05T18:56:02Z
dc.date.none.fl_str_mv	2023-02-10
dc.type.none.fl_str_mv	info:eu-repo/semantics/article
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dc.identifier.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081 10.19053/01218530.n45.2023.15081
dc.identifier.uri.none.fl_str_mv	https://repositorio.uptc.edu.co/handle/001/12880
url	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081 https://repositorio.uptc.edu.co/handle/001/12880
identifier_str_mv	10.19053/01218530.n45.2023.15081
dc.language.none.fl_str_mv	spa
dc.language.iso.spa.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/12617 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/13542
dc.rights.es-ES.fl_str_mv	Derechos de autor 2023 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf48
rights_invalid_str_mv	Derechos de autor 2023 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf48 http://purl.org/coar/access_right/c_abf2
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dc.publisher.es-ES.fl_str_mv	Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv	La Palabra; No. 45 (2023): Miscellaneous issue; 1-18
dc.source.es-ES.fl_str_mv	La Palabra; Núm. 45 (2023): Número Misceláneo; 1-18
dc.source.pt-BR.fl_str_mv	La Palabra; n. 45 (2023): Miscelâneo; 1-18
dc.source.none.fl_str_mv	2346-3864 0121-8530
institution	Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv	Repositorio Institucional UPTC
repository.mail.fl_str_mv	repositorio.uptc@uptc.edu.co
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spelling	2023-02-102024-07-05T18:56:02Z2024-07-05T18:56:02Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1508110.19053/01218530.n45.2023.15081https://repositorio.uptc.edu.co/handle/001/12880In accordance with several contemporary trends (Laddaga 2009, Bourriaud 2009, Groys 2014), Legna Rodríguez Iglesias's writing can be read as a continuous performance between different literary and artistic genres, intermediary and audiovisual supports. However, its traslaticia condition builds an original poetics insofar as it reuses anachronistic forms of the Latin American archive and repertoire (Taylor, 2015), -fundamentally those that are based on a narrating voice-, to build a feminine and migrant writing. In his videopoems we observe the recovery of a rhymed poetry, of oral tradition; as well as certain themes and formats that recover and disarm classic motifs of Cuban literature in which the figure of José Martí resonates: the tones of a literature for the children of America and the portable roots of a poet in the big city.En concordancia con varias tendencias contemporáneas ya señaladas por la crítica (Laddaga 2009, Bourriaud 2009, Groys 2014), la escritura de Legna Rodríguez Iglesias puede leerse como una performance continua entre distintos géneros literarios y artísticos, soportes intermediales y audiovisuales. Sin embargo su condición traslaticia construye una poética original en tanto reutiliza formas anacrónicas del archivo y el repertorio latinoamericano (Taylor, 2015), -fundamentalmente las que se fundan en una voz narradora-, para construir una escritura femenina y migrante. En sus videopoemas observamos la recuperación de una poesía rimada, de tradición oral; así como determinados temas y formatos que recuperan y desarman motivos clásicos de la literatura cubana, en los que resuena la figura de José Martí: los tonos de una literatura para los niños y niñas de América y las raíces portátiles de una poeta en la gran ciudad.De acordo com várias tendências contemporâneas já apontadas pela crítica (Laddaga 2009, Bourriaud 2009, Groys 2014), a escrita de Legna Rodríguez Iglesias pode ser lida como uma performance contínua entre diferentes gêneros literários e artísticos, suportes intermediários e audiovisuais. No entanto, sua condição de traslaticia constrói uma poética original na medida em que reutiliza formas anacrônicas do arquivo e repertório latino-americano (Taylor, 2015), -fundamentalmente aquelas que se baseiam em uma voz narradora-, para construir uma escrita feminina e migrante. Em seus videopoemas observamos a recuperação de uma poesia rimada, de tradição oral; assim como certos temas e formatos que recuperam e desarmam motivos clássicos da literatura cubana em que ressoa a figura de José Martí: os tons de uma literatura para as crianças da América e as raízes portáteis de um poeta na cidade grande.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/12617https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15081/13542Derechos de autor 2023 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf48http://purl.org/coar/access_right/c_abf2La Palabra; No. 45 (2023): Miscellaneous issue; 1-18La Palabra; Núm. 45 (2023): Número Misceláneo; 1-18La Palabra; n. 45 (2023): Miscelâneo; 1-182346-38640121-8530Literatura cubana actualVideopoesíaPerformanceArchivo latinoamericanoOralidad y escrituraLegna Rodríguez IglesiasContemporary Cuban literatureVideopoetryPerformanceLatin America archiveOrality and writingLegna Rodríguez IglesiasLiteratura cubana atualVideopoesiaArquivo latino-americanoOralidade e escritaLegna Rodríguez IglesiasSoy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias“Soy canción que se fue/ de jonrón”. Traslación, performance y archivo en los videopoemas de Legna Rodríguez Iglesias“Soy canción que se fue / de jonrón” (Eu sou uma canção que partiu/ com um home run). Tradução, desempenho e arquivo nos poemas de vídeo de Legna Rodríguez Iglesiasinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6547http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a131http://purl.org/coar/version/c_970fb48d4fbd8a85Garbatzky, Irina001/12880oai:repositorio.uptc.edu.co:001/128802025-07-18 11:33:35.241metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co

Soy canción que se fue/ de jonrón” (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias

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