And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX
This paper analyzes the play De tal siembra tal cosecha (1889) by Ángeles López de Ayala, one of the most active and important freethinkers, republicans, and freemasons in Spain between the 19th and 20th centuries, and one of the most committed feminists of the time, both in theory and in practice....
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6739
- Fecha de publicación:
- 2023
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12851
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390
https://repositorio.uptc.edu.co/handle/001/12851
- Palabra clave:
- Ángeles López de Ayala
De tal siembra tal cosecha
feminine and masculine roles
feminism
female emancipation
theater
Ángeles López de Ayala
De tal siembra tal cosecha
roles femeninos y masculinos
feminismo
emancipación femenina
teatro
Ángeles López de Ayala
De tal siembra tal cosecha
papéis femininos e masculinos
feminismo
emancipação feminina
teatro
- Rights
- License
- Derechos de autor 2023 La Palabra
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dc.title.en-US.fl_str_mv |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
dc.title.es-ES.fl_str_mv |
Y la mujer despertó: la figura de Rosa en la comedia De tal siembra tal cosecha (1899), de Ángeles López de Ayala. Hacia un nuevo prototipo de feminidad en el cruce de los siglos XIX-XX |
dc.title.pt-BR.fl_str_mv |
E a mulher acordou: a figura de Rosa na comédia De tal siembra tal cosecha (1899) de Ángeles López de Ayala. Rumo a um novo protótipo da feminilidade na encruzilhada dos séculos XIX-XX |
title |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
spellingShingle |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX Ángeles López de Ayala De tal siembra tal cosecha feminine and masculine roles feminism female emancipation theater Ángeles López de Ayala De tal siembra tal cosecha roles femeninos y masculinos feminismo emancipación femenina teatro Ángeles López de Ayala De tal siembra tal cosecha papéis femininos e masculinos feminismo emancipação feminina teatro |
title_short |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
title_full |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
title_fullStr |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
title_full_unstemmed |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
title_sort |
And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX |
dc.subject.en-US.fl_str_mv |
Ángeles López de Ayala De tal siembra tal cosecha feminine and masculine roles feminism female emancipation theater |
topic |
Ángeles López de Ayala De tal siembra tal cosecha feminine and masculine roles feminism female emancipation theater Ángeles López de Ayala De tal siembra tal cosecha roles femeninos y masculinos feminismo emancipación femenina teatro Ángeles López de Ayala De tal siembra tal cosecha papéis femininos e masculinos feminismo emancipação feminina teatro |
dc.subject.es-ES.fl_str_mv |
Ángeles López de Ayala De tal siembra tal cosecha roles femeninos y masculinos feminismo emancipación femenina teatro |
dc.subject.pt-BR.fl_str_mv |
Ángeles López de Ayala De tal siembra tal cosecha papéis femininos e masculinos feminismo emancipação feminina teatro |
description |
This paper analyzes the play De tal siembra tal cosecha (1889) by Ángeles López de Ayala, one of the most active and important freethinkers, republicans, and freemasons in Spain between the 19th and 20th centuries, and one of the most committed feminists of the time, both in theory and in practice. We study the elements that make the protagonist of the work a strong supporter of a different idea of feminine roles, yet without refusing to be mother and wife; she advocates an active role of women in their own emancipation from the family sphere and proposes a collaboration with men inside the couple relationship —accordingly with the thinking of the author and the articles published throughout her life. |
publishDate |
2023 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:59Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:59Z |
dc.date.none.fl_str_mv |
2023-07-26 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6739 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a323 |
format |
http://purl.org/coar/resource_type/c_6739 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390 10.19053/01218530.n45.2023.14390 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12851 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390 https://repositorio.uptc.edu.co/handle/001/12851 |
identifier_str_mv |
10.19053/01218530.n45.2023.14390 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390/13223 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390/13548 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2023 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf240 |
rights_invalid_str_mv |
Derechos de autor 2023 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf240 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 45 (2023): Miscellaneous issue; 1-17 |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17 |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 45 (2023): Miscelâneo; 1-17 |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633865215311872 |
spelling |
2023-07-262024-07-05T18:55:59Z2024-07-05T18:55:59Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1439010.19053/01218530.n45.2023.14390https://repositorio.uptc.edu.co/handle/001/12851This paper analyzes the play De tal siembra tal cosecha (1889) by Ángeles López de Ayala, one of the most active and important freethinkers, republicans, and freemasons in Spain between the 19th and 20th centuries, and one of the most committed feminists of the time, both in theory and in practice. We study the elements that make the protagonist of the work a strong supporter of a different idea of feminine roles, yet without refusing to be mother and wife; she advocates an active role of women in their own emancipation from the family sphere and proposes a collaboration with men inside the couple relationship —accordingly with the thinking of the author and the articles published throughout her life.En este artículo se analiza la obra de teatro De tal siembra tal cosecha (1889), de Ángeles López de Ayala, una de las librepensadoras, republicanas y masonas más activas e importantes en la España a caballo entre los siglos XIX y XX, y una de las feministas de la época más comprometidas, tanto en la teoría como en la práctica. Además, se estudian los elementos que hacen de la protagonista de la obra una firme defensora de una idea distinta de los roles femeninos y masculinos, pero sin renunciar a ser madre y esposa. Desde el ámbito familiar, Rosa aboga por un papel activo de la mujer en la propia emancipación y postula una colaboración con el hombre en la relación de pareja, en consonancia con el pensamiento de la autora y los artículos que esta ha publicado en ese periodo.Este artigo analisará a peça teatral De tal siembra tal cosecha (1889) de Ángeles López de Ayala, uma das mais ativas e importantes pensadoras livres, republicanas e maçons em Espanha entre os séculos XIX e XX, e uma das feministas mais comprometidas da época, tanto no campo teórico como prático. Estudaremos os elementos que fazem da protagonista da obra uma firme defensora de uma ideia diferente dos papéis e femininos e masculinos, mas sem renunciar a ser mãe e esposa. Também se comentará a defesa que propugna de um papel ativo das mulheres na sua própria emancipação da esfera familiar e a proposta de uma colaboração com o homem na relação de casal, em concomitância com o pensamento da autora e os artigos que publicou ao longo da sua vida.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390/13223https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14390/13548Derechos de autor 2023 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf240http://purl.org/coar/access_right/c_abf2La Palabra; No. 45 (2023): Miscellaneous issue; 1-17La Palabra; Núm. 45 (2023): Número Misceláneo; 1-17La Palabra; n. 45 (2023): Miscelâneo; 1-172346-38640121-8530Ángeles López de AyalaDe tal siembra tal cosechafeminine and masculine rolesfeminismfemale emancipationtheaterÁngeles López de AyalaDe tal siembra tal cosecharoles femeninos y masculinosfeminismoemancipación femeninateatroÁngeles López de AyalaDe tal siembra tal cosechapapéis femininos e masculinosfeminismoemancipação femininateatroAnd the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XXY la mujer despertó: la figura de Rosa en la comedia De tal siembra tal cosecha (1899), de Ángeles López de Ayala. Hacia un nuevo prototipo de feminidad en el cruce de los siglos XIX-XXE a mulher acordou: a figura de Rosa na comédia De tal siembra tal cosecha (1899) de Ángeles López de Ayala. Rumo a um novo protótipo da feminilidade na encruzilhada dos séculos XIX-XXinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6739http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a323http://purl.org/coar/version/c_970fb48d4fbd8a85Martín-Clavijo, Milagro001/12851oai:repositorio.uptc.edu.co:001/128512025-07-18 11:34:00.881metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |