Common Spaces in Cantiga by José Manuel Arango
This paper reviews the tension between presencia común [common spaces] and amazementwhich shape José Manuel Arango’s poetry. On one hand, this tension embodies the poet’s subjective experience and on the other hand reality as the essential feature of his poetry. As one of his interpreter states that...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6817
- Fecha de publicación:
- 2021
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12818
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12724
https://repositorio.uptc.edu.co/handle/001/12818
- Palabra clave:
- José Manuel Arango
Poesía colombiana
Siglo XX
Violencia
Comunidad
José Manuel Arango
Colombian poetry
20th century
violence
Comunidade
José Manuel Arango
poesia Colombiana
século XX
violência
- Rights
- License
- Derechos de autor 2021 La Palabra
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2021-09-022024-07-05T18:55:50Z2024-07-05T18:55:50Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1272410.19053/01218530.n41.2021.12724https://repositorio.uptc.edu.co/handle/001/12818This paper reviews the tension between presencia común [common spaces] and amazementwhich shape José Manuel Arango’s poetry. On one hand, this tension embodies the poet’s subjective experience and on the other hand reality as the essential feature of his poetry. As one of his interpreter states that Cantiga (1987) is a rewritten work of two previous poems, this paper suggests a critical review from the context of his writing to the theoretical framework regarding common spaces. The result of this research shows that Cantiga determines a poet inserted in the world plentily observed by him and then names it. From this point of view, this José Manuel Arango’s work expresses the division between the poetic subject and the world.El propósito de este artículo es indagar en la tensión que, en la obra del poeta colombiano José Manuel Arango, lleva de la radical extrañeza con la que el sujeto poético experimenta el mundo a la presencia común como deriva de los elementos centrales de su poética. Para ello, a partir de la hipótesis de uno de sus críticos que señala que el poemario Cantiga (1987) es la reescritura de dos poemas sustraídos de una colección anterior, este artículo realiza una lectura transversal del poemario de Arango poniéndola en relación tanto con el contexto de escritura como con un marco teórico acerca de lo común. Los resultados llevan a sostener que laescritura que sustenta los poemas de Cantiga configura un tipo de sujeto poético que participa plenamente de aquello que primero observa y después nombra.O propósito deste artigo é indagar na tensão que, na obra do poeta colombiano José Manuel Arango, leva da radical estranheza com a que o sujeito poético experimenta o mundo à presença comum, como deriva-se dos elementos centrais da sua poética. Assim, a partir da hipótese de um dos seus críticos, que aponta que o livro de poemas Cantiga (1987) é a reescrita de dois poemas de uma coleção anterior, este artigo desenvolve uma leitura transversal do livro de poemas de Arango, em relação tanto com o contexto de escrita quanto com um enquadramento teórico acerca do comum. Os resultados permitem argumentar que a escrita que suporta os poemas de Cantiga configura um tipo de sujeito poético que participa totalmente de aquilo que primeiro observa e depois nomeia. Desta forma, concluise que no livrode poemas a dissociação entre o sujeito e o mundo é expressada.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/12724/10891https://revistas.uptc.edu.co/index.php/la_palabra/article/view/12724/11051Derechos de autor 2021 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf318http://purl.org/coar/access_right/c_abf2La Palabra; No. 41 (2021): Miscellaneous issue; 1-19La Palabra; Núm. 41 (2021): Número Misceláneo; 1-19La Palabra; n. 41 (2021): Miscelâneo; 1-192346-38640121-8530José Manuel ArangoPoesía colombianaSiglo XXViolenciaComunidadJosé Manuel ArangoColombian poetry20th centuryviolenceComunidadeJosé Manuel Arangopoesia Colombianaséculo XXviolênciaCommon Spaces in Cantiga by José Manuel ArangoPresencia común en Cantiga de José Manuel ArangoPresença comum em Cantiga de José Manuel Arangoinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6817http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a401http://purl.org/coar/version/c_970fb48d4fbd8a85Henao, Simón001/12818oai:repositorio.uptc.edu.co:001/128182025-07-18 11:34:08.091metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
| dc.title.en-US.fl_str_mv |
Common Spaces in Cantiga by José Manuel Arango |
| dc.title.es-ES.fl_str_mv |
Presencia común en Cantiga de José Manuel Arango |
| dc.title.pt-BR.fl_str_mv |
Presença comum em Cantiga de José Manuel Arango |
| title |
Common Spaces in Cantiga by José Manuel Arango |
| spellingShingle |
Common Spaces in Cantiga by José Manuel Arango José Manuel Arango Poesía colombiana Siglo XX Violencia Comunidad José Manuel Arango Colombian poetry 20th century violence Comunidade José Manuel Arango poesia Colombiana século XX violência |
| title_short |
Common Spaces in Cantiga by José Manuel Arango |
| title_full |
Common Spaces in Cantiga by José Manuel Arango |
| title_fullStr |
Common Spaces in Cantiga by José Manuel Arango |
| title_full_unstemmed |
Common Spaces in Cantiga by José Manuel Arango |
| title_sort |
Common Spaces in Cantiga by José Manuel Arango |
| dc.subject.es-ES.fl_str_mv |
José Manuel Arango Poesía colombiana Siglo XX Violencia Comunidad |
| topic |
José Manuel Arango Poesía colombiana Siglo XX Violencia Comunidad José Manuel Arango Colombian poetry 20th century violence Comunidade José Manuel Arango poesia Colombiana século XX violência |
| dc.subject.en-US.fl_str_mv |
José Manuel Arango Colombian poetry 20th century violence |
| dc.subject.pt-BR.fl_str_mv |
Comunidade José Manuel Arango poesia Colombiana século XX violência |
| description |
This paper reviews the tension between presencia común [common spaces] and amazementwhich shape José Manuel Arango’s poetry. On one hand, this tension embodies the poet’s subjective experience and on the other hand reality as the essential feature of his poetry. As one of his interpreter states that Cantiga (1987) is a rewritten work of two previous poems, this paper suggests a critical review from the context of his writing to the theoretical framework regarding common spaces. The result of this research shows that Cantiga determines a poet inserted in the world plentily observed by him and then names it. From this point of view, this José Manuel Arango’s work expresses the division between the poetic subject and the world. |
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2021 |
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2024-07-05T18:55:50Z |
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2021-09-02 |
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https://repositorio.uptc.edu.co/handle/001/12818 |
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Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ |
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La Palabra; Núm. 41 (2021): Número Misceláneo; 1-19 |
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