Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón
The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6696
- Fecha de publicación:
- 2024
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12894
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110
https://repositorio.uptc.edu.co/handle/001/12894
- Palabra clave:
- theater
politics
Chilean dramaturgy
continuities
Human Rights
teatro
político
dramaturgia chilena
continuidades
Derechos Humanos
teatro
político
dramaturgia chilena
continuidades
direitos humanos
- Rights
- License
- Derechos de autor 2024 La Palabra
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Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| dc.title.es-ES.fl_str_mv |
Continuidades del espacio político en el teatro chileno: dramaturgia y derechos humanos en Isidora Aguirre y Guillermo Calderón |
| dc.title.pt-BR.fl_str_mv |
Continuidades do espaço político no teatro chileno: dramaturgia e direitos humanos em Isidora Aguirre e Guillermo Calderón |
| title |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| spellingShingle |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos |
| title_short |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| title_full |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| title_fullStr |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| title_full_unstemmed |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| title_sort |
Continuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo Calderón |
| dc.subject.en-US.fl_str_mv |
theater politics Chilean dramaturgy continuities Human Rights |
| topic |
theater politics Chilean dramaturgy continuities Human Rights teatro político dramaturgia chilena continuidades Derechos Humanos teatro político dramaturgia chilena continuidades direitos humanos |
| dc.subject.es-ES.fl_str_mv |
teatro político dramaturgia chilena continuidades Derechos Humanos |
| dc.subject.pt-BR.fl_str_mv |
teatro político dramaturgia chilena continuidades direitos humanos |
| description |
The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial period. The reflection is developed through a comparative analysis, drawing upon theories that explore the concept of politics. Specifically, the relationship between human rights violations committed under the dictatorshipand the theater is examined. The article concludes that references to the history are made using a variety of stylistic allusive techniques, including those of self and metacognitive reflection. In both works, the word serves as both an aesthetic and dramatic device as well as an emotive one. Through this exploration, the art delves into its political possibilities from an ethical perspective. |
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2024 |
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2024-07-05T18:56:04Z |
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2024-07-05T18:56:04Z |
| dc.date.none.fl_str_mv |
2024-06-17 |
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info:eu-repo/semantics/article |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_6696 |
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info:eu-repo/semantics/publishedVersion |
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http://purl.org/coar/version/c_970fb48d4fbd8a280 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110 10.19053/uptc.01218530.n47.2024.16110 |
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https://repositorio.uptc.edu.co/handle/001/12894 |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110 https://repositorio.uptc.edu.co/handle/001/12894 |
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10.19053/uptc.01218530.n47.2024.16110 |
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spa |
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spa |
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spa |
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https://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110/14180 |
| dc.rights.es-ES.fl_str_mv |
Derechos de autor 2024 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/deed.es |
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http://purl.org/coar/access_right/c_abf2 |
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application/pdf |
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Universidad Pedagógica y Tecnológica de Colombia |
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La Palabra; No. 47 (2024): Miscellaneous issue |
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La Palabra; Núm. 47 (2024): Número Misceláneo |
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La Palabra; n. 47 (2024): Miscelâneo |
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2346-3864 0121-8530 |
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Universidad Pedagógica y Tecnológica de Colombia |
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Repositorio Institucional UPTC |
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repositorio.uptc@uptc.edu.co |
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2024-06-172024-07-05T18:56:04Z2024-07-05T18:56:04Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1611010.19053/uptc.01218530.n47.2024.16110https://repositorio.uptc.edu.co/handle/001/12894The goal of this work is to analyze the political continuity surrounding two Chilean dramaturgical texts: Retablo de Yumbel by Isidora Aguirre, and Villa by Guillermo Calderón. The former was written and staged during the civil-military dictatorship, while the latter belongs to the post-dictatorial period. The reflection is developed through a comparative analysis, drawing upon theories that explore the concept of politics. Specifically, the relationship between human rights violations committed under the dictatorshipand the theater is examined. The article concludes that references to the history are made using a variety of stylistic allusive techniques, including those of self and metacognitive reflection. In both works, the word serves as both an aesthetic and dramatic device as well as an emotive one. Through this exploration, the art delves into its political possibilities from an ethical perspective.El propósito de este trabajo es analizar las continuidades del espacio político en torno a dos textos de dramaturgia chilena: Retablo de Yumbel de Isidora Aguirre, escrita y puesta en escena durante la dictadura cívico-militar; y Villa de Guillermo Calderón, escrita y puesta en escena en postdictadura. La reflexión se articula a partir de un análisis comparado, en diálogo con teorizaciones que discuten la noción de lo político. De modo específico, se analizan continuidades que materializan referencias a la violación de derechos humanos en la dictadura y su relación con el teatro. El artículo concluye que la referencialidad a la historia se da a través de diversas estrategias estéticas de alusión, así como de autorreflexividad y metarreflexión. En ambas obras la palabra no solo es un recurso estético-dramático, sino también afectivo: con ella el arte parece desplegar sus posibilidades políticas desde una lógica ética.O propósito deste trabalho é analisar as continuidades do espaço político em torno de dois textos da dramaturgia chilena: Retablo de Yumbel de Isidora Aguirre, escrito e encenado durante a ditadura cívico-militar; e Villa de Guillermo Calderón, escrita e encenada após a ditadura. A reflexão se articula a partir de uma análise comparativa, em diálogo com teorias que discutem a noção do político. Especificamente,são analisadas continuidades que materializam referências à violação dos direitos humanos naditadura e sua relação com o teatro. O artigo conclui que a referencialidade à história se dá por meio de diversas estratégias estéticas de alusão, bem como de autorreflexividade e metarreflexão. Em ambas as obras, a palavra não é apenas um recurso estético-dramático, mas também afetivo: com ela, a arte parece desdobrar suas possibilidades políticas a partir de uma lógica ética.application/pdfspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/16110/14180Derechos de autor 2024 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/deed.eshttp://purl.org/coar/access_right/c_abf197http://purl.org/coar/access_right/c_abf2La Palabra; No. 47 (2024): Miscellaneous issueLa Palabra; Núm. 47 (2024): Número MisceláneoLa Palabra; n. 47 (2024): Miscelâneo2346-38640121-8530theaterpoliticsChilean dramaturgycontinuitiesHuman Rightsteatropolíticodramaturgia chilenacontinuidadesDerechos Humanosteatropolíticodramaturgia chilenacontinuidadesdireitos humanosContinuities of the Political Space in Chilean Theater: Dramaturgy and Human Rights in Isidora Aguirre and Guillermo CalderónContinuidades del espacio político en el teatro chileno: dramaturgia y derechos humanos en Isidora Aguirre y Guillermo CalderónContinuidades do espaço político no teatro chileno: dramaturgia e direitos humanos em Isidora Aguirre e Guillermo Calderóninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6696http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a280http://purl.org/coar/version/c_970fb48d4fbd8a85Martínez Carvajal, Marcia001/12894oai:repositorio.uptc.edu.co:001/128942025-07-18 11:33:54.3metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |