Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case
This article presents a critical journey through the constructions of memory regarding recent history developed in Argentinian theater in the first decades of the 21st century. To this end, an internal periodization and a diachronic analysis were proposed, focused on the study of paradigmatic cases...
- Autores:
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/13856
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853
https://repositorio.uptc.edu.co/handle/001/13856
- Palabra clave:
- Theater
Recent history
Memories
Artivism
Teatro
Historia reciente
Memorias
Artivismo
théâtre
histoire récente
mémoires
artivisme
- Rights
- License
- Derechos de autor 2020 Historia Y MEMORIA
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| dc.title.en-US.fl_str_mv |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| dc.title.es-ES.fl_str_mv |
Cuerpos subvertidos: Artes escénicas y memoria en el siglo XXI. El caso argentino |
| dc.title.fr-FR.fl_str_mv |
Corps subvertis: les arts scéniques et la mémoire au XXIe siècle. Le cas argentin |
| title |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| spellingShingle |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case Theater Recent history Memories Artivism Teatro Historia reciente Memorias Artivismo théâtre histoire récente mémoires artivisme |
| title_short |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| title_full |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| title_fullStr |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| title_full_unstemmed |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| title_sort |
Subverted bodies: Scenic arts and memory in the 21st century. The Argentinian case |
| dc.subject.en-US.fl_str_mv |
Theater Recent history Memories Artivism |
| topic |
Theater Recent history Memories Artivism Teatro Historia reciente Memorias Artivismo théâtre histoire récente mémoires artivisme |
| dc.subject.es-ES.fl_str_mv |
Teatro Historia reciente Memorias Artivismo |
| dc.subject.fr-FR.fl_str_mv |
théâtre histoire récente mémoires artivisme |
| description |
This article presents a critical journey through the constructions of memory regarding recent history developed in Argentinian theater in the first decades of the 21st century. To this end, an internal periodization and a diachronic analysis were proposed, focused on the study of paradigmatic cases which starts during the years prior to the beginning of the century to situate the relationships among scenic practices, politics, and memory, in each moment. As it is possible to suspect, in these decades, that scenic memories have brought into play the most diverse aesthetic language and have employed different ways of influencing the socio-political space, which will be particularized and specifically analyzed. At the same time, this panorama of the relationship between the scenic arts and constructions of memory in Argentina will, doubtlessly, allow links to be established with other countries of the region, particularly, in the Southern Cone. |
| publishDate |
2020 |
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2024-07-05T19:08:07Z |
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2024-07-05T19:08:07Z |
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2020-07-01 |
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info:eu-repo/semantics/article |
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http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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http://purl.org/coar/resource_type/c_2df8fbb1 |
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https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853 10.19053/20275137.n21.2020.9853 |
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https://repositorio.uptc.edu.co/handle/001/13856 |
| url |
https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853 https://repositorio.uptc.edu.co/handle/001/13856 |
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10.19053/20275137.n21.2020.9853 |
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spa |
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spa |
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spa |
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https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/9413 https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/9543 https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/13058 |
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Derechos de autor 2020 Historia Y MEMORIA https://creativecommons.org/licenses/by-nc-nd/3.0/ |
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http://purl.org/coar/access_right/c_abf2 |
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Derechos de autor 2020 Historia Y MEMORIA https://creativecommons.org/licenses/by-nc-nd/3.0/ http://purl.org/coar/access_right/c_abf2 |
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application/pdf application/xml |
| dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
| dc.source.en-US.fl_str_mv |
Historia Y Memoria; No. 21 (2020): Policies of memory, memories of resistance. History in the post-truth era; 137-172 |
| dc.source.es-ES.fl_str_mv |
Historia Y Memoria; Núm. 21 (2020): Julio-Diciembre 2020. Políticas de memoria, memorias de resistencia. La historia en la era de la posverdad; 137-172 |
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Historia Y Memoria; No 21 (2020): Politiques de la mémoire, mémoires de résistance. L’histoire à l’ère de la post-vérité; 137-172 |
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2322-777X 2027-5137 10.19053/20275137.n21.2020 |
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Universidad Pedagógica y Tecnológica de Colombia |
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Repositorio Institucional UPTC |
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repositorio.uptc@uptc.edu.co |
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2020-07-012024-07-05T19:08:07Z2024-07-05T19:08:07Zhttps://revistas.uptc.edu.co/index.php/historia_memoria/article/view/985310.19053/20275137.n21.2020.9853https://repositorio.uptc.edu.co/handle/001/13856This article presents a critical journey through the constructions of memory regarding recent history developed in Argentinian theater in the first decades of the 21st century. To this end, an internal periodization and a diachronic analysis were proposed, focused on the study of paradigmatic cases which starts during the years prior to the beginning of the century to situate the relationships among scenic practices, politics, and memory, in each moment. As it is possible to suspect, in these decades, that scenic memories have brought into play the most diverse aesthetic language and have employed different ways of influencing the socio-political space, which will be particularized and specifically analyzed. At the same time, this panorama of the relationship between the scenic arts and constructions of memory in Argentina will, doubtlessly, allow links to be established with other countries of the region, particularly, in the Southern Cone.Este artículo presenta un recorrido crítico a través de las construcciones de memoria sobre la historia reciente desarrolladas en el teatro argentino en las primeras décadas del siglo XXI. Para ello, se propone una periodización interna y un análisis diacrónico centrado en el estudio de casos paradigmáticos que parte de los años previos al comienzo del siglo para situar las relaciones entre prácticas escénicas, política y memoria, en cada momento. Como es posible sospechar, en estas décadas, las memorias escénicas han puesto en juego los más diversos lenguajes estéticos y han desplegado diferentes modos de incidir en el espacio socio-político, que particularizaremos y analizaremos de manera específica. A su vez, este panorama de las relaciones entre artes escénicas y construcciones de memoria en Argentina permitirá sin dudas establecer vínculos con otros países de la región, especialmente, del Cono Sur.Cet article se propose d’entamer un parcours critique par les constructions sur l’histoire récente développées au sein du théâtre argentin des premières décennies du XXIe siècle. Pour ce faire, on établit une périodisation interne et une analyse diachronique centrée sur les cas paradigmatiques depuis le début du siècle, et ce afin de saisir les rapports entre les pratiques scéniques, la politique et la mémoire tout au long du siècle. On peut supposer, à juste titre, qu’à cette époque les arts scéniques ont mis en jeu une diversité de langages esthétiques ainsi que des multiples manières d’agir dans l’espace socio-politique, des éléments que l’on tente d’analyser ici dans leur spécificité. De même, cet aperçu des rapports entre les arts scéniques et les constructions de la mémoire en Argentine permettra de mieux comprendre ce qui concerne d’autres pays de la région, notamment du Cône Sud. application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/9413https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/9543https://revistas.uptc.edu.co/index.php/historia_memoria/article/view/9853/13058Derechos de autor 2020 Historia Y MEMORIAhttps://creativecommons.org/licenses/by-nc-nd/3.0/http://purl.org/coar/access_right/c_abf2Historia Y Memoria; No. 21 (2020): Policies of memory, memories of resistance. History in the post-truth era; 137-172Historia Y Memoria; Núm. 21 (2020): Julio-Diciembre 2020. Políticas de memoria, memorias de resistencia. La historia en la era de la posverdad; 137-172Historia Y Memoria; No 21 (2020): Politiques de la mémoire, mémoires de résistance. L’histoire à l’ère de la post-vérité; 137-1722322-777X2027-513710.19053/20275137.n21.2020TheaterRecent historyMemoriesArtivismTeatroHistoria recienteMemoriasArtivismothéâtrehistoire récentemémoiresartivismeSubverted bodies: Scenic arts and memory in the 21st century. The Argentinian caseCuerpos subvertidos: Artes escénicas y memoria en el siglo XXI. El caso argentinoCorps subvertis: les arts scéniques et la mémoire au XXIe siècle. Le cas argentininfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_2df8fbb1Verzero, Lorena001/13856oai:repositorio.uptc.edu.co:001/138562025-07-18 11:17:42.017metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |