Intertextual relationships between “Alienación”, a short story by Julio Ramón Ribeyro, and “Alienación”, a short film by Alex Fischman

Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary  text has been used. One way to develop this analysis is through intertextuality. However, other theoretical...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6542
Fecha de publicación:
2021
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12822
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13274
https://repositorio.uptc.edu.co/handle/001/12822
Palabra clave:
“Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextuality
Transduction
intertextuality
“Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextualidad
Transducción
“Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextualidade
Transdução
intertextualidade
Rights
License
Derechos de autor 2021 La Palabra
Description
Summary:Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary  text has been used. One way to develop this analysis is through intertextuality. However, other theoretical contributions complement this perspective, such as Genette’s transtextuality or Doležel’s transduction. In the article we apply these categories to address the relationships that are established between the short story “Alienación” (1975), by Julio Ramón Ribeyroand the short film “Alienación” (2019) by Alex Fischman. We are interested in establishing  whether Fischman’s text is just a staging of Ribeyro’s story, or, instead, he comes to resignify the original text to the point of turning it into a different one.