Intertextual relationships between “Alienación”, a short story by Julio Ramón Ribeyro, and “Alienación”, a short film by Alex Fischman
Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary text has been used. One way to develop this analysis is through intertextuality. However, other theoretical...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6542
- Fecha de publicación:
- 2021
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12822
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13274
https://repositorio.uptc.edu.co/handle/001/12822
- Palabra clave:
- “Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextuality
Transduction
intertextuality
“Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextualidad
Transducción
“Alienación”
Julio Ramón Ribeyro
Alex Fischman
Transtextualidade
Transdução
intertextualidade
- Rights
- License
- Derechos de autor 2021 La Palabra
Summary: | Cinema and literature have close relationships, among which adaptations stand out. To study the latter, the criterion of elucidating whether or not the filmic text is faithful to the literary text has been used. One way to develop this analysis is through intertextuality. However, other theoretical contributions complement this perspective, such as Genette’s transtextuality or Doležel’s transduction. In the article we apply these categories to address the relationships that are established between the short story “Alienación” (1975), by Julio Ramón Ribeyroand the short film “Alienación” (2019) by Alex Fischman. We are interested in establishing whether Fischman’s text is just a staging of Ribeyro’s story, or, instead, he comes to resignify the original text to the point of turning it into a different one. |
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