Cultures of space and collective and participative artistic processes. recent cases in mexico city, bogota and medellin

this article covers different aspects related to the spacialization of some cases of collective and participative artistic practices in specific places of three latin american cities: mexico city, bogota and medellin. therefore, the article questions the presence of different social ideologies and r...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6823
Fecha de publicación:
2012
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/13319
Acceso en línea:
https://revistas.uptc.edu.co/index.php/praxis_saber/article/view/2002
https://repositorio.uptc.edu.co/handle/001/13319
Palabra clave:
artistic practices
latin american city
popular cultures
art and social transformation
art and politics
praxis & knowledge.
prácticas artísticas
la ciudad latinoamericana
culturas populares
arte y transformación social
arte y política
praxis & saber.
pratiques artistiques
la ville d’Amérique latine
cultures populaires
art et transformation sociale
art et politique
praxis & savoir.
práticas artísticas
a cidade latino-americana
culturas populares
arte e transformação social
arte e política
práxis & saber.
Rights
License
http://purl.org/coar/access_right/c_abf324
Description
Summary:this article covers different aspects related to the spacialization of some cases of collective and participative artistic practices in specific places of three latin american cities: mexico city, bogota and medellin. therefore, the article questions the presence of different social ideologies and representations concerning the artistic field in its local and global dimensions, which establish meanings for the artistic, the political and social matters and, at the same time, fight among themselves when associating with certain contemporary artistic practices and its agents and institutions. in order to do so, it is proposed a focus that, to a certain extent, is separated from art theory and history, placing itself in a constant to and fro movement between the assumptions of artistic practices and social sciences.