The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd
In the year 2003 the playwright and director Rafael Spregelburd stages Bizarra, a comedy about the Argentine crisis of 2001. This is the first theater-novel in history, that is to say, a play consisting of 10 chapters; in order to watch it complete, it is necessary to go ten times...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6530
- Fecha de publicación:
- 2018
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12747
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169
https://repositorio.uptc.edu.co/handle/001/12747
- Palabra clave:
- Spregelburd
Corralito
Argentina 2001
Theater-novel
Ideology
Generation
Revolution
Spregelburd
corralito
Argentina 2001
teatro-novela
ideología
generación
revolución.
- Rights
- License
- Derechos de autor 2018 LA PALABRA
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2018-07-042024-07-05T18:55:43Z2024-07-05T18:55:43Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/816910.19053/01218530.n32.2018.8169https://repositorio.uptc.edu.co/handle/001/12747In the year 2003 the playwright and director Rafael Spregelburd stages Bizarra, a comedy about the Argentine crisis of 2001. This is the first theater-novel in history, that is to say, a play consisting of 10 chapters; in order to watch it complete, it is necessary to go ten times to the theater. For years, Spre - gelburd has been considered a postmodern author by several academic literary critics as well as by the dramaturgs of the 1960s generation. This article aims at questioning this classification based on the fact that the author has different points of view and practices in common with political theater.En el año 2003, el dramaturgo Rafael Spregelburd pone en escena Bizarra, una comedia que versa sobre la crisis argentina del 2001. Se trata de la primera teatro-novela de la historia, es decir, una obra de teatro que consta de diez capítulos: hay que asistir diez veces al teatro para verla completa. Durante años, Spregelburd ha sido considerado, por una parte, de la crítica universitaria argentina y por dramaturgos de la generación de 1960, como un autor posmoderno. Este artículo se propone poner en cuestión esta clasificación fundamentado en la idea de que el autor tiene puntos de vista y prácticas en común con el teatro político.application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169/6633https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169/8036Derechos de autor 2018 LA PALABRAhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf31http://purl.org/coar/access_right/c_abf2La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 117-128La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 117-128La Palabra; n. 32 (2018): Janeiro-Junho; 117-1282346-38640121-8530SpregelburdCorralitoArgentina 2001Theater-novelIdeologyGenerationRevolutionSpregelburdcorralitoArgentina 2001teatro-novelaideologíageneraciónrevolución.The 2001 Uprising of the Masses in Bizarra by Rafael SpregelburdEl levantamiento popular del 2001 en Bizarra, de Rafael Spregelburdinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6530http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a114http://purl.org/coar/version/c_970fb48d4fbd8a85Di Pietro, Luciano Fabricio001/12747oai:repositorio.uptc.edu.co:001/127472025-07-18 11:33:35.2metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
dc.title.en-US.fl_str_mv |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
dc.title.es-ES.fl_str_mv |
El levantamiento popular del 2001 en Bizarra, de Rafael Spregelburd |
title |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
spellingShingle |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd Spregelburd Corralito Argentina 2001 Theater-novel Ideology Generation Revolution Spregelburd corralito Argentina 2001 teatro-novela ideología generación revolución. |
title_short |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
title_full |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
title_fullStr |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
title_full_unstemmed |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
title_sort |
The 2001 Uprising of the Masses in Bizarra by Rafael Spregelburd |
dc.subject.en-US.fl_str_mv |
Spregelburd Corralito Argentina 2001 Theater-novel Ideology Generation Revolution |
topic |
Spregelburd Corralito Argentina 2001 Theater-novel Ideology Generation Revolution Spregelburd corralito Argentina 2001 teatro-novela ideología generación revolución. |
dc.subject.es-ES.fl_str_mv |
Spregelburd corralito Argentina 2001 teatro-novela ideología generación revolución. |
description |
In the year 2003 the playwright and director Rafael Spregelburd stages Bizarra, a comedy about the Argentine crisis of 2001. This is the first theater-novel in history, that is to say, a play consisting of 10 chapters; in order to watch it complete, it is necessary to go ten times to the theater. For years, Spre - gelburd has been considered a postmodern author by several academic literary critics as well as by the dramaturgs of the 1960s generation. This article aims at questioning this classification based on the fact that the author has different points of view and practices in common with political theater. |
publishDate |
2018 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:43Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:43Z |
dc.date.none.fl_str_mv |
2018-07-04 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6530 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a114 |
format |
http://purl.org/coar/resource_type/c_6530 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169 10.19053/01218530.n32.2018.8169 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12747 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169 https://repositorio.uptc.edu.co/handle/001/12747 |
identifier_str_mv |
10.19053/01218530.n32.2018.8169 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169/6633 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8169/8036 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf31 |
rights_invalid_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf31 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf application/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 117-128 |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 117-128 |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 32 (2018): Janeiro-Junho; 117-128 |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633789366566912 |