Links between José Ángel Valente’s Poetry and Spectral Music

The ideas of limit and musicality constitute axial concepts in José Ángel Valente’s poetry. In this paper we propose to link Valente’s poetics with Spectral Music. We will review the foundations of José Ángel Valente’s maturity poetry with the purpose of comparing them with the theoretical approaches of Spectral Music.The fluctuating and permeable nature of the limit determines the foundations of Spectral Music as well as Valente’s poetics. We can establish that the notion of ‘reverberance’ constitutes the epistemological basis -even ontological- of those styles. The exploration of the own material nature is the way that both liminal aesthetics determine themselves as knowledge paths. The self-knowledge turns into aesthetic object.

• Tipo de recurso: http://purl.org/coar/resource_type/c_6766
• Fecha de publicación: 2020
• Institución: Universidad Pedagógica y Tecnológica de Colombia
• Repositorio: RiUPTC: Repositorio Institucional UPTC
• Idioma: spa
• OAI Identifier: oai:repositorio.uptc.edu.co:001/12797
• Acceso en línea: https://revistas.uptc.edu.co/index.php/la_palabra/article/view/10650; https://repositorio.uptc.edu.co/handle/001/12797
• Palabra clave: José Ángel Valente; 20th Century Poetry; Spectralism; 20th Century Music; Limit; espectralismo; José Ángel Valente; límite; música siglo XX; poesía siglo xx; José Ángel Valente; poesia século XX; espectralismo; musica século XX; limite
• License: Derechos de autor 2020 LA PALABRA