The orchestra: convivence and education within prisons

The aim is to show how the orchestra could be a convivence “milieu” and an education place that is able to restore confidence and self-esteem to convicts and improve the living together in prisons. The study is based on the research-action methodology (qualitative-quantitative) and the research-crea...

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Tipo de recurso:
http://purl.org/coar/resource_type/c_6512
Fecha de publicación:
2020
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
fra
OAI Identifier:
oai:repositorio.uptc.edu.co:001/14917
Acceso en línea:
https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921
https://repositorio.uptc.edu.co/handle/001/14917
Palabra clave:
orchestra
“milieu”
prison
education
convivialism
orquesta
medio ambiente
prisión
educación
convivencia
orchestre
milieu
prison
éducation
convivialisme
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Copyright (c) 2020 JOURNAL HISTORY OF LATIN AMERICAN EDUCATION
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network_acronym_str REPOUPTC2
network_name_str RiUPTC: Repositorio Institucional UPTC
repository_id_str
dc.title.en-US.fl_str_mv The orchestra: convivence and education within prisons
dc.title.es-ES.fl_str_mv La orquesta: un lugar de convivencia y de educación en las cárceles
dc.title.fr-FR.fl_str_mv L’orchestre : un milieu de convivence et d’éducation au sein des prisons
title The orchestra: convivence and education within prisons
spellingShingle The orchestra: convivence and education within prisons
orchestra
“milieu”
prison
education
convivialism
orquesta
medio ambiente
prisión
educación
convivencia
orchestre
milieu
prison
éducation
convivialisme
title_short The orchestra: convivence and education within prisons
title_full The orchestra: convivence and education within prisons
title_fullStr The orchestra: convivence and education within prisons
title_full_unstemmed The orchestra: convivence and education within prisons
title_sort The orchestra: convivence and education within prisons
dc.subject.en-US.fl_str_mv orchestra
“milieu”
prison
education
convivialism
topic orchestra
“milieu”
prison
education
convivialism
orquesta
medio ambiente
prisión
educación
convivencia
orchestre
milieu
prison
éducation
convivialisme
dc.subject.es-ES.fl_str_mv orquesta
medio ambiente
prisión
educación
convivencia
dc.subject.fr-FR.fl_str_mv orchestre
milieu
prison
éducation
convivialisme
description The aim is to show how the orchestra could be a convivence “milieu” and an education place that is able to restore confidence and self-esteem to convicts and improve the living together in prisons. The study is based on the research-action methodology (qualitative-quantitative) and the research-creation to show that the learned values inside the orchestra (listening,  responsibility, discipline, solidarity, convivence), can be apply in everyday’s life and can initiate a processus of change by introducing each other to new possibilities that facilitate reintegration into social life. In the context of French prisons characterised nowadays by a growing overcrowding causing conflicts and violence, or within Venezuelan prisons where these problems are repeated, the creation of orchestra is a political project aimed to establish a personal and community aera where convicts can interact in these places dedicated to separation and fragmentation of spaces and time. In conclusion, education cannot take place without the creation of a friendly “milieu”(in the meaning given by the international convivialist movement) where the principles of individualization and creative opposition are asserted, which are at the foundation of any true democracy as well as the orchestra conceived as a micro-society. 
publishDate 2020
dc.date.accessioned.none.fl_str_mv 2024-07-05T19:15:12Z
dc.date.available.none.fl_str_mv 2024-07-05T19:15:12Z
dc.date.none.fl_str_mv 2020-10-16
dc.type.none.fl_str_mv info:eu-repo/semantics/article
dc.type.coar.fl_str_mv http://purl.org/coar/resource_type/c_2df8fbb1
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.type.coar.spa.fl_str_mv http://purl.org/coar/resource_type/c_6512
dc.type.version.spa.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.coarversion.spa.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a96
format http://purl.org/coar/resource_type/c_6512
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921
10.19053/01227238.11921
dc.identifier.uri.none.fl_str_mv https://repositorio.uptc.edu.co/handle/001/14917
url https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921
https://repositorio.uptc.edu.co/handle/001/14917
identifier_str_mv 10.19053/01227238.11921
dc.language.none.fl_str_mv fra
dc.language.iso.spa.fl_str_mv fra
language fra
dc.relation.none.fl_str_mv https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921/10435
https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921/10409
dc.rights.en-US.fl_str_mv Copyright (c) 2020 JOURNAL HISTORY OF LATIN AMERICAN EDUCATION
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
dc.rights.uri.spa.fl_str_mv https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.spa.fl_str_mv http://purl.org/coar/access_right/c_abf13
rights_invalid_str_mv Copyright (c) 2020 JOURNAL HISTORY OF LATIN AMERICAN EDUCATION
https://creativecommons.org/licenses/by-nc-nd/4.0/
http://purl.org/coar/access_right/c_abf13
http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.en-US.fl_str_mv Sociedad de Historia de la Educación Latinoamericana y la Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv Revista Historia de la Educación Latinoamericana; Vol. 22 No. 35 (2020): Maria Elena Moyano
dc.source.es-ES.fl_str_mv Revista Historia de la Educación Latinoamericana; Vol. 22 Núm. 35 (2020): Maria Elena Moyano
dc.source.none.fl_str_mv 2256-5248
0122-7238
institution Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv Repositorio Institucional UPTC
repository.mail.fl_str_mv repositorio.uptc@uptc.edu.co
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spelling 2020-10-162024-07-05T19:15:12Z2024-07-05T19:15:12Zhttps://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/1192110.19053/01227238.11921https://repositorio.uptc.edu.co/handle/001/14917The aim is to show how the orchestra could be a convivence “milieu” and an education place that is able to restore confidence and self-esteem to convicts and improve the living together in prisons. The study is based on the research-action methodology (qualitative-quantitative) and the research-creation to show that the learned values inside the orchestra (listening,  responsibility, discipline, solidarity, convivence), can be apply in everyday’s life and can initiate a processus of change by introducing each other to new possibilities that facilitate reintegration into social life. In the context of French prisons characterised nowadays by a growing overcrowding causing conflicts and violence, or within Venezuelan prisons where these problems are repeated, the creation of orchestra is a political project aimed to establish a personal and community aera where convicts can interact in these places dedicated to separation and fragmentation of spaces and time. In conclusion, education cannot take place without the creation of a friendly “milieu”(in the meaning given by the international convivialist movement) where the principles of individualization and creative opposition are asserted, which are at the foundation of any true democracy as well as the orchestra conceived as a micro-society. El objetivo es mostrar cómo la orquesta puede ser un lugar de educación capaz de devolver la confianza y la autoestima a los detenidos y mejorar la convivencia en las cárceles. El estudio se basa en la metodología de investigación-acción (cualitativa-cuantitativa) y de investigación-creación para mostrar que los valores aprendidos en la orquesta (escucha, responsabilidad, disciplina, solidaridad, convivencia) son aplicables en la vida y pueden iniciar procesos de transformación introduciéndose entre sí en nuevas posibilidades que facilitan la reintegración a la vida social. En el contexto de las prisiones francesas, caracterizadas hoy por un hacinamiento creciente que genera conflictos y violencia, o el de las prisiones venezolanas donde estos problemas son recurrentes, la creación de orquestas es un proyecto político, dirigido a establecer un espacio común y personal donde los detenidos puedan interactuar en estos lugares dedicados a la separación y fragmentación de los espacios y tiempos. En conclusión, la educación no puede tener lugar sin la creación de un ambiente de convivencia (en el sentido dado por el movimiento internacional de Convivencia) donde se afirman los principios de individualización y oposición creativa, que están en la base de cualquier democracia, así como la orquesta concebida como una micro-sociedad.L’objectif est de montrer comment l’orchestre peut être un lieu d’éducation capable de redonner confiance et estime de soi aux personnes détenues et améliorer le vivre-ensemble dans les prisons. L’étude s’appuie sur la méthodologie de la recherche-action (qualitative-quantitative) et de la recherche-création pour montrer que les valeurs apprises dans l’orchestre (écoute, responsabilité, discipline, solidarité, convivence) sont applicables au quotidien et peuvent engager des processus de transformation en faisant découvrir à chacun des possibilités inédites qui facilitent la réinsertion dans la vie sociale. Dans le contexte des prisons françaises, caractérisées aujourd’hui par une surpopulation croissante générant conflits et violence, ou celui des prisons vénézuéliennes où ces problèmes sont récurrents, la création d’orchestres est un projet politique, visant à instaurer un espace commun et personnel où peuvent interagir les personnes détenues vouées en ces lieux à la séparation et à la fragmentation des espaces et du temps. En conclusion, l’éducation ne peut avoir lieu sans la création d’un milieu convivial (au sens donné par le mouvement international convivialiste) où s’affirment les principes d’individuation et d’opposition créatrice qui sont au fondement de toute véritable démocratie comme de l’orchestre conçu comme une micro-société.application/pdftext/htmlfrafraSociedad de Historia de la Educación Latinoamericana y la Universidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921/10435https://revistas.uptc.edu.co/index.php/historia_educacion_latinamerican/article/view/11921/10409Copyright (c) 2020 JOURNAL HISTORY OF LATIN AMERICAN EDUCATIONhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf13http://purl.org/coar/access_right/c_abf2Revista Historia de la Educación Latinoamericana; Vol. 22 No. 35 (2020): Maria Elena MoyanoRevista Historia de la Educación Latinoamericana; Vol. 22 Núm. 35 (2020): Maria Elena Moyano2256-52480122-7238orchestra“milieu”prisoneducationconvivialismorquestamedio ambienteprisióneducaciónconvivenciaorchestremilieuprisonéducationconvivialismeThe orchestra: convivence and education within prisonsLa orquesta: un lugar de convivencia y de educación en las cárcelesL’orchestre : un milieu de convivence et d’éducation au sein des prisonsinfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6512http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a96http://purl.org/coar/version/c_970fb48d4fbd8a85Pierre Lassus, Marie-001/14917oai:repositorio.uptc.edu.co:001/149172025-07-18 12:00:02.881https://creativecommons.org/licenses/by-nc-nd/4.0/metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co