Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America

The purpose of this article is to analyze the intersection between religiosities and dissident sexualities in four contemporary aesthetic experiences in Latin America. We are interested in exposing how religious discourse can function as a mode of aesthetic experimentation that strikingly questions...

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Tipo de recurso:: http://purl.org/coar/resource_type/c_6859

Fecha de publicación:: 2022

Institución:: Universidad Pedagógica y Tecnológica de Colombia

Repositorio:: RiUPTC: Repositorio Institucional UPTC

Idioma:: spa

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dc.title.en-US.fl_str_mv	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
dc.title.es-ES.fl_str_mv	Dioses disidentes. Formas de una religiosidad cuir en la escritura, el arte visual y la performance en América Latina
dc.title.pt-BR.fl_str_mv	Deuses dissidentes. Formas de religiosidade cuir em escrita, artes visuais e performance na América Latina
title	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
spellingShingle	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano dissident sexualities queer religiosity religiosidad cuir sexualidades disidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano sexualidades dissidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano religiosidade queer
title_short	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
title_full	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
title_fullStr	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
title_full_unstemmed	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
title_sort	Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America
dc.subject.en-US.fl_str_mv	Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano dissident sexualities queer religiosity
topic	Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano dissident sexualities queer religiosity religiosidad cuir sexualidades disidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano sexualidades dissidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano religiosidade queer
dc.subject.es-ES.fl_str_mv	religiosidad cuir sexualidades disidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano
dc.subject.pt-BR.fl_str_mv	sexualidades dissidentes Carlos Motta Alejandro Tantanian Marcella Althus-Reid Tatiana Nascimento Giuseppe Campuzano religiosidade queer
description	The purpose of this article is to analyze the intersection between religiosities and dissident sexualities in four contemporary aesthetic experiences in Latin America. We are interested in exposing how religious discourse can function as a mode of aesthetic experimentation that strikingly questions and subverts the established order. With this purpose, we work in the frame of literacy criticism and visual arts with the following materials: the Colombian artist Carlos Motta's art exhibition in Buenos Aires and the incorporation of Marcella Althus-Reid's indecent theology, Alejandro Tantanian's artwork, the essay writing of the Brazilian Tatiana Nascimento and the Transvestite Museum of Peru by Giuseppe Campuzano (in his role as researcher and performer). We consider that these works stage a queer religiosity that, from writing, visual arts and performance, designs new transfeminist and decolonial protocols of reading, subverting the Western, Catholic, colonial and modern legacy.
publishDate	2022
dc.date.accessioned.none.fl_str_mv	2024-07-05T18:56:00Z
dc.date.available.none.fl_str_mv	2024-07-05T18:56:00Z
dc.date.none.fl_str_mv	2022-12-12
dc.type.none.fl_str_mv	info:eu-repo/semantics/article
dc.type.coar.fl_str_mv	http://purl.org/coar/resource_type/c_2df8fbb1
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format	http://purl.org/coar/resource_type/c_6859
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dc.identifier.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524 10.19053/01218530.n42.2022.14524
dc.identifier.uri.none.fl_str_mv	https://repositorio.uptc.edu.co/handle/001/12860
url	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524 https://repositorio.uptc.edu.co/handle/001/12860
identifier_str_mv	10.19053/01218530.n42.2022.14524
dc.language.none.fl_str_mv	spa
dc.language.iso.spa.fl_str_mv	spa
language	spa
dc.relation.none.fl_str_mv	https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524/12429 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524/12752
dc.rights.es-ES.fl_str_mv	Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.coar.fl_str_mv	http://purl.org/coar/access_right/c_abf2
dc.rights.coar.spa.fl_str_mv	http://purl.org/coar/access_right/c_abf360
rights_invalid_str_mv	Derechos de autor 2022 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf360 http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv	application/pdf text/xml
dc.publisher.es-ES.fl_str_mv	Universidad Pedagógica y Tecnológica de Colombia
dc.source.en-US.fl_str_mv	La Palabra; No. 42 (2022): Special issue: Music and Literature; 1-17
dc.source.es-ES.fl_str_mv	La Palabra; Núm. 42 (2022): Número especial: Música y literatura; 1-17
dc.source.pt-BR.fl_str_mv	La Palabra; n. 42 (2022): Edição especial: Música e literatura; 1-17
dc.source.none.fl_str_mv	2346-3864 0121-8530
institution	Universidad Pedagógica y Tecnológica de Colombia
repository.name.fl_str_mv	Repositorio Institucional UPTC
repository.mail.fl_str_mv	repositorio.uptc@uptc.edu.co
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spelling	2022-12-122024-07-05T18:56:00Z2024-07-05T18:56:00Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1452410.19053/01218530.n42.2022.14524https://repositorio.uptc.edu.co/handle/001/12860The purpose of this article is to analyze the intersection between religiosities and dissident sexualities in four contemporary aesthetic experiences in Latin America. We are interested in exposing how religious discourse can function as a mode of aesthetic experimentation that strikingly questions and subverts the established order. With this purpose, we work in the frame of literacy criticism and visual arts with the following materials: the Colombian artist Carlos Motta's art exhibition in Buenos Aires and the incorporation of Marcella Althus-Reid's indecent theology, Alejandro Tantanian's artwork, the essay writing of the Brazilian Tatiana Nascimento and the Transvestite Museum of Peru by Giuseppe Campuzano (in his role as researcher and performer). We consider that these works stage a queer religiosity that, from writing, visual arts and performance, designs new transfeminist and decolonial protocols of reading, subverting the Western, Catholic, colonial and modern legacy.El presente artículo tiene como propósito analizar el cruce entre religiosidades y sexualidades disidentes en cuatro experiencias estéticas contemporáneas de América Latina. Nos interesa exponer cómo el discurso religioso puede funcionar como un modo de experimentación estética que cuestiona y subvierte, llamativamente, el orden establecido. Para dar cuenta de esto, trabajaremos desde la crítica literaria y de artes visuales con los siguientes materiales: la muestra de arte del artista colombiano Carlos Motta en Buenos Aires y la incorporación de la teología indecente de Marcella Althus-Reid, la obra de arte de Alejandro Tantanian, la escritura ensayística de la brasileña Tatiana Nascimento y el Museo Travesti del Perú de Giuseppe Campuzano en su rol de investigador y performer. Consideramos que el análisis de estas obras da como resultado la puesta en escena de una religiosidad cuir que, desde la escritura, el arte visual y la performance, diseña nuevos protocolos de lectura, transfeministas y decoloniales, subvirtiendo el legado occidental, católico, colonial y moderno.O objetivo deste artigo é estudar a intersecção entre religiosidades e sexualidades dissidentes em quatro experiências estéticas contemporâneas na América Latina. Interessa-nos expor como o discurso religioso pode funcionar como um modo de experimentação estética que questiona e subverte de forma contundente a ordem estabelecida. Para dar conta disso, trabalharemos baseados na critica literária e nas artes visuais com os seguintes materiais: a exposição de arte do artista colombiano Carlos Motta em Buenos Aires, a obra de Alejandro Tantanian, a teologia indecente de Marcella Althus-Reid, o ensaio da brasileira Tatiana Nascimento e o Museu das Travesti do Peru por Giuseppe Campuzano no seu papel de pesquisador e performer. Consideramos como resultado que uma religiosidade queer é encenada e que, a partir da escrita, da arte visual e da performance, desenha novos protocolos de leitura transfeministas e decoloniais, subvertendo o legado ocidental, católico, colonial e moderno.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524/12429https://revistas.uptc.edu.co/index.php/la_palabra/article/view/14524/12752Derechos de autor 2022 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf360http://purl.org/coar/access_right/c_abf2La Palabra; No. 42 (2022): Special issue: Music and Literature; 1-17La Palabra; Núm. 42 (2022): Número especial: Música y literatura; 1-17La Palabra; n. 42 (2022): Edição especial: Música e literatura; 1-172346-38640121-8530Carlos MottaAlejandro TantanianMarcella Althus-ReidTatiana NascimentoGiuseppe Campuzanodissident sexualitiesqueer religiosityreligiosidad cuirsexualidades disidentesCarlos MottaAlejandro TantanianMarcella Althus-ReidTatiana NascimentoGiuseppe Campuzanosexualidades dissidentesCarlos MottaAlejandro TantanianMarcella Althus-ReidTatiana NascimentoGiuseppe Campuzanoreligiosidade queerDissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin AmericaDioses disidentes. Formas de una religiosidad cuir en la escritura, el arte visual y la performance en América LatinaDeuses dissidentes. Formas de religiosidade cuir em escrita, artes visuais e performance na América Latinainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6859http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a443http://purl.org/coar/version/c_970fb48d4fbd8a85Cabezas Baamonde, Laura001/12860oai:repositorio.uptc.edu.co:001/128602025-07-18 11:34:08.234metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co

Dissenting Gods. Forms of Queer Religiosity in writing, visual art and performance in Latin America

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