A smorga: From the novel to the cinema
The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic methodology is arranged here due to the possibility from Comparative Literature which allows the study of different a...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6514
- Fecha de publicación:
- 2021
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12820
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220
https://repositorio.uptc.edu.co/handle/001/12820
- Palabra clave:
- Eduardo Blanco Amor
literatura
A esmorga
cine
literatura comparada
A esmorga
cinema
Eduardo Blanco Amor
literatura
literatura comparada
A smorga
cinema
Eduardo Blanco Amor
literatura
Comparative Literature
- Rights
- License
- Derechos de autor 2021 La Palabra
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2021-10-272024-07-05T18:55:50Z2024-07-05T18:55:50Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/1322010.19053/01218530.n40.2021.13220https://repositorio.uptc.edu.co/handle/001/12820The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic methodology is arranged here due to the possibility from Comparative Literature which allows the study of different artistic assessments in this case literature and cinema. In such a way, it is analysed space-time, the teller, characters, movies critics, and so on. The findings reveal remarkable differences between cinema and literature in this works. It is concluded also that the base text of the novel is preserved in some way.El propósito de este artículo es realizar una comparación entre la obra literaria de Eduardo Blanco Amor, A esmorga, y los filmes Parranda, del director Gonzalo Suárez, y A esmorga, del cineasta Ignacio Vilar. Se intenta realizar un ejercicio de literatura comparada, donde la metodología predominante es la empleada en el estudio de las relaciones interartísticas, más concretamente entre la literatura y el cine. Para realizar el análisis comparativo, se estudia elementos como el tiempo, el espacio, narradores, los personajes, la crítica cinematográfica, entre otros. Finalmente, los resultados encontrados son dispares, muy significativos en dichas películas, aunque la esencia siga siendo la misma, debido a la influencia del hipotexto.O propósito deste artigo é desenvolver uma comparação entre a obra literária de Eduardo Blanco Amor, A esmorga, e os filmes Parranda, do diretor Gonzalo Suárez, e A esmorga, do cineasta Ignacio Vilar. Procura-se realizar um exercício de literatura comparada, no qual a metodologia principal é a utilizada no estudo das relações interartísticas, mais exatamente entre a literatura e o cinema. Para a análise comparatista são estudados elementos como otempo, o espaço, os narradores, as personagens, a crítica cinematográfica, dentre outros. Por fim, os resultados obtidos são díspares, muito significativos nos filmes, embora a essência seja a mesma, devido à influência do hipotexto.application/pdftext/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11058https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11577Derechos de autor 2021 La Palabrahttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf15http://purl.org/coar/access_right/c_abf2La Palabra; No. 40 (2021): Special issue: Cinema and Literature; 1-14La Palabra; Núm. 40 (2021): Número especial: Cine y Literatura; 1-14La Palabra; n. 40 (2021): Edição especial: Cinema e Literatura; 1-142346-38640121-8530Eduardo Blanco AmorliteraturaA esmorgacineliteratura comparadaA esmorgacinemaEduardo Blanco Amorliteraturaliteratura comparadaA smorgacinemaEduardo Blanco AmorliteraturaComparative LiteratureA smorga: From the novel to the cinemaDe la palabra a la imágen : las versiones cinematográficas de A esmorgaDa palavra à imagem: as versões cinematográficas de A esmorgainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6514http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a98http://purl.org/coar/version/c_970fb48d4fbd8a85Puíme Sabugueiro, Montserrat001/12820oai:repositorio.uptc.edu.co:001/128202025-07-18 11:33:35.159metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
dc.title.en-US.fl_str_mv |
A smorga: From the novel to the cinema |
dc.title.es-ES.fl_str_mv |
De la palabra a la imágen : las versiones cinematográficas de A esmorga |
dc.title.pt-BR.fl_str_mv |
Da palavra à imagem: as versões cinematográficas de A esmorga |
title |
A smorga: From the novel to the cinema |
spellingShingle |
A smorga: From the novel to the cinema Eduardo Blanco Amor literatura A esmorga cine literatura comparada A esmorga cinema Eduardo Blanco Amor literatura literatura comparada A smorga cinema Eduardo Blanco Amor literatura Comparative Literature |
title_short |
A smorga: From the novel to the cinema |
title_full |
A smorga: From the novel to the cinema |
title_fullStr |
A smorga: From the novel to the cinema |
title_full_unstemmed |
A smorga: From the novel to the cinema |
title_sort |
A smorga: From the novel to the cinema |
dc.subject.es-ES.fl_str_mv |
Eduardo Blanco Amor literatura A esmorga cine literatura comparada |
topic |
Eduardo Blanco Amor literatura A esmorga cine literatura comparada A esmorga cinema Eduardo Blanco Amor literatura literatura comparada A smorga cinema Eduardo Blanco Amor literatura Comparative Literature |
dc.subject.pt-BR.fl_str_mv |
A esmorga cinema Eduardo Blanco Amor literatura literatura comparada |
dc.subject.en-US.fl_str_mv |
A smorga cinema Eduardo Blanco Amor literatura Comparative Literature |
description |
The novel by Eduardo Blanco Amor written in Galician language A smorga is compared in this paper to the films Parranda by Gonzalo Suárez and A smorga by Ignacio Vilar. Interartistic methodology is arranged here due to the possibility from Comparative Literature which allows the study of different artistic assessments in this case literature and cinema. In such a way, it is analysed space-time, the teller, characters, movies critics, and so on. The findings reveal remarkable differences between cinema and literature in this works. It is concluded also that the base text of the novel is preserved in some way. |
publishDate |
2021 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:50Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:50Z |
dc.date.none.fl_str_mv |
2021-10-27 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6514 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a98 |
format |
http://purl.org/coar/resource_type/c_6514 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220 10.19053/01218530.n40.2021.13220 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12820 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220 https://repositorio.uptc.edu.co/handle/001/12820 |
identifier_str_mv |
10.19053/01218530.n40.2021.13220 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11058 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13220/11577 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf15 |
rights_invalid_str_mv |
Derechos de autor 2021 La Palabra https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf15 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 40 (2021): Special issue: Cinema and Literature; 1-14 |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 40 (2021): Número especial: Cine y Literatura; 1-14 |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 40 (2021): Edição especial: Cinema e Literatura; 1-14 |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633781904900096 |