The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa
This paper studies the novels of the Colombian writer Óscar Godoy Barbosa from the perspective of the city as chaotic space causing conflict in the subject related to contemporary urban life. Duelo de miradas [Duel of Glances] , El arreglo [The Fix] and Once días...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6811
- Fecha de publicación:
- 2018
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12753
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176
https://repositorio.uptc.edu.co/handle/001/12753
- Palabra clave:
- Óscar Godoy Barbosa
City
Bogotá
Migration
Adrift
Chaos
Óscar Godoy Barbosa
ciudad
Bogotá
migración
deriva
caos.
- Rights
- License
- Derechos de autor 2018 LA PALABRA
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2018-07-042024-07-05T18:55:44Z2024-07-05T18:55:44Zhttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/817610.19053/01218530.n32.2018.8176https://repositorio.uptc.edu.co/handle/001/12753This paper studies the novels of the Colombian writer Óscar Godoy Barbosa from the perspective of the city as chaotic space causing conflict in the subject related to contemporary urban life. Duelo de miradas [Duel of Glances] , El arreglo [The Fix] and Once días de noviembre[Eleven Days of November] are novels whose plot is developed most of all in Bogotá, Colombian capital; as can be identified by differ-ent literal references. The protagonists of the three novels experience migratory processes common to Colombia and Latin America after 1950. Overpopulation and the proliferation of cultures and customs are accentuated by the rush for progress. This tends to quickly demolish spaces which are loaded with meaning for the characters, affecting the configuration of their identity and generating a condition of abandonment and loss of bearings. Characters frequently drift through the city with no fixed purpose, overcome by their own conflict.Este artículo analiza la obra novelística del escritor colombiano Óscar Godoy Barbosa[1] desde la perspectiva de la ciudad como espacio caótico que propicia en el sujeto conflictos propios de la contemporaneidad urbana. Duelo de miradas, El arreglo y Once días de noviembre son novelas cuyo desarrollo ocurre principalmente en la capital colombiana: Bogotá; de ello dan cuenta diferentes referencias literales. Los protagonistas de las tres narraciones viven procesos migratorios propios de la Colombia y la América Latina de después de 1950. La sobrepoblación y proliferación de culturas y costumbres, son acentuadas por el afán del progreso. Este tiende a derrumbar rápidamente espacios que han sido cargados de significado para los personajes, afectando la configuración de su identidad y generándoles una condición de desamparo y extravío. Frecuentemente, los personajes vagarán por las calles sin un rumbo fijo, desbordados en su propio conflicto. application/pdfapplication/xmlspaspaUniversidad Pedagógica y Tecnológica de Colombiahttps://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176/6643https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176/8043Derechos de autor 2018 LA PALABRAhttps://creativecommons.org/licenses/by-nc-nd/4.0/http://purl.org/coar/access_right/c_abf312http://purl.org/coar/access_right/c_abf2La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 219-232La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 219-232La Palabra; n. 32 (2018): Janeiro-Junho; 219-2322346-38640121-8530Óscar Godoy BarbosaCityBogotáMigrationAdriftChaosÓscar Godoy BarbosaciudadBogotámigraciónderivacaos.The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy BarbosaEl sujeto migrante en la novelística del escritor colombiano Óscar Godoy Barbosainfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6811http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/publishedVersionhttp://purl.org/coar/version/c_970fb48d4fbd8a395http://purl.org/coar/version/c_970fb48d4fbd8a85Fajardo García, Johanna Alexandra001/12753oai:repositorio.uptc.edu.co:001/127532025-07-18 11:34:08.072metadata.onlyhttps://repositorio.uptc.edu.coRepositorio Institucional UPTCrepositorio.uptc@uptc.edu.co |
dc.title.en-US.fl_str_mv |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
dc.title.es-ES.fl_str_mv |
El sujeto migrante en la novelística del escritor colombiano Óscar Godoy Barbosa |
title |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
spellingShingle |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa Óscar Godoy Barbosa City Bogotá Migration Adrift Chaos Óscar Godoy Barbosa ciudad Bogotá migración deriva caos. |
title_short |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
title_full |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
title_fullStr |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
title_full_unstemmed |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
title_sort |
The Migrant Subject in the Novels of the Colombian Writer Óscar Godoy Barbosa |
dc.subject.en-US.fl_str_mv |
Óscar Godoy Barbosa City Bogotá Migration Adrift Chaos |
topic |
Óscar Godoy Barbosa City Bogotá Migration Adrift Chaos Óscar Godoy Barbosa ciudad Bogotá migración deriva caos. |
dc.subject.es-ES.fl_str_mv |
Óscar Godoy Barbosa ciudad Bogotá migración deriva caos. |
description |
This paper studies the novels of the Colombian writer Óscar Godoy Barbosa from the perspective of the city as chaotic space causing conflict in the subject related to contemporary urban life. Duelo de miradas [Duel of Glances] , El arreglo [The Fix] and Once días de noviembre[Eleven Days of November] are novels whose plot is developed most of all in Bogotá, Colombian capital; as can be identified by differ-ent literal references. The protagonists of the three novels experience migratory processes common to Colombia and Latin America after 1950. Overpopulation and the proliferation of cultures and customs are accentuated by the rush for progress. This tends to quickly demolish spaces which are loaded with meaning for the characters, affecting the configuration of their identity and generating a condition of abandonment and loss of bearings. Characters frequently drift through the city with no fixed purpose, overcome by their own conflict. |
publishDate |
2018 |
dc.date.accessioned.none.fl_str_mv |
2024-07-05T18:55:44Z |
dc.date.available.none.fl_str_mv |
2024-07-05T18:55:44Z |
dc.date.none.fl_str_mv |
2018-07-04 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.spa.fl_str_mv |
http://purl.org/coar/resource_type/c_6811 |
dc.type.version.spa.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.spa.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a395 |
format |
http://purl.org/coar/resource_type/c_6811 |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176 10.19053/01218530.n32.2018.8176 |
dc.identifier.uri.none.fl_str_mv |
https://repositorio.uptc.edu.co/handle/001/12753 |
url |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176 https://repositorio.uptc.edu.co/handle/001/12753 |
identifier_str_mv |
10.19053/01218530.n32.2018.8176 |
dc.language.none.fl_str_mv |
spa |
dc.language.iso.spa.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176/6643 https://revistas.uptc.edu.co/index.php/la_palabra/article/view/8176/8043 |
dc.rights.es-ES.fl_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.coar.spa.fl_str_mv |
http://purl.org/coar/access_right/c_abf312 |
rights_invalid_str_mv |
Derechos de autor 2018 LA PALABRA https://creativecommons.org/licenses/by-nc-nd/4.0/ http://purl.org/coar/access_right/c_abf312 http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf application/xml |
dc.publisher.es-ES.fl_str_mv |
Universidad Pedagógica y Tecnológica de Colombia |
dc.source.en-US.fl_str_mv |
La Palabra; No. 32 (2018): Special issue: Relations Between Art and Literature. Dialogues, contaminations, expansions. January-June; 219-232 |
dc.source.es-ES.fl_str_mv |
La Palabra; Núm. 32 (2018): Número especial:Relaciones Arte-Literatura. Diálogos, contaminaciones, expansiones. enero-junio; 219-232 |
dc.source.pt-BR.fl_str_mv |
La Palabra; n. 32 (2018): Janeiro-Junho; 219-232 |
dc.source.none.fl_str_mv |
2346-3864 0121-8530 |
institution |
Universidad Pedagógica y Tecnológica de Colombia |
repository.name.fl_str_mv |
Repositorio Institucional UPTC |
repository.mail.fl_str_mv |
repositorio.uptc@uptc.edu.co |
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1839633886242406400 |