Omitted Speech and Literary Speech in Río Escondido: Some Visual and Literary Keys That Dilute or Clarify the Authorship of a Script

The main objective of this work is to understand the contribution of the script to the film Río Escondido in the creation of a collective, polyphonic, convergence work, and far away from a classic vision of authorship. We propose a documentary analysis of the story and another of the script as a semiotic vehicle that enables going from a written language to a visual one. This last analysis focuses on the relevance of the literary discourse of the script that is omitted from the film. This one can create a discord between the scriptwriter and the director. Finding these fissures enables an approach to new ways of seeing Mexican cinema, away from industry and clichés, and closer to the literary field.

• Tipo de recurso: http://purl.org/coar/resource_type/c_6615
• Fecha de publicación: 2022
• Institución: Universidad Pedagógica y Tecnológica de Colombia
• Repositorio: RiUPTC: Repositorio Institucional UPTC
• Idioma: spa
• OAI Identifier: oai:repositorio.uptc.edu.co:001/12832
• Acceso en línea: https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13749; https://repositorio.uptc.edu.co/handle/001/12832
• Palabra clave: Río Escondido; Mexican cinema; golden age; cinematographic semiotic; literary script; Mauricio Magdaleno; Río Escondido; cine mexicano; época dorada; semiótica cinematográfica; guion literario; Mauricio Magdaleno; Río Escondido; cinema mexicano; temporada de ouro; semiótica cinematográfica; guião de filme; Mauricio Magdaleno
• License: Derechos de autor 2022 La Palabra