Omitted Speech and Literary Speech in Río Escondido: Some Visual and Literary Keys That Dilute or Clarify the Authorship of a Script
The main objective of this work is to understand the contribution of the script to the film Río Escondido in the creation of a collective, polyphonic, convergence work, and far away from a classic vision of authorship. We propose a documentary analysis of the story and another of the script as a sem...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6615
- Fecha de publicación:
- 2022
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12832
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/13749
https://repositorio.uptc.edu.co/handle/001/12832
- Palabra clave:
- Río Escondido
Mexican cinema
golden age
cinematographic semiotic
literary script
Mauricio Magdaleno
Río Escondido
cine mexicano
época dorada
semiótica cinematográfica
guion literario
Mauricio Magdaleno
Río Escondido
cinema mexicano
temporada de ouro
semiótica cinematográfica
guião de filme
Mauricio Magdaleno
- Rights
- License
- Derechos de autor 2022 La Palabra
| Summary: | The main objective of this work is to understand the contribution of the script to the film Río Escondido in the creation of a collective, polyphonic, convergence work, and far away from a classic vision of authorship. We propose a documentary analysis of the story and another of the script as a semiotic vehicle that enables going from a written language to a visual one. This last analysis focuses on the relevance of the literary discourse of the script that is omitted from the film. This one can create a discord between the scriptwriter and the director. Finding these fissures enables an approach to new ways of seeing Mexican cinema, away from industry and clichés, and closer to the literary field. |
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