The Mirror in La Rambla paralela [My Parallel Deaths] (2002) by Fernando Vallejo
The novels of the Colombian author Fernando Vallejo (1942) are auto-fictional proposals written in the first person and from a place of exile. Within them, La Rambla paralela (2002) stands out for being a novel in which the traditional first person narrator of Vallejo, creates a bi...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6797
- Fecha de publicación:
- 2017
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12703
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/6208
https://repositorio.uptc.edu.co/handle/001/12703
- Palabra clave:
- Fernando Vallejo
La rambla paralela [My Parallel Deaths]
Autofiction
Metafiction
Narcissistic narrative
Specular narrative
Fernando Vallejo
La Rambla paralela
Autoficción
Metaficción
Literatura narcisista
Narrativa especular
- Rights
- License
- Derechos de autor 2017 LA PALABRA
| Summary: | The novels of the Colombian author Fernando Vallejo (1942) are auto-fictional proposals written in the first person and from a place of exile. Within them, La Rambla paralela (2002) stands out for being a novel in which the traditional first person narrator of Vallejo, creates a biographer who writes, from the third person, about the trip to Barcelona and the death of the narrator. The aim of this article is to eva - luate how the unfolding of the narrator-author in the figure of the biographer allows the first to make the novel into a mirror through which he evaluates his stylistic attributes |
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