Masculinity and violence in New Mexican Cinema: the Films of Luis Estrada
article seeks to explore the formation of masculinities through their representations in Latin American cinema, specifically in the films of the Mexican director Luis Estrada, a fundamental artist in what has been called New Mexican Film; particularly in his works between 1999 and 2010. Even though...
- Autores:
- Tipo de recurso:
- http://purl.org/coar/resource_type/c_6786
- Fecha de publicación:
- 2016
- Institución:
- Universidad Pedagógica y Tecnológica de Colombia
- Repositorio:
- RiUPTC: Repositorio Institucional UPTC
- Idioma:
- spa
- OAI Identifier:
- oai:repositorio.uptc.edu.co:001/12672
- Acceso en línea:
- https://revistas.uptc.edu.co/index.php/la_palabra/article/view/4788
https://repositorio.uptc.edu.co/handle/001/12672
- Palabra clave:
- Latin American film
masculinities
feminist criticism
Mexican film
masculine representations
cine latinoamericano
masculinidades
crítica feminista
cine mexicano
representaciones masculinas
- Rights
- License
- Derechos de autor 2016 LA PALABRA
| Summary: | article seeks to explore the formation of masculinities through their representations in Latin American cinema, specifically in the films of the Mexican director Luis Estrada, a fundamental artist in what has been called New Mexican Film; particularly in his works between 1999 and 2010. Even though the universe of masculinity studies is growing broader each day, its representation in cinema has not been widely explored. This article aims at examining the representation of masculinities and their relation to the representation of the feminine in New Mexican Film, amidst a context of violence, from a feminist critical perspective. |
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