Sonances and Dissonances: Listening to the Ukranian Soundscape in the Holodomor Context (1932-1933)

The article presents the reconstructed soundscape in the context of the artificial famine (Holodomor) unleashed in Ukraine (1932-1933), this was carried out from the hermeneutic analysis of the testimony published by Miron Dolot, called Execution by Hunger, the Hidden Holocaust. The results of the s...

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Autores:
Tipo de recurso:
http://purl.org/coar/resource_type/c_6861
Fecha de publicación:
2023
Institución:
Universidad Pedagógica y Tecnológica de Colombia
Repositorio:
RiUPTC: Repositorio Institucional UPTC
Idioma:
spa
OAI Identifier:
oai:repositorio.uptc.edu.co:001/12881
Acceso en línea:
https://revistas.uptc.edu.co/index.php/la_palabra/article/view/15089
https://repositorio.uptc.edu.co/handle/001/12881
Palabra clave:
Soundscape
Holodomor
Sound colonization
Uprooting
Land collectivization
Paisaje sonoro
Holodomor
Colonización sonora
Desarraigo
Colectivización de tierras
Paisagem sonora
Holodomor
Colonização sonora
Desenraizamento
Coletivização da terra
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Derechos de autor 2023 La Palabra
Description
Summary:The article presents the reconstructed soundscape in the context of the artificial famine (Holodomor) unleashed in Ukraine (1932-1933), this was carried out from the hermeneutic analysis of the testimony published by Miron Dolot, called Execution by Hunger, the Hidden Holocaust. The results of the study show the Bolsheviks altered the sound environment of the victim’s place of residence, during the land collectivization process. They had the purpose of establishing a new pattern of behavior and turning an unknown territory into a recognizable one, and capable of being possessed, in order to give rise to a universal subject, devoid of history, social class and ethnic identity, who will act under the values and ideals promoted by the Soviet socialist society.