Encounters with authentic Embera culture in Panama

eng: In this article I will compare indigenous cultural performances for outsiders in an allegedly 'inauthentic' Embera community in Panama, which welcomes tourists on a daily basis, with similar staged events in some other less accessible communities, which receive visitors much less freq...

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Autores:
Tipo de recurso:
Fecha de publicación:
2022
Institución:
Universidad de Caldas
Repositorio:
Repositorio Institucional U. Caldas
Idioma:
eng
OAI Identifier:
oai:repositorio.ucaldas.edu.co:ucaldas/17475
Acceso en línea:
https://repositorio.ucaldas.edu.co/handle/ucaldas/17475
Palabra clave:
Tourism
Authenticity
Culture commodification
Mercantilización de la cultura
Turismo
Cultura
Panamá
Rights
License
http://purl.org/coar/access_right/c_abf2
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oai_identifier_str oai:repositorio.ucaldas.edu.co:ucaldas/17475
network_acronym_str REPOUCALDA
network_name_str Repositorio Institucional U. Caldas
repository_id_str
spelling Encounters with authentic Embera culture in PanamaTourismAuthenticityCulture commodificationMercantilización de la culturaTurismoCulturaPanamáeng: In this article I will compare indigenous cultural performances for outsiders in an allegedly 'inauthentic' Embera community in Panama, which welcomes tourists on a daily basis, with similar staged events in some other less accessible communities, which receive visitors much less frequently. I will challenge the idea introduced by several travellers who seek authentic experiences that the first community is 'unreal' and its repetitive representations of Embera culture are mechanical, sterile and unoriginal. I will argue that these repetitive cultural performances constitute real lived experiences, and do not deserve to be demeaned as inauthentic. I will further maintain that in the 'tourist' community, as well as in the less accessible settlements, the Embera respond to the same set of expectations. They imagine what Western visitors would appreciate from their culture and enact very similar representations of these generalised expectations.Maria Pia Di BellaCNRS-IRIS-EHESSParis Brian YothersThe University of Texas at El Paso2022-03-07T16:55:12Z2022-03-07T16:55:12Z2022-02-25Artículo de revistaReferencia bibliográficahttp://purl.org/coar/resource_type/c_2df8fbb1http://purl.org/coar/resource_type/c_86bcImageTextinfo:eu-repo/semantics/articlehttp://purl.org/coar/version/c_970fb48d4fbd8a85application/pdfimage/pngapplication/pdfhttps://repositorio.ucaldas.edu.co/handle/ucaldas/17475https://www.berghahnjournals.com/view/journals/journeys/8/1/jy081206.xmleng1151-2 (2007)938Velásquez Runk, Julia, Pueblos indígenas en Panamá : una BibliografíaJourneys 8(1-2):93-115http://purl.org/coar/access_right/c_abf2Theodossopoulos, Dimitriosoai:repositorio.ucaldas.edu.co:ucaldas/174752024-07-16T21:43:34Z
dc.title.none.fl_str_mv Encounters with authentic Embera culture in Panama
title Encounters with authentic Embera culture in Panama
spellingShingle Encounters with authentic Embera culture in Panama
Tourism
Authenticity
Culture commodification
Mercantilización de la cultura
Turismo
Cultura
Panamá
title_short Encounters with authentic Embera culture in Panama
title_full Encounters with authentic Embera culture in Panama
title_fullStr Encounters with authentic Embera culture in Panama
title_full_unstemmed Encounters with authentic Embera culture in Panama
title_sort Encounters with authentic Embera culture in Panama
dc.subject.none.fl_str_mv Tourism
Authenticity
Culture commodification
Mercantilización de la cultura
Turismo
Cultura
Panamá
topic Tourism
Authenticity
Culture commodification
Mercantilización de la cultura
Turismo
Cultura
Panamá
description eng: In this article I will compare indigenous cultural performances for outsiders in an allegedly 'inauthentic' Embera community in Panama, which welcomes tourists on a daily basis, with similar staged events in some other less accessible communities, which receive visitors much less frequently. I will challenge the idea introduced by several travellers who seek authentic experiences that the first community is 'unreal' and its repetitive representations of Embera culture are mechanical, sterile and unoriginal. I will argue that these repetitive cultural performances constitute real lived experiences, and do not deserve to be demeaned as inauthentic. I will further maintain that in the 'tourist' community, as well as in the less accessible settlements, the Embera respond to the same set of expectations. They imagine what Western visitors would appreciate from their culture and enact very similar representations of these generalised expectations.
publishDate 2022
dc.date.none.fl_str_mv 2022-03-07T16:55:12Z
2022-03-07T16:55:12Z
2022-02-25
dc.type.none.fl_str_mv Artículo de revista
Referencia bibliográfica
http://purl.org/coar/resource_type/c_2df8fbb1
http://purl.org/coar/resource_type/c_86bc
Image
Text
info:eu-repo/semantics/article
dc.type.coarversion.fl_str_mv http://purl.org/coar/version/c_970fb48d4fbd8a85
dc.identifier.none.fl_str_mv https://repositorio.ucaldas.edu.co/handle/ucaldas/17475
url https://repositorio.ucaldas.edu.co/handle/ucaldas/17475
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 115
1-2 (2007)
93
8
Velásquez Runk, Julia, Pueblos indígenas en Panamá : una Bibliografía
Journeys 8(1-2):93-115
dc.rights.coar.fl_str_mv http://purl.org/coar/access_right/c_abf2
rights_invalid_str_mv http://purl.org/coar/access_right/c_abf2
dc.format.none.fl_str_mv application/pdf
image/png
application/pdf
dc.publisher.none.fl_str_mv Maria Pia Di Bella
CNRS-IRIS-EHESS
Paris Brian Yothers
The University of Texas at El Paso
publisher.none.fl_str_mv Maria Pia Di Bella
CNRS-IRIS-EHESS
Paris Brian Yothers
The University of Texas at El Paso
dc.source.none.fl_str_mv https://www.berghahnjournals.com/view/journals/journeys/8/1/jy081206.xml
institution Universidad de Caldas
repository.name.fl_str_mv
repository.mail.fl_str_mv
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