“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada
The popular figure of the beggar is characterized by his joy, comicalness and social self-exclusion. In the nineteenth century, a new approach, one of a realistic nature, emerged around this character. This paper aims to recover to critical attention the poetic work of the Colombian Joaquín Pablo Po...
- Autores:
-
Molina Morales, Guillermo
- Tipo de recurso:
- Fecha de publicación:
- 2020
- Institución:
- Universidad EAFIT
- Repositorio:
- Repositorio EAFIT
- Idioma:
- spa
- OAI Identifier:
- oai:repository.eafit.edu.co:10784/17650
- Acceso en línea:
- http://hdl.handle.net/10784/17650
- Palabra clave:
- Beggar
Figures of laughter
Popular culture
Colombian poetry
Joaquín Pablo Posada
Mendigo
Figuras de la risa
Cultura popular
Poesía colombiana
Joaquín Pablo Posada
- Rights
- License
- Copyright © 2020 Guillermo Molina Morales
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dc.title.eng.fl_str_mv |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
dc.title.spa.fl_str_mv |
“Si yo no tengo dinero, ¿para qué quieres mi herencia?”: la figura del mendigo en la poesía de Joaquín Pablo Posada |
title |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
spellingShingle |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada Beggar Figures of laughter Popular culture Colombian poetry Joaquín Pablo Posada Mendigo Figuras de la risa Cultura popular Poesía colombiana Joaquín Pablo Posada |
title_short |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
title_full |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
title_fullStr |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
title_full_unstemmed |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
title_sort |
“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada |
dc.creator.fl_str_mv |
Molina Morales, Guillermo |
dc.contributor.author.spa.fl_str_mv |
Molina Morales, Guillermo |
dc.contributor.affiliation.spa.fl_str_mv |
Instituto Caro y Cuervo |
dc.subject.keyword.eng.fl_str_mv |
Beggar Figures of laughter Popular culture Colombian poetry Joaquín Pablo Posada |
topic |
Beggar Figures of laughter Popular culture Colombian poetry Joaquín Pablo Posada Mendigo Figuras de la risa Cultura popular Poesía colombiana Joaquín Pablo Posada |
dc.subject.keyword.spa.fl_str_mv |
Mendigo Figuras de la risa Cultura popular Poesía colombiana Joaquín Pablo Posada |
description |
The popular figure of the beggar is characterized by his joy, comicalness and social self-exclusion. In the nineteenth century, a new approach, one of a realistic nature, emerged around this character. This paper aims to recover to critical attention the poetic work of the Colombian Joaquín Pablo Posada, practically forgotten these days, in order to examine how he shapes the figure of the beggar in a time of transition. The findings show the existence of a hybrid imaginary (halfway between the cultured and the popular) of a jocular-serious nature. On the one hand, traditional traits are maintained, which include the beggar within the festive tendency. On the other hand, a modern denunciation is introduced about the beggar’s physical and moral sufferings, which challenge the discourse of bourgeois elites, without forsaking its central scheme. In the paper’s conclusions, the complexity of Posada's character is compared to other poetic subjects constructed during the nineteenth and twentieth centuries, which usually adhere to a single face of this figure, either the traditional or modern trait. |
publishDate |
2020 |
dc.date.available.none.fl_str_mv |
2020-09-04T16:41:28Z |
dc.date.issued.none.fl_str_mv |
2020-06-24 |
dc.date.accessioned.none.fl_str_mv |
2020-09-04T16:41:28Z |
dc.date.none.fl_str_mv |
2020-06-24 |
dc.type.eng.fl_str_mv |
article info:eu-repo/semantics/article publishedVersion info:eu-repo/semantics/publishedVersion |
dc.type.coarversion.fl_str_mv |
http://purl.org/coar/version/c_970fb48d4fbd8a85 |
dc.type.coar.fl_str_mv |
http://purl.org/coar/resource_type/c_6501 http://purl.org/coar/resource_type/c_2df8fbb1 |
dc.type.local.spa.fl_str_mv |
Artículo |
status_str |
publishedVersion |
dc.identifier.issn.none.fl_str_mv |
1794-5887 |
dc.identifier.uri.none.fl_str_mv |
http://hdl.handle.net/10784/17650 |
identifier_str_mv |
1794-5887 |
url |
http://hdl.handle.net/10784/17650 |
dc.language.iso.none.fl_str_mv |
spa |
language |
spa |
dc.relation.isversionof.none.fl_str_mv |
https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/3787 |
dc.relation.uri.none.fl_str_mv |
https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/3787 |
dc.rights.eng.fl_str_mv |
Copyright © 2020 Guillermo Molina Morales |
dc.rights.coar.fl_str_mv |
http://purl.org/coar/access_right/c_abf2 |
dc.rights.local.spa.fl_str_mv |
Acceso abierto |
rights_invalid_str_mv |
Copyright © 2020 Guillermo Molina Morales Acceso abierto http://purl.org/coar/access_right/c_abf2 |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.spatial.none.fl_str_mv |
Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees |
dc.publisher.spa.fl_str_mv |
Universidad EAFIT |
dc.source.spa.fl_str_mv |
Co-herencia, Vol. 17, Núm. 32 (2020) |
institution |
Universidad EAFIT |
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Medellín de: Lat: 06 15 00 N degrees minutes Lat: 6.2500 decimal degrees Long: 075 36 00 W degrees minutes Long: -75.6000 decimal degrees2020-06-242020-09-04T16:41:28Z2020-06-242020-09-04T16:41:28Z1794-5887http://hdl.handle.net/10784/17650The popular figure of the beggar is characterized by his joy, comicalness and social self-exclusion. In the nineteenth century, a new approach, one of a realistic nature, emerged around this character. This paper aims to recover to critical attention the poetic work of the Colombian Joaquín Pablo Posada, practically forgotten these days, in order to examine how he shapes the figure of the beggar in a time of transition. The findings show the existence of a hybrid imaginary (halfway between the cultured and the popular) of a jocular-serious nature. On the one hand, traditional traits are maintained, which include the beggar within the festive tendency. On the other hand, a modern denunciation is introduced about the beggar’s physical and moral sufferings, which challenge the discourse of bourgeois elites, without forsaking its central scheme. In the paper’s conclusions, the complexity of Posada's character is compared to other poetic subjects constructed during the nineteenth and twentieth centuries, which usually adhere to a single face of this figure, either the traditional or modern trait.La figura popular del mendigo se define por su alegría, comicidad y autoexclusión social. En el siglo xix, surgió una nueva visión, de carácter realista, en torno a este personaje. El objetivo del presente artículo es rescatar la obra poética del colombiano Joaquín Pablo Posada, ya prácticamente olvidada, para estudiar cómo conforma la figura del mendigo en un tiempo de transición. Los resultados señalan la existencia de un imaginario híbrido (entre lo culto y lo popular) y de carácter joco-serio. Por un lado, se mantienen los rasgos tradicionales, que incluyen al mendigo dentro de la tendencia festiva; por otro lado, se introduce una denuncia moderna sobre los padecimientos físicos y morales del mendigo, lo que cuestiona el discurso de las élites burguesas, sin salirse de su esquema central. En las conclusiones, se compara la complejidad del personaje de Posada frente a otros sujetos poéticos construidos durante los siglos xix y xx, que suelen adherirse a una sola faceta (la tradicional o la moderna) de esta figura.application/pdfspaUniversidad EAFIThttps://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/3787https://publicaciones.eafit.edu.co/index.php/co-herencia/article/view/3787Copyright © 2020 Guillermo Molina MoralesAcceso abiertohttp://purl.org/coar/access_right/c_abf2Co-herencia, Vol. 17, Núm. 32 (2020)“If I do not have any money, why do you want my inheritance?”: The Figure of the Beggar in the Poetry of Joaquín Pablo Posada“Si yo no tengo dinero, ¿para qué quieres mi herencia?”: la figura del mendigo en la poesía de Joaquín Pablo Posadaarticleinfo:eu-repo/semantics/articlepublishedVersioninfo:eu-repo/semantics/publishedVersionArtículohttp://purl.org/coar/version/c_970fb48d4fbd8a85http://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1BeggarFigures of laughterPopular cultureColombian poetryJoaquín Pablo PosadaMendigoFiguras de la risaCultura popularPoesía colombianaJoaquín Pablo PosadaMolina Morales, Guillermo15eae704-24fa-4416-9523-46f112bbd8de-1Instituto Caro y CuervoCo-herencia1732257278THUMBNAILminiatura-coherencia.jpgminiatura-coherencia.jpgimage/jpeg230829https://repository.eafit.edu.co/bitstreams/b4c66e5c-4453-4bcf-8836-9dcc271e17ca/download6c3e6ec217fd7c11f79cdda26d9319a2MD51ORIGINALdocument - 2020-09-14T123059.282.pdfdocument - 2020-09-14T123059.282.pdfTexto completo PDFapplication/pdf494474https://repository.eafit.edu.co/bitstreams/c0279273-8d02-43a3-b15b-729cf1332c13/download38d00737ff0b735d7fca63ecbf068edaMD52articulo - copia (10).htmlarticulo - copia (10).htmlTexto completo HTMLtext/html376https://repository.eafit.edu.co/bitstreams/bd86ca06-3ba3-4c80-9c6d-21ca84fb9c1f/download77291abeef80d7229066d902268815d2MD5310784/17650oai:repository.eafit.edu.co:10784/176502024-12-04 11:46:59.338open.accesshttps://repository.eafit.edu.coRepositorio Institucional Universidad EAFITrepositorio@eafit.edu.co |